<p>In episode five of <strong><em>The</em></strong> <strong><em>Art of Rave</em></strong> Becky and <strong>Sister Bliss</strong> cover a wide range of topics, including: Faithless’ upcoming album release; raving and illegal raves both now and back in the day; working, creating and parenting during lockdown; the essentiality of performing live; on being a woman in the music industry and on the dance music scene; how Bliss’ love affair with electronic music began and how she got together with Rollo and Maxi; the early days of Faithless and their debt to Donna Summer, Pete Tong and Leftfield; and Bliss’ aspirations to be like Prince when she was younger.</p><p>&nbsp;</p><p>As with all Becky’s guests on <strong><em>The Art of Rave</em></strong><em>, </em><strong>Sister Bliss</strong><em> </em>brings along three records that mean or say something to him, whether that’s because they’re by an artist that influenced him, remind him of a specific place or time, or feature a beat that defined his sound. These records are:<em> </em><strong>‘Open Up’ </strong>by <strong>Leftfield; ‘Windpower’ </strong>by <strong>Thomas Dolby;</strong> and<strong> ‘I Feel Love’</strong> by<strong> Donna Summer.</strong></p><p><strong>&nbsp;</strong></p><p><strong>Meanwhile, Becky selects the record that exemplifies why she handpicked Sister Bliss</strong> as a guest for the series: <strong>‘Insomnia’ </strong>by <strong>Faithless</strong>.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>