Dan from Work Stoppage and Red Game Table tells us about the chilling history of the US and its intelligence apparatuses' collaboration with the Nazis, including how the CIA took Nazi human experimentation research and ran with it, leading to programs such as MKULTRA.
Music:
Fonola Band - "Bella Ciao"
Phil Ochs - "I Ain't Marching Anymore"
The Mountain Goats - "Maybe Sprout Wings"
Frederic Mercier - "Spirit"
Sources:
Blowback: America's Recruitment of Nazis and Its Effects on the Cold War by Christopher Simpson
Clouds of Secrecy: The Army's Germ Warfare Tests Over Populated Areas by Leonard Cole
Trading with the Enemy: An Exposé of the Nazi-American Money Plot, 1933-1949 by Charles Higham
Whiteout: The CIA, Drugs, and the Press by Alexander Cockburn and Jeffrey St. Clair
The Search For the Manchurian Candidate: The CIA and Mind Control by John Marks
https://jeff-kaye.medium.com/a-real-flood-of-bacteria-and-germs-communications-intelligence-and-charges-of-u-s-4decafdc762
https://www.liberationschool.org/fascist-plots-in-the-u-s-contemporary-lessons-from-the-1934-business-plot/
https://soundcloud.com/trueanonpod/sirhan-sirhan
In this episode originally intended to be recorded and released before Halloween, we go over the social/political trends undergirding 90 years of US horror cinema decade by decade. Eilex shares a few frightening Latin American folktales and their ideological basis in colonization, and Jeremy talks about No One Gets Out Alive (2021) and the messages behind it.
James Bell, “US Horror Film and the Capitalist Crisis (1974–1985)”, ep 1 of Prolekult
Mark Steven, Splatter Capital
Susan Sontag, “The Imagination of Disaster”, Commentary Magazine