<description>&lt;p&gt;Whereof what's past is prologue; what to come, In yours and my discharge. So we’re a quarter of the way through the complete works of Shakespeare. We’re over 210 thousand words in, thirty two hours having elapsed of runtime, and 513 minutes of delicious, minty fresh podcast for you and yours.&lt;/p&gt;&lt;br&gt;&lt;p&gt;It was our intention to go straight through, fortnight after fortnight. We were not seasoned podcasters starting this process, and we’ve learned on the fly; and one of the things that we’ve learned is that this is much more difficult than it appears from the outside, and season breaks are actually very, very necessary. So, we’re taking a break.&lt;/p&gt;&lt;br&gt;&lt;p&gt;We’d like to take this opportunity to thank our listeners for joining us as we go through this odyssey. Don’t worry, however, because we’ll be back before you know it. Our next episode will be available in December, where we will be watching the 2014 RSC production of Two Gentlemen of Verona. We look forward to talking with you then!&lt;/p&gt;&lt;br&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;Email Address: hsaulpodcast@gmail.com&amp;nbsp;&lt;/p&gt;&lt;p&gt;Facebook: https://www.facebook.com/hsaulpodcast/&amp;nbsp;&lt;/p&gt;&lt;p&gt;Instagram: @hsaulpodcast&amp;nbsp;&lt;/p&gt;&lt;p&gt;Twitter: @hsaulpodcast&amp;nbsp;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Editing by Tammy Sarah Linde and Luke O'Hagan&amp;nbsp;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Music by Luke O'Hagan&amp;nbsp;&lt;/p&gt;&lt;p&gt;Audio excerpt from Henry V used under a Creative Commons License from Archive.org - license available here: https://creativecommons.org/licenses/by-nc-sa/3.0/&amp;nbsp;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</description>

This week on Heavenly Shows and Unnecessary Letters: we announce that we're taking a break.

Whereof what's past is prologue; what to come, In yours and my discharge. So we’re a quarter of the way through the complete works of Shakespeare. We’re over 210 thousand words in, thirty two hours having elapsed of runtime, and 513 minutes of delicious, minty fresh podcast for you and yours. It was our intention to go straight through, fortnight after fortnight. We were not seasoned podcasters starting this process, and we’ve learned on the fly; and one of the things that we’ve learned is that this is much more difficult than it appears from the outside, and season breaks are actually very, very necessary. So, we’re taking a break. We’d like to take this opportunity to thank our listeners for joining us as we go through this odyssey. Don’t worry, however, because we’ll be back before you know it. Our next episode will be available in December, where we will be watching the 2014 RSC production of Two Gentlemen of Verona. We look forward to talking with you then! Email Address: hsaulpodcast@gmail.com&nbsp;Facebook: https://www.facebook.com/hsaulpodcast/&nbsp;Instagram: @hsaulpodcast&nbsp;Twitter: @hsaulpodcast&nbsp; Editing by Tammy Sarah Linde and Luke O'Hagan&nbsp; Music by Luke O'Hagan&nbsp;Audio excerpt from Henry V used under a Creative Commons License from Archive.org - license available here: https://creativecommons.org/licenses/by-nc-sa/3.0/&nbsp;<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Intermission: What's Past Is Prologue

<description>&lt;p&gt;This week on Heavenly Shows and Unnecessary Letters: Richard II, directed by Gregory Doran for the Royal Shakespeare Company in 2013, filmed live at the Royal Shakespeare Theatre in Stratford-upon-Avon, and written in 1595 by William Shakespeare.&lt;/p&gt;&lt;br&gt;&lt;p&gt;What is a king? A miserable little pile of secrets. The tale of Richard the Second is that rarest of beasts; a piece of theatre in a very monarchist era that contains, and even to some extent glorifies, a coup dethroning the king. This is a play with two Kings of England; Henry the Fourth, who we’ll have two plays about in the near future, and Richard the Second; the least popular and least discussed of the royal Richards, he is a king mostly known for an excellent play detailing his demise written by the son of a glover from Warwickshire. This little scripted bit of the podcast has existed for a few reasons over the course of our podcast thus far: it’s been a place to make grand and sweeping statements about the place of Shakespeare in our modern lives, it’s been a place to make thinly veiled political jokes, but actually the initial intent for this paragraph was to explain why we chose the version of the play that we did. We’ve picked plays for lots of varied reasons, and some for no reason at all, but this one is very simple.&lt;/p&gt;&lt;p&gt;Tammy’s a big Doctor Who fan, and putting David Tennant in a show is a surefire way to get her excited to watch it. So, there we are.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Email Address: &lt;a href="mailto:hsaulpodcast@gmail.com" rel="noopener noreferrer" target="_blank"&gt;hsaulpodcast@gmail.com&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Facebook: &lt;a href="https://www.facebook.com/hsaulpodcast/" rel="noopener noreferrer" target="_blank"&gt;https://www.facebook.com/hsaulpodcast/&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Instagram: @hsaulpodcast&lt;/p&gt;&lt;p&gt;Twitter: @hsaulpodcast&lt;/p&gt;&lt;p&gt;Editing by Tammy Sarah Linde and Luke O'Hagan&lt;/p&gt;&lt;p&gt;Music by Luke O'Hagan&lt;/p&gt;&lt;p&gt;Audio excerpt from Henry V used under a Creative Commons License from Archive.org - license available here: &lt;a href="https://creativecommons.org/licenses/by-nc-sa/3.0/" rel="noopener noreferrer" target="_blank"&gt;https://creativecommons.org/licenses/by-nc-sa/3.0/&lt;/a&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</description>

This week on Heavenly Shows and Unnecessary Letters: Richard II, directed by Gregory Doran for the Royal Shakespeare Company in 2013, filmed live at the Royal Shakespeare Theatre in Stratford-upon-Avon, and written in 1595 by William Shakespeare.Wha...

This week on Heavenly Shows and Unnecessary Letters: Richard II, directed by Gregory Doran for the Royal Shakespeare Company in 2013, filmed live at the Royal Shakespeare Theatre in Stratford-upon-Avon, and written in 1595 by William Shakespeare. What is a king? A miserable little pile of secrets. The tale of Richard the Second is that rarest of beasts; a piece of theatre in a very monarchist era that contains, and even to some extent glorifies, a coup dethroning the king. This is a play with two Kings of England; Henry the Fourth, who we’ll have two plays about in the near future, and Richard the Second; the least popular and least discussed of the royal Richards, he is a king mostly known for an excellent play detailing his demise written by the son of a glover from Warwickshire. This little scripted bit of the podcast has existed for a few reasons over the course of our podcast thus far: it’s been a place to make grand and sweeping statements about the place of Shakespeare in our modern lives, it’s been a place to make thinly veiled political jokes, but actually the initial intent for this paragraph was to explain why we chose the version of the play that we did. We’ve picked plays for lots of varied reasons, and some for no reason at all, but this one is very simple.Tammy’s a big Doctor Who fan, and putting David Tennant in a show is a surefire way to get her excited to watch it. So, there we are. Email Address: <a href="mailto:hsaulpodcast@gmail.com" rel="noopener noreferrer" target="_blank">hsaulpodcast@gmail.com</a>Facebook: <a href="https://www.facebook.com/hsaulpodcast/" rel="noopener noreferrer" target="_blank">https://www.facebook.com/hsaulpodcast/</a>Instagram: @hsaulpodcastTwitter: @hsaulpodcastEditing by Tammy Sarah Linde and Luke O'HaganMusic by Luke O'HaganAudio excerpt from Henry V used under a Creative Commons License from Archive.org - license available here: <a href="https://creativecommons.org/licenses/by-nc-sa/3.0/" rel="noopener noreferrer" target="_blank">https://creativecommons.org/licenses/by-nc-sa/3.0/</a><hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Richard II (2013)

<description>&lt;p&gt;This week on Heavenly Shows and Unnecessary Letters: Measure for Measure, directed by Dominic Dromgoole for the Globe Theatre in 2015, and written in 1604 by William Shakespeare.&lt;/p&gt;&lt;p&gt;EPISODE NOTES: There’s a lot of discussion in the world about Shakespeare’s place in the English canon and education system, a lot of people saying that we’d have a better time of it if we used work that was more relevant to students and to modern life. We here at Heavenly Shows actually sort of agree with that--Shakespeare belongs in a drama class more than it does in every English class-- but we disagree with the notion that Shakespeare’s not relevant. It’s great drama, and great drama is work that talks about big ideas in the small context of actual people. What does a Shakespeare play relevant to 2020 look like? We watched Measure for Measure, and I couldn’t tell you- I mean, it’s about the nature of justice and mercy, and overreaching of the state when it comes to doing violence against human beings, and about corruption and how vital it is for us to emphasise ethical conduct when it comes to how we view our leaders: but I couldn’t possibly draw any lines between that and 2020. Maybe they’re right, nothing to learn at all.&lt;/p&gt;&lt;p&gt;Email Address: &lt;a href="mailto:hsaulpodcast@gmail.com" rel="noopener noreferrer" target="_blank"&gt;hsaulpodcast@gmail.com&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Facebook: &lt;a href="https://www.facebook.com/hsaulpodcast/" rel="noopener noreferrer" target="_blank"&gt;https://www.facebook.com/hsaulpodcast/&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Instagram: @hsaulpodcast&lt;/p&gt;&lt;p&gt;Twitter: @hsaulpodcast&lt;/p&gt;&lt;p&gt;Editing by Tammy Sarah Linde and Luke O'Hagan&lt;/p&gt;&lt;p&gt;Music by Luke O'Hagan&lt;/p&gt;&lt;p&gt;Audio excerpt from Henry V used under a Creative Commons License from Archive.org - license available here: &lt;a href="https://creativecommons.org/licenses/by-nc-sa/3.0/" rel="noopener noreferrer" target="_blank"&gt;https://creativecommons.org/licenses/by-nc-sa/3.0/&lt;/a&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</description>

This week on Heavenly Shows and Unnecessary Letters: Measure for Measure, directed by Dominic Dromgoole for the Globe Theatre in 2015, and written in 1604 by William Shakespeare.EPISODE NOTES: There’s a lot of discussion in the world about Shakespeare...

This week on Heavenly Shows and Unnecessary Letters: Measure for Measure, directed by Dominic Dromgoole for the Globe Theatre in 2015, and written in 1604 by William Shakespeare.EPISODE NOTES: There’s a lot of discussion in the world about Shakespeare’s place in the English canon and education system, a lot of people saying that we’d have a better time of it if we used work that was more relevant to students and to modern life. We here at Heavenly Shows actually sort of agree with that--Shakespeare belongs in a drama class more than it does in every English class-- but we disagree with the notion that Shakespeare’s not relevant. It’s great drama, and great drama is work that talks about big ideas in the small context of actual people. What does a Shakespeare play relevant to 2020 look like? We watched Measure for Measure, and I couldn’t tell you- I mean, it’s about the nature of justice and mercy, and overreaching of the state when it comes to doing violence against human beings, and about corruption and how vital it is for us to emphasise ethical conduct when it comes to how we view our leaders: but I couldn’t possibly draw any lines between that and 2020. Maybe they’re right, nothing to learn at all.Email Address: <a href="mailto:hsaulpodcast@gmail.com" rel="noopener noreferrer" target="_blank">hsaulpodcast@gmail.com</a>Facebook: <a href="https://www.facebook.com/hsaulpodcast/" rel="noopener noreferrer" target="_blank">https://www.facebook.com/hsaulpodcast/</a>Instagram: @hsaulpodcastTwitter: @hsaulpodcastEditing by Tammy Sarah Linde and Luke O'HaganMusic by Luke O'HaganAudio excerpt from Henry V used under a Creative Commons License from Archive.org - license available here: <a href="https://creativecommons.org/licenses/by-nc-sa/3.0/" rel="noopener noreferrer" target="_blank">https://creativecommons.org/licenses/by-nc-sa/3.0/</a><hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Measure for Measure (2015)

<description>&lt;p&gt;This week on Heavenly Shows and Unnecessary Letters: Kiss Me Kate, directed by George Sidney in 1953 with screenplay written by Dorothy Kingsley adapted from the stage musical by Cole Porter, and Ten Things I Hate About You, directed by Gil Junger in 1999 and written by Karen McCullah and Kirsten Smith, both based on Taming of the Shrew, written by William Shakespeare in 1603.&lt;/p&gt;&lt;br&gt;&lt;p&gt;EPISODE NOTES: It is well said that Shakespeare’s stories are timeless in their core themes and so it comes as no surprise that his works have been re-told and re-fashioned time and time again. We thought to ourselves, you know what, 39 standard tellings of Shakespeare just aren’t enough for us - we are going to add some BONUS content! And so here we are on our tenth episode bringing you a taste of the modern bard. The two shows we watched this week are re-tellings of last episode’s Taming of the Shrew, and I have to say these two movies are some of my favourites. One is a classic MGM Studio 1950’s era movie musical and the other is a classic Hollywood 1990’s era teen movie. If you’ve ever thought you would like to participate in the friendly banter about our takes on the productions we watch, this might be a readily accessible version of Shakespeare’s story for you to dip your toe!&lt;/p&gt;&lt;br&gt;&lt;p&gt;Email Address: &lt;a href="mailto:hsaulpodcast@gmail.com" rel="noopener noreferrer" target="_blank"&gt;hsaulpodcast@gmail.com&lt;/a&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;Facebook: &lt;a href="https://www.facebook.com/hsaulpodcast/" rel="noopener noreferrer" target="_blank"&gt;https://www.facebook.com/hsaulpodcast/&lt;/a&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;Instagram: @hsaulpodcast&amp;nbsp;&lt;/p&gt;&lt;p&gt;Twitter: @hsaulpodcast&amp;nbsp;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Editing by Tammy Sarah Linde and Luke O'Hagan&amp;nbsp;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Music by Luke O'Hagan&amp;nbsp;&lt;/p&gt;&lt;p&gt;Audio excerpt from Henry V used under a Creative Commons License from Archive.org - license available here: &lt;a href="https://creativecommons.org/licenses/by-nc-sa/3.0/" rel="noopener noreferrer" target="_blank"&gt;https://creativecommons.org/licenses/by-nc-sa/3.0/&lt;/a&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</description>

This week on Heavenly Shows and Unnecessary Letters: Kiss Me Kate, directed by George Sidney in 1953 with screenplay written by Dorothy Kingsley adapted from the stage musical by Cole Porter, and Ten Things I Hate About You, directed by Gil Junger in 1...

This week on Heavenly Shows and Unnecessary Letters: Kiss Me Kate, directed by George Sidney in 1953 with screenplay written by Dorothy Kingsley adapted from the stage musical by Cole Porter, and Ten Things I Hate About You, directed by Gil Junger in 1999 and written by Karen McCullah and Kirsten Smith, both based on Taming of the Shrew, written by William Shakespeare in 1603. EPISODE NOTES: It is well said that Shakespeare’s stories are timeless in their core themes and so it comes as no surprise that his works have been re-told and re-fashioned time and time again. We thought to ourselves, you know what, 39 standard tellings of Shakespeare just aren’t enough for us - we are going to add some BONUS content! And so here we are on our tenth episode bringing you a taste of the modern bard. The two shows we watched this week are re-tellings of last episode’s Taming of the Shrew, and I have to say these two movies are some of my favourites. One is a classic MGM Studio 1950’s era movie musical and the other is a classic Hollywood 1990’s era teen movie. If you’ve ever thought you would like to participate in the friendly banter about our takes on the productions we watch, this might be a readily accessible version of Shakespeare’s story for you to dip your toe! Email Address: <a href="mailto:hsaulpodcast@gmail.com" rel="noopener noreferrer" target="_blank">hsaulpodcast@gmail.com</a>&nbsp;Facebook: <a href="https://www.facebook.com/hsaulpodcast/" rel="noopener noreferrer" target="_blank">https://www.facebook.com/hsaulpodcast/</a>&nbsp;Instagram: @hsaulpodcast&nbsp;Twitter: @hsaulpodcast&nbsp; Editing by Tammy Sarah Linde and Luke O'Hagan&nbsp; Music by Luke O'Hagan&nbsp;Audio excerpt from Henry V used under a Creative Commons License from Archive.org - license available here: <a href="https://creativecommons.org/licenses/by-nc-sa/3.0/" rel="noopener noreferrer" target="_blank">https://creativecommons.org/licenses/by-nc-sa/3.0/</a>&nbsp; <hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Bonus Episode: Kiss Me Kate (1953) and Ten Things I Hate About You (1999)

<description>&lt;p&gt;This week on Heavenly Shows and Unnecessary Letters: Taming of the Shrew, directed by Toby Frow for the Globe Theatre in 2012, and written in 1603 by William Shakespeare.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Content Warning: In this episode we discuss depicted episodes of domestic violence. If you need assistance, links to some Australian support providers will be included at the end of these show notes.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Some Shakespeare plays are timeless, and others are a product of their time. When staging plays, what you put on stage is always a mixture of the time when the play was written, and the era in which your audience is living; no matter how period-appropriate, no matter how historically informed, and notwithstanding the colossal temple to Shakespeare in which you’re performing, you’re always going to be judged by modern standards; that’s just the nature of the arts, especially the performing arts. Taming of the Shrew is a story so beloved that it has been adapted many times in many ways, but a lot of those adaptations exist to get past the almost unscalable heights of the play’s chauvinism as written. Our show today, performed in and by the Globe, isn’t making those adaptations; so what is watching a show like that in 2012 or 2020 like?&lt;/p&gt;&lt;br&gt;&lt;p&gt;Lifeline Australia - &lt;a href="https://www.lifeline.org.au/" rel="noopener noreferrer" target="_blank"&gt;https://www.lifeline.org.au/&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Australia wide 24 hour crisis support and suicide prevention services.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Beyond Blue - &lt;a href="https://www.beyondblue.org.au/" rel="noopener noreferrer" target="_blank"&gt;https://www.beyondblue.org.au/&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Australia wide 24 hour information and support about mental health, including anxiety, depression and suicide.&lt;/p&gt;&lt;br&gt;&lt;p&gt;DV Connect - &lt;a href="https://www.dvconnect.org/" rel="noopener noreferrer" target="_blank"&gt;https://www.dvconnect.org/&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Womensline: 24 hour support for women experiencing domestic or family violence; Mensline: Free, confidential telephone, counselling, referral and support service for men; Sexual Assault Helpline: Telephone support and counselling regarding sexual assault or abuse.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Email Address: &lt;a href="mailto:hsaulpodcast@gmail.com" rel="noopener noreferrer" target="_blank"&gt;hsaulpodcast@gmail.com&lt;/a&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;Facebook: &lt;a href="https://www.facebook.com/hsaulpodcast/" rel="noopener noreferrer" target="_blank"&gt;https://www.facebook.com/hsaulpodcast/&lt;/a&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;Instagram: @hsaulpodcast&amp;nbsp;&lt;/p&gt;&lt;p&gt;Twitter: @hsaulpodcast&amp;nbsp;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Editing by Tammy Sarah Linde and Luke O'Hagan&amp;nbsp;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Music by Luke O'Hagan&amp;nbsp;&lt;/p&gt;&lt;p&gt;Audio excerpt from Henry V used under a Creative Commons License from Archive.org - license available here: &lt;a href="https://creativecommons.org/licenses/by-nc-sa/3.0/" rel="noopener noreferrer" target="_blank"&gt;https://creativecommons.org/licenses/by-nc-sa/3.0/&lt;/a&gt;&amp;nbsp;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</description>

This week on Heavenly Shows and Unnecessary Letters: Taming of the Shrew, directed by Toby Frow for the Globe Theatre in 2012, and written in 1603 by William Shakespeare.Content Warning: In this episode we discuss depicted episodes of domestic viole...

This week on Heavenly Shows and Unnecessary Letters: Taming of the Shrew, directed by Toby Frow for the Globe Theatre in 2012, and written in 1603 by William Shakespeare. Content Warning: In this episode we discuss depicted episodes of domestic violence. If you need assistance, links to some Australian support providers will be included at the end of these show notes. Some Shakespeare plays are timeless, and others are a product of their time. When staging plays, what you put on stage is always a mixture of the time when the play was written, and the era in which your audience is living; no matter how period-appropriate, no matter how historically informed, and notwithstanding the colossal temple to Shakespeare in which you’re performing, you’re always going to be judged by modern standards; that’s just the nature of the arts, especially the performing arts. Taming of the Shrew is a story so beloved that it has been adapted many times in many ways, but a lot of those adaptations exist to get past the almost unscalable heights of the play’s chauvinism as written. Our show today, performed in and by the Globe, isn’t making those adaptations; so what is watching a show like that in 2012 or 2020 like? Lifeline Australia - <a href="https://www.lifeline.org.au/" rel="noopener noreferrer" target="_blank">https://www.lifeline.org.au/</a>Australia wide 24 hour crisis support and suicide prevention services. Beyond Blue - <a href="https://www.beyondblue.org.au/" rel="noopener noreferrer" target="_blank">https://www.beyondblue.org.au/</a>Australia wide 24 hour information and support about mental health, including anxiety, depression and suicide. DV Connect - <a href="https://www.dvconnect.org/" rel="noopener noreferrer" target="_blank">https://www.dvconnect.org/</a>Womensline: 24 hour support for women experiencing domestic or family violence; Mensline: Free, confidential telephone, counselling, referral and support service for men; Sexual Assault Helpline: Telephone support and counselling regarding sexual assault or abuse. Email Address: <a href="mailto:hsaulpodcast@gmail.com" rel="noopener noreferrer" target="_blank">hsaulpodcast@gmail.com</a>&nbsp;Facebook: <a href="https://www.facebook.com/hsaulpodcast/" rel="noopener noreferrer" target="_blank">https://www.facebook.com/hsaulpodcast/</a>&nbsp;Instagram: @hsaulpodcast&nbsp;Twitter: @hsaulpodcast&nbsp; Editing by Tammy Sarah Linde and Luke O'Hagan&nbsp; Music by Luke O'Hagan&nbsp;Audio excerpt from Henry V used under a Creative Commons License from Archive.org - license available here: <a href="https://creativecommons.org/licenses/by-nc-sa/3.0/" rel="noopener noreferrer" target="_blank">https://creativecommons.org/licenses/by-nc-sa/3.0/</a>&nbsp;<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Taming of the Shrew (2012)

There are 835,997 words in the plays of Shakespeare. Heavenly Shows and Unnecessary Letters is a podcast where two theatre nerds watch productions of all 39 Shakespeare plays, and have a chat about the challenges and successes in adapting the work for modern stage and screen. If you’re a fan of Shakespeare, or theatre, or just like to listen to people challenge their stamina for consuming iambic pentameter, this podcast is for you. <hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

There are 835,997 words in the plays of Shakespeare. Heavenly Shows and Unnecessary Letters is a podcast where two theatre nerds watch productions of all 39 Shakespeare plays, and have a chat about the challenges and successes in adapting the work for ...

Heavenly Shows and Unnecessary Letters

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