Description
<p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>幸福，是人类亘古的追求。随着文明迈向现代，</span><span>技术进步、城市空间扩张，社会思潮激荡，重塑了人们对世界和自我的认知，对</span><span>幸福的理解也随之悄然变化。</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>目前，巴黎奥赛博物馆迄今在华规模最大的展览《缔造现代：来自巴黎奥赛博物馆的艺术瑰宝》正在浦东美术馆展出。呈现的正是梵高、莫奈、塞尚、高更、马奈等艺术大师，在这个传统秩序瓦解，现代生活缔造的特殊时段，用新的技艺、新的视觉语言，带着对艺术新的理解，为人们塑造出多重的幸福想象。</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>2025</span><span>，兰蔻迎来</span><span>90</span><span>周年。在这重要时刻，兰蔻以艺术为名，作为独家品牌合作伙伴与浦东美术馆共同呈现本次奥赛大展，并在展览期间特别策划了“艺谈会客厅”系列公教活动。</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>本期节目，《剧谈社》受邀以“幸福此刻”为主题和艺谈会客厅的学术策划、策展人、艺术评论家沈奇岚，艺术史教授王瑞芸以及艺术家李竞菲展开对话，和大家一起从梵高的卧室走向无穷的远方，分享艺术如何捕捉生活的滋味，承载快乐与悲伤，帮助一代又一代的人们触达此刻的幸福。</span></p><span><br></span><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><b><span>内容包括</span></b></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>02:49 </span><span>幸福是河畔的一阵风，是一场没有噩梦惊扰的睡眠</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>09:22 </span><span>缔造现代：艺术家的目光从天上转向人间</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>16:36 </span><span>两种舒展：海上女神和富养的人间女子</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>17:58 </span><span>上帝死了：我们重估价值，我们追寻幸福</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>21:34 </span><span>印象派：古典和现代艺术的分水岭</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>26:00 </span><span>梵高：穿越痛苦，直达深邃的</span><span>生命体验</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>32:15 </span><span>真实的梵高、媒介里的梵高、心中的梵高：穿透三重影像</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>39:18 </span><span>劳特累克的眼睛：在边缘中看见生命的光彩</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>45:15 </span><span>走向远方，回到起点，成为完整的自我</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>52:02 </span><span>缔造现代之后，艺术有了更宽阔的空间安顿灵魂</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>63:25 </span><span>今天的我们如何通过艺术触达此刻的幸福</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><b><span>- </span></b><b><span>制作团队</span> <span>–</span></b></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>美术设计</span> <span>子鹤</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>后期制作</span> <span>孙称</span></p><span><br></span><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica, Arial, sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span><img data-key="0" src="http://imagev2.xmcdn.com/storages/e4d0-audiofreehighqps/BE/30/GKwRIMAMs6_LABGkOAQa2oPn.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" alt="" data-origin="http://imagev2.xmcdn.com/storages/e4d0-audiofreehighqps/BE/30/GKwRIMAMs6_LABGkOAQa2oPn.jpg?op_type=0" data-large="http://imagev2.xmcdn.com/storages/e4d0-audiofreehighqps/BE/30/GKwRIMAMs6_LABGkOAQa2oPn.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" data-large-width="750" data-large-height="589.0454836643178" data-preview="http://imagev2.xmcdn.com/storages/e4d0-audiofreehighqps/BE/30/GKwRIMAMs6_LABGkOAQa2oPn.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_small" data-preview-width="140" data-preview-height="109.95515695067265"><br></span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>图为：阿尔弗雷德·史蒂文斯的《沐浴》，表现了被现代生活富养的女子，折射出</span><span>19</span><span>世纪后期社会物质条件的显著改善。</span></p><br><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica, Arial, sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><img data-key="1" src="http://imagev2.xmcdn.com/storages/3d71-audiofreehighqps/C1/27/GKwRIUEMs6_qAAnoeQQa2pMP.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" alt="" data-origin="http://imagev2.xmcdn.com/storages/3d71-audiofreehighqps/C1/27/GKwRIUEMs6_qAAnoeQQa2pMP.jpg?op_type=0" data-large="http://imagev2.xmcdn.com/storages/3d71-audiofreehighqps/C1/27/GKwRIUEMs6_qAAnoeQQa2pMP.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" data-large-width="750" data-large-height="608.6515028432169" data-preview="http://imagev2.xmcdn.com/storages/3d71-audiofreehighqps/C1/27/GKwRIUEMs6_qAAnoeQQa2pMP.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_small" data-preview-width="140" data-preview-height="113.61494719740048"><br></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>图为：爱德华·马奈的《海滩上》。模特是他的弟弟欧仁马奈和夫人苏珊娜，温情之下隐藏着一段隐秘婉转的感情。</span></p><span><br></span><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica, Arial, sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span><img data-key="2" src="http://imagev2.xmcdn.com/storages/7ea1-audiofreehighqps/D3/FA/GAqh1QQMs7ADABT54gQa2p9s.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" alt="" data-origin="http://imagev2.xmcdn.com/storages/7ea1-audiofreehighqps/D3/FA/GAqh1QQMs7ADABT54gQa2p9s.jpg?op_type=0" data-large="http://imagev2.xmcdn.com/storages/7ea1-audiofreehighqps/D3/FA/GAqh1QQMs7ADABT54gQa2p9s.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" data-large-width="750" data-large-height="627.4671052631579" data-preview="http://imagev2.xmcdn.com/storages/7ea1-audiofreehighqps/D3/FA/GAqh1QQMs7ADABT54gQa2p9s.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_small" data-preview-width="140" data-preview-height="117.12719298245614"><br></span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>图为：奥古斯特</span><span>·</span><span>雷诺阿</span> <span>的《尚罗赛的塞纳河畔》。幸福可以是河上吹来的一阵风，一个无功利的瞬间。</span></p><span><br></span><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica, Arial, sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span><img data-key="3" src="http://imagev2.xmcdn.com/storages/1f74-audiofreehighqps/B9/8D/GAqhp50Ms7AXAAqoVgQa2qt3.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" alt="" data-origin="http://imagev2.xmcdn.com/storages/1f74-audiofreehighqps/B9/8D/GAqhp50Ms7AXAAqoVgQa2qt3.jpg?op_type=0" data-large="http://imagev2.xmcdn.com/storages/1f74-audiofreehighqps/B9/8D/GAqhp50Ms7AXAAqoVgQa2qt3.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" data-large-width="750" data-large-height="596.252402306214" data-preview="http://imagev2.xmcdn.com/storages/1f74-audiofreehighqps/B9/8D/GAqhp50Ms7AXAAqoVgQa2qt3.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_small" data-preview-width="140" data-preview-height="111.30044843049328"><br></span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>图为：爱德华</span><span>·</span><span>维亚尔</span> <span>《在床上》，描绘教会医院里一个安静的沉睡的小孩。幸福可以是一场没有噩梦惊扰的睡眠。</span></p><br><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica, Arial, sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span><img data-key="4" src="http://imagev2.xmcdn.com/storages/8d18-audiofreehighqps/F2/3E/GAqh1QQMs7AmAAfJKgQa2rNY.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" alt="" data-origin="http://imagev2.xmcdn.com/storages/8d18-audiofreehighqps/F2/3E/GAqh1QQMs7AmAAfJKgQa2rNY.jpg?op_type=0" data-large="http://imagev2.xmcdn.com/storages/8d18-audiofreehighqps/F2/3E/GAqh1QQMs7AmAAfJKgQa2rNY.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" data-large-width="750" data-large-height="434.07172995780587" data-preview="http://imagev2.xmcdn.com/storages/8d18-audiofreehighqps/F2/3E/GAqh1QQMs7AmAAfJKgQa2rNY.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_small" data-preview-width="140" data-preview-height="81.0267229254571"><br></span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>图为：亚历山大</span><span>·</span><span>卡巴内尔《维纳斯的诞生》。表现美神维纳斯侧躺在海浪上，展现比例完美的身体，代表一种神性的，绝对标准下的美。</span></p><br><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica, Arial, sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><img data-key="5" src="http://imagev2.xmcdn.com/storages/b077-audiofreehighqps/9C/9C/GAqhqKwMs7BBAAQhYAQa2sFd.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" alt="" data-origin="http://imagev2.xmcdn.com/storages/b077-audiofreehighqps/9C/9C/GAqhqKwMs7BBAAQhYAQa2sFd.jpg?op_type=0" data-large="http://imagev2.xmcdn.com/storages/b077-audiofreehighqps/9C/9C/GAqhqKwMs7BBAAQhYAQa2sFd.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" data-large-width="750" data-large-height="1148.7490226739642" data-preview="http://imagev2.xmcdn.com/storages/b077-audiofreehighqps/9C/9C/GAqhqKwMs7BBAAQhYAQa2sFd.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_small" data-preview-width="140" data-preview-height="214.43315089913997"><br></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>图为：文森特</span><span>·</span><span>梵高《在阿尔勒的卧室》和奥维尔小镇</span><span>Auberge Ravoux</span><span>客栈里的梵高卧室。梵高于</span><span>1890</span><span>年入进这里，直至去世。前者是梵高充满希望等待高更时的居所，后者是梵高去世前最后的房间。尽管对应着梵高人生不同的处境，但一种贯穿始终的力量将两者相连接。也提示我们，幸福未必等同于快乐，它可能是一种复杂的、带有痛感的生命体验。</span></p><span><br></span><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica, Arial, sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span><img data-key="6" src="http://imagev2.xmcdn.com/storages/945c-audiofreehighqps/E8/A2/GKwRIasMs7BYAA_3FAQa2syF.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" alt="" data-origin="http://imagev2.xmcdn.com/storages/945c-audiofreehighqps/E8/A2/GKwRIasMs7BYAA_3FAQa2syF.jpg?op_type=0" data-large="http://imagev2.xmcdn.com/storages/945c-audiofreehighqps/E8/A2/GKwRIasMs7BYAA_3FAQa2syF.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" data-large-width="750" data-large-height="957.1005917159764" data-preview="http://imagev2.xmcdn.com/storages/945c-audiofreehighqps/E8/A2/GKwRIasMs7BYAA_3FAQa2syF.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_small" data-preview-width="140" data-preview-height="178.6587771203156"><br></span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>图为：文森特</span><span>·</span><span>梵高《自画像》。</span> <span>王瑞芸老师点评：梵高的色彩如同宝石一般干净、明亮、纯粹。他的感情纯度同样远远超出同时期其他画家，对笔下的平凡之物都倾注了全部的注意力和全部的爱。</span></p><br><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica, Arial, sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span><img data-key="7" src="http://imagev2.xmcdn.com/storages/d064-audiofreehighqps/38/8A/GKwRIJIMs7BnAA285AQa2tON.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" alt="" data-origin="http://imagev2.xmcdn.com/storages/d064-audiofreehighqps/38/8A/GKwRIJIMs7BnAA285AQa2tON.jpg?op_type=0" data-large="http://imagev2.xmcdn.com/storages/d064-audiofreehighqps/38/8A/GKwRIJIMs7BnAA285AQa2tON.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" data-large-width="750" data-large-height="968.4317718940937" data-preview="http://imagev2.xmcdn.com/storages/d064-audiofreehighqps/38/8A/GKwRIJIMs7BnAA285AQa2tON.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_small" data-preview-width="140" data-preview-height="180.77393075356417"><br></span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>图为：亨利</span><span>·</span><span>德</span><span>·</span><span>图卢兹</span><span>-</span><span>劳特累克《花园中的女人》。劳特累克经常关注都市里相对边缘的人物：舞女、歌女、模特，很多也是他的朋友。她们不是古典理想的化身，而是生活在我们身边的普通人。在劳特累克笔下，她们又不那么普通，她们的日常、她们的孤独、她们的存在感交织在一起，构成有血有肉的人，她们也在体验幸福。</span></p><br><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica, Arial, sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span><img data-key="8" src="http://imagev2.xmcdn.com/storages/1d10-audiofreehighqps/C7/41/GAqh4zIMs7B4AASe9wQa2tr0.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" alt="" data-origin="http://imagev2.xmcdn.com/storages/1d10-audiofreehighqps/C7/41/GAqh4zIMs7B4AASe9wQa2tr0.jpg?op_type=0" data-large="http://imagev2.xmcdn.com/storages/1d10-audiofreehighqps/C7/41/GAqh4zIMs7B4AASe9wQa2tr0.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" data-large-width="750" data-large-height="1068.2527301092043" data-preview="http://imagev2.xmcdn.com/storages/1d10-audiofreehighqps/C7/41/GAqh4zIMs7B4AASe9wQa2tr0.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_small" data-preview-width="140" data-preview-height="199.40717628705147"><br></span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>图为：爱德华</span><span>·</span><span>马奈《女人和扇子》和奥诺雷·杜米埃《克里斯潘和斯卡潘》。两者都捕捉了活灵活现的表情瞬间。</span></p><br><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica, Arial, sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><img data-key="9" src="http://imagev2.xmcdn.com/storages/637d-audiofreehighqps/C2/CE/GAqhF9kMs7CSAAe9JQQa2ufz.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" alt="" data-origin="http://imagev2.xmcdn.com/storages/637d-audiofreehighqps/C2/CE/GAqhF9kMs7CSAAe9JQQa2ufz.jpg?op_type=0" data-large="http://imagev2.xmcdn.com/storages/637d-audiofreehighqps/C2/CE/GAqhF9kMs7CSAAe9JQQa2ufz.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" data-large-width="750" data-large-height="1326.0188087774293" data-preview="http://imagev2.xmcdn.com/storages/637d-audiofreehighqps/C2/CE/GAqhF9kMs7CSAAe9JQQa2ufz.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_small" data-preview-width="140" data-preview-height="247.52351097178683"><br></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>图为：克劳德•莫奈的《睡莲》和《贝勒岛荒野海岸的岩石》。前者是自家花园的池塘，后者是北大西洋的寒冷海岸。从近处到远方，画的都是心灵的风景。</span></p><span><br></span><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica, Arial, sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span><img data-key="10" src="http://imagev2.xmcdn.com/storages/7737-audiofreehighqps/6A/18/GAqhF9kMs7ClABo0XQQa2vD1.png!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" alt="" data-origin="http://imagev2.xmcdn.com/storages/7737-audiofreehighqps/6A/18/GAqhF9kMs7ClABo0XQQa2vD1.png?op_type=0" data-large="http://imagev2.xmcdn.com/storages/7737-audiofreehighqps/6A/18/GAqhF9kMs7ClABo0XQQa2vD1.png!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" data-large-width="750" data-large-height="688.1591562799616" data-preview="http://imagev2.xmcdn.com/storages/7737-audiofreehighqps/6A/18/GAqhF9kMs7ClABo0XQQa2vD1.png!op_type=4&device_type=ios&upload_type=attachment&name=mobile_small" data-preview-width="140" data-preview-height="128.45637583892616"><br></span></p><span><br></span><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>图为：马塞尔·杜尚</span> <span>《泉》。</span> <span>作为最早的重要现成品艺术和观念艺术，杜尚的《泉》被普遍认为是开启了后现代艺术的历史性作品。不登大雅之堂的小便池和新古典主义大师安格尔的同名作品中极尽柔美、优雅与纯洁的少女之间形成巨大反差。体现杜尚对艺术权威和美学传统的反叛。</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>在漫长的时间里，艺术作为一种权威，辖制着人们。而杜尚的宣告是：不是人去服从艺术的标准，而是艺术必须服从人。艺术的核心不再是美，而是成为每个人表达自我、安顿灵魂的空间。</span></p><br><span><br></span>
