Muse Mentors

Fredrich Kuhlau (1786–1832) was a Danish composer of the late Classical and early Romantic periods who wrote prodigiously for the flute. The final movement of his Fantasie for Solo Flute in D major, "Arietta and Variations" is charming, virtuosic, and fun! The aria "Bati, Bati" from Mozart's opera Don Giovanni is the theme. The operatic spirit shines in this 4 minute long gem. Georg Philip Telemann, Fantaisie No. 12, performed by Karen Kevra, flute Georg Friedrich Händel,...

Composer Katherine Hoover's Winter Spirits is a musical tribute to the American Desert Southwest. This 5 minute piece was inspired by Marie Buchfink's artwork picturing a cross-legged native American flute player: A colorful cloud of tiny beneficent spirits rises from the flute into a cloud. Elements of dance, chant, and drumming combine to create a mystical, magical soundscape. Katherine Hoover, Kokopeli Katherine Hoover, Winter Spirits performed by Karen Kevra, flute Support the show

In this encore episode from Christmas eve 2020, we celebrate the life and legacy of Tony Barrand who died on January 29, 2022. Tony Barrand was born in England in 1945 but has lived most of his life in southern Vermont in the vibrant town of Brattleboro—a place that shines all the more brightly because of him. This Cornell PHD and Professor Emeritus of Boston University is not just an academic, but also a singer, dancer, and story-teller. What first grabs you is his way with words—he can give...

Pianist Jeffrey Chappell reflects on his life and his formative mentorships first with pianist Jane Allen, and later with the legendary Leon Fleisher. In this encore episode, Jeffrey reveals his early childhood genesis story with the piano; his studies at the Curtis Institute and Peabody Conservatory, and path that led him to an astounding last minute substitution for Claudio Arrau with the Baltimore Symphony. He addresses overcoming challenges and adversity and speaks about his lifelon...

Edgard Varèse is one of the most influential musicians of the twentieth century and was called "The stratospheric Colossus of Sound." He lived life with intensity and composed the same way. Varèse lived most of his composing life in New York City and made music out of the compelling cacophony of NYC street noises: sirens, firetrucks, river sounds, foghorns, and even skyscraper construction. Density 21.5 was composed in 1936 (and revised in 194) at the reque...