The Rock Art Podcast

In this episode, Alan is joined by Joseph Williams, founder of Seven Fires Corporation, to explore how Indigenous knowledge, AI, and 3D imaging intersect in the study of rock art. They discuss applications from Göbekli Tepe to Native American sites, and examine the House of the Sun pictographs in Southern California, exploring how they reflect Native American cosmology and celestial traditions.

In this episode, Alan is joined by Douglas Beauchamp, an arts consultant and photographer based in Oregon, whose work explores the enduring power of rock art in shaping cultural landscapes. Douglas examines how ancient engravings and visual imagery continue to speak to contemporary audiences, bridging archaeology, public art, and the study of visual memory. Through his photography and field documentation, he illuminates the ways ancient art interacts with the landscape and modern viewers.

On today’s show, Chris Webster joins Dr. Alan Garfinkel to deconstruct a fascinating rock drawing panel at Portuguese Bench near Little Lake in western California. There is so much going on with this panel that they only discuss a few of the more prominent elements and possible a few that you might not notice. Follow along by downloading the images and figure out what you can see and what you think it means.

In this episode, Alan is joined by Stephen Townley Bassett, a forensic artist dedicated to preserving and recreating San rock art with striking accuracy. Using natural materials like ochre, charcoal, and egg shell, Stephen reconstructs ancient paintings in the same way they were originally made—millimeter by millimeter. With decades of field experience across Southern Africa, his work highlights the intersection of art, archaeology, and conservation, offering a powerful visual record of a fragile cultural legacy under threat.

In this episode, Alan is joined by visual artist Shefa Salem al‑Baraesi, a Benghazi‑based creator whose oil paintings re‑imagine Libya’s archaeological heritage—like the inverted‑figure boat scene from the Acacus cave art—and ancient rituals such as the Kaska dance. Through her realistic, large‑scale works, Shefa transforms written history and myth into evocative visual narratives that resonate with everyday Libyans. Her exhibitions, I Am Libya and Ethnolibya, bring these ancestral images forward as a living, shared national memory.