<p>This week I speak with <a href="https://u9cey9hbb.cc.rs6.net/tn.jsp?f=001Ya86yQ1BBBBTU5lcA5H0nNbq4gAMSoDxrt4aQUkxZQXCMBrCnxMnZJQXTECXYyVji4kY1V2G1U2F7WWnsHqimDlPhjd1QIol18j2DAid7KyGW63gWDRzk2OROTHtRbFf2btCQhqeEVL4HgfmQgvjFUOyxTsezwEnbhg8ZUNvcfyO9UQBWiI4_MElhYR23NkF6iXV56n1ehWpzUvoD8_Pkkdg2MYSwSMAs_8cUxMLOHg=&c=b61LMBFQcwYSV1demF2gN5ThACbLDbkogQuPxvHUw0ql1EOM8YAPQg==&ch=3G1LQTghZaDDaWqKQzN-zoTnqdQwle8j1V-KnlWXbbSbKv3aMjGRZw==" target="_blank"><b>Frank Verlizzo</b></a>, on his first book of the Retro Broadway Mystery Series – <b><i>Scenery of the Crime</i></b>. </p>
<p>Before becoming an author, Frank Verlizzo was a legendary graphic designer, the man behind such iconic poster art as the original Broadway productions of Disney's <i>The Lion King</i>; Stephen Sondheim's<i> Sweeney Todd</i> and <i>Sunday in the Park with George</i>, and Ira Levin's <i>Deathtrap</i>.</p>