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<p>Photography is a technology of contradictions. It is at once mechanical and mysterious, even magical. It furnishes evidence of presence while being a token of absence. It can show us proof but can’t, without accompanying narration or context, make us understand. And perhaps most perplexing of all, it is an imperialistic technology which, paradoxically, atomizes the world and democratizes all events and experiences, making each viewer of photographs the owner of a facsimile-world in his or her head. Wes & Erin discuss two essays from Susan Sontag’s collection, “On Photography,” “In Plato’s Cave” and “America, Seen Through Photographs, Darkly,” and ask what constitutes photography’s “ethics of seeing,” and whether Sontag suggests an alternative comportment towards the camera, the subject, and the photographic image.</p>
<p><strong>Upcoming Episodes</strong>: <em>Withnail & I</em>; <em>Waiting for Godot</em></p>
<p>Pre-order Erin’s forthcoming book “Avail” here: <a href="http://subtextpodcast.com/avail">http://subtextpodcast.com/avail</a></p>
<p>For bonus content, become a paid subscriber at <a href="https://www.patreon.com/subtext">Patreon</a> or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. </p>
<p>This podcast is part of the Airwave Media podcast network. Visit <a href="https://www.airwavemedia.com">AirwaveMedia.com</a> to listen and subscribe to other Airwave shows like <a href="https://podcasts.apple.com/us/podcast/good-job-brain/id507938401" title="">Good Job, Brain</a> and <a href="https://itunes.apple.com/us/podcast/big-picture-science/id73329638?mt=2&ign-mpt=uo%3D4" title="">Big Picture Science</a>.</p>
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