<div>On this week’s episode, I’m joined by Lou Diamond Phillips, who you know from … well, tons of stuff. <em>La Bamba</em>, <em>Young Guns</em>, <em>Longmire</em>, and last year’s best new TV show, <em>The Chair Company</em>. He’s on the show this week to discuss his new film, <em>Keep Quiet</em>, which is playing this Saturday evening at the Dallas International Film Festival and should hit theaters this summer. We talked about all sorts of stuff, but one thing I find really fascinating is <em>Keep Quiet</em>’s place in the burgeoning mini-genre we might think of as Native Noir: films like this, <em>Killers of the Flower Moon</em>, and <em>Wind River</em>, TV shows like <em>Reservation Dogs</em>, <em>Dark Winds</em>, and <em>Longmire</em>, etc. It’s an interesting moment, and <em>Keep Quiet </em>is a key part of it. I hope you’ll seek it out once it hits theaters … don’t worry, I’ll remind you when it’s about to happen.</div>