In Confianza

During a trip to Chicago for the Democratic National Convention, Liz finds her way to the traditionally Mexican neighborhood of Pilsen to eat her way through two fabulous establishments. It’s a tasty mission to discover what stories these restaurants tell about food, community, identity, and how their owners would stage their version of TV’s “The Bear.” 

This episode was produced and edited by Mark Pagán. Audio engineering, scoring, and mixing by Charlie Garcia. I’m your host, Liz Rebecca Alarcón.

Follow & continue the conversation with us on social media; @ProjectPulso. You can find the transcripts to this and other episodes on our website.

Liz speaks with Prisca Dorcas Mojica Rodriguez, author of Tías and Primas: On Knowing and Loving the Women Who Raise Us, about the complex archetypes/identities of our family’s matriarchs, and the routes we have to embracing and breaking these sometimes restrictive roles. 

This episode was produced and edited by Mark Pagán. Audio engineering, scoring, and mixing by Charlie Garcia and Mark Pagán. Additional audio editing by Julian Blackmore. I’m your host, Liz Rebecca Alarcón.

Follow & continue the conversation with us on social media; @ProjectPulso. You can find the transcripts to this and other episodes on our website.

Whether it’s working in a corporate world, hiding your accent, or styling your hair in a certain way, what’s been your journey to assimilate as a Latine person in the United States? Referencing the part memoir, part manifesto book You Sound Like a White Girl, we speak with speaker, social justice advocate, and author Julissa Arce about her journey in recognizing the ways she’s hidden her identity in the pursuit of an American dream and the empowering road in learning about reclaiming her Latinidad. 

This episode was produced and edited by Mark Pagán. Audio engineering, scoring, and mixing by Charlie Garcia and Mark Pagán. Additional audio editing by Julian Blackmore. I’m your host, Liz Rebecca Alarcón.

Follow & continue the conversation with us on social media; @ProjectPulso. You can find the transcripts to this and other episodes on our website.

This year marks a first — the inclusion of breakdancing as a competitive category in the 2024 Olympics. It’s been a long road for a dance style built by young Black and brown teens in New York in the 1970s. But how should we approach mainstream acceptance with artforms that were once underground and marginalized? Liz speaks with B-girl Ana “Rokafella” Garcia and Borivogue founder Edrimaelle “Edrit” Delgado to find out about the history of breaking and ballroom culture and how we should approach the idea of success when it comes to community built artforms.  

This episode was hosted by Liz Rebecca Alarcón and produced by Charlie Garcia & Mark Pagán. Editing by Mark Pagán. Audio engineering, scoring, and mixing by Charlie Garcia and Mark Pagán. Additional audio editing by Julian Blackmore. 

Follow & continue the conversation with us on social media; @ProjectPulso. You can find the transcripts to this and other episodes on our website.

When more Latin Americans became residents of Miami in the 1970s, the city seemed to calmly welcome the influx of Spanish-speaking newcomers — prompting a city ordinance to create bilingual options throughout the municipality. But following the massive influx of Cuban citizens, via the Mariela Boatlift in 1980, an English-only antagonism grew, setting off a decade-long struggle to acknowledge the multilingual identity of the city. We revisit this fight and how it speaks to ongoing tensions to accept Latino identity in cities throughout the United States. 

This episode was produced and written by Charlie Garcia. Editing by Mark Págan.. Audio engineering and scoring by Charlie Garcia.  It was hosted by Liz Rebecca Alarcón.

Follow & continue the conversation with us on social media; @ProjectPulso. You can find the transcripts to this and other episodes on our website.