C. Dreams, Dr. Christina Perez's moniker while incarcerated, joins me today to talk about addiction, recovery, reentry, education, stigma, social movement, reappropriation, colorism, plus she shares her story of doing interviews (including for this show) on a contraband cell phone smuggled into her prison cell.
Check out C. Dreams' work at Filter Magazine. You can also find her on Twitter/X @UnCagedCritique.
This week I revisit a topic I've discussed repeatedly on this show: the reported success rates of 12-Step programs like AA and NA. I talk about the reason these programs persist as the norm despite an odd lack of data to verify their success, and I walk through the reasons AA and other 12-Step programs are highly religious while almost always claiming (and appearing) not to be.
Read Cochrane's new(er) meta-analysis of 12-step success rates on their website.
Read more about aging out of addiction in Zimburg's work.
14% - 31% of people who walk into a 12-Step meeting keep coming for at least 1 year.
21% - 22% of people who stay in a 12-Step program for more than a year remain sober.
5% - 8% of people who walk in a 12-Step meeting will remain sober for at least 1 year.
Some studies show that those who try a 12-Step program actually have worse success rates than non-treatment groups.
This week I talk about the medication shortages across the United States. Drugs used to treat ADHD, chronic pain, and other conditions have been in short supply lately for reasons unexplained. Different groups have blamed the shortage on one anther: the manufacturers blame the DEA, while the DEA blames manufacturers. But as usual, the problem comes down to a design issue.
For more about Assent's issues with the DEA, check out the Reason article, "DEA Shuts Down Factory even as Adderall Shortage Persists."
This week I wrap up a multi-part discussion of Foucault's theories of panoptic power, institutional knowledge, and discourses used to endorse awful ideas and beliefs about drugs and drug users. I also talk about Michel Foucault's car accident while high on opium, the notion of panoptic power, Jeremy Bentham's panoptic prison, discourse, stigma and stereotype.
Foucault audio at intro and outro from Century of the Self lecture series.
Captured Words/Free Thoughts is an annual, non-profit publication packed with art, poetry and prose inspired and written inside US prisons. Every year a group of volunteers records some of the submissions in audio form to share with the world.
An online version of the full magazine (and all previous volumes) is here. If you or someone you know (in prison or out) would like a paper copy, contact me and I'll make sure to send one out (for free). You can reach us by mail at CW/FT, 1201 Larimer St, Suite 3014, Denver, CO, 80204.
Intro: Ben Boyce
"My Freedom Kite," by Monica Petrosian
"What's in a Name?" by Gary K. Farlow
"Pledge of Allegiance," by Gary K. Farlow
"Nana," by Tanya Austin
"Attempting Sobriety," by Dylan Lapointe (DJ)
"To My Trans Brothers (My Incarcerated Word)," by H.L. Tapia
"Quiet Night," by Anthony Enis
"Prison is not a Depository," by Abdullah Muhammad
"Mr. Box," by Larry N. Stromberg
"Methamphetamine," by Dylan Lapointe (DJ)
"To Imprisonment," by Eric Perez
"A Birthday in Prison," by Keith Pertusio
"Prison World" by Larry N. Stromberg
"Bound," by Christian J. Weaver
"Living are the Dead," by David Neff
"A Better Way," by Todd Broxmeyer
"No," by Eugene "Tsunami” Miller
"The Beast in the Mirror," by David Zenquis
"Incarcerated but Inspired," by David Richardson
"My First Day on Death Row," by Anthony Enis
"Black Boy Dark Child," by Daniel Mopkins
"Can’t Breathe," by Larry N. Stromberg
"Pain," by Shawn Harris
"Lockdown," by Gary K. Farlow
"The Man Not Taken," by Christian Weaver
"Convict Chronicles: An Ode to Time," by Leo Cardez
"Loving a Convict," by Debbie Magee
"Meaningful," by Taveuan Williams
"Finally," by Manuel G. Sisneros Sr.
"QUO VADIS?" by Troy Brownlow
Outro: Meghan Cosgrove & Ben Boyce
Cover art painting of MLB pitcher Satchel Paige by Warren Worthington
Sestina Godspell
Six months in prison became a theater
Uniforms became just another costume
Not knowing that all of life is a stage
Every man a star to the director
Expectations changed the meaning of dance
Soon this chaotic troupe began to dance
together breathing freedom into theater
Even the gods came to absorb their song
Commitment was fit to wear the costume
guided by the light of the director
All his tender loving care set the stage
A bus transported All actors and stage
where even the law could begin to dance
with shackle and chain requested one director
whose eye was trained on a different theater
Attempting to restrain men in costume
all the while each was singing the same song
Unforgettable Nights echoed their song
Ancestors followed footprints to the stage
where reality wore a different costume
the love of family improved the dance
Never before hade HOME become theater
except in the heart of our director
Five shows meant oneness with their director
A certain harmony in their song
could be felt in the vibrating theater
Hugging hands joined families on stage
where every soul entered the act of love dance
stripping away Lucifer's green costume
In the next act gone was every costume
Filled with satisfaction our director
coordinated the tear down dance
of this newly formed society's song
echoing in their love of theater
Their hearts will Never leave the magic stage
Empty feels the dance without the old song
and costumes feel senseless without a theater
directed by o