How to Fix the Internet
Electronic Frontier Foundation (EFF)
Recent Episodes
The early internet had a lot of “technological self-determination" — you could opt out of things, protect your privacy, control your experience. The problem was that it took a fair amount of technical skill to exercise that self-determination. But what if it didn’t? What if the benefits of online privacy, security, interoperability, and free speech were more evenly distributed among all internet users?
This is the future that award-winning author and EFF Special Advisor Cory Doctorow wants us to fight for. His term “enshittification” — a downward spiral in which online platforms trap users and business customers alike, treating them more and more like commodities while providing less and less value — was selected by the American Dialect Society as its 2023 Word of the Year. But, he tells EFF’s Cindy Cohn and Jason Kelley, enshittification analysis also identifies the forces that used to make companies treat us better, helping us find ways to break the cycle and climb toward a better future.
In this episode you’ll learn about:
- Why “intellectual property” is a misnomer, and how the law has been abused to eliminate protections for society
- How the tech sector’s consolidation into a single lobbying voice helped bulldoze the measures that used to check companies’ worst impulses
- Why recent antitrust actions provide a glimmer of hope that megacompanies can still be forced to do better for users
- Why tech workers’ labor rights are important to the fight for a better internet
- How legislative and legal losses can still be opportunities for future change
Cory Doctorow is an award-winning science fiction author, activist, journalist and blogger, and a Special Advisor to EFF. He is the editor of Pluralistic and the author of novels including “The Bezzle” (2024), “The Lost Cause” (2023), “Attack Surface” (2020), and “Walkaway” (2017); young adult novels including “Homeland” (2013) and “Little Brother” (2008); and nonfiction books including “The Internet Con: How to Seize the Means of Computation” (2023) and “How to Destroy Surveillance Capitalism” (2021). He is EFF's former European director and co-founded the UK Open Rights Group. Born in Toronto, Canada, he now lives in Los Angeles.
Artificial intelligence will neither solve all our problems nor likely destroy the world, but it could help make our lives better if it’s both transparent enough for everyone to understand and available for everyone to use in ways that augment us and advance our goals — not for corporations or government to extract something from us and exert power over us. Imagine a future, for example, in which AI is a readily available tool for helping people communicate across language barriers, or for helping vision- or hearing-impaired people connect better with the world.
This is the future that Kit Walsh, EFF’s Director of Artificial Intelligence & Access to Knowledge Legal Projects, and EFF Senior Staff Technologist Jacob Hoffman-Andrews, are working to bring about. They join EFF’s Cindy Cohn and Jason Kelley to discuss how AI shouldn’t be a tool cash in, or to classify people for favor or disfavor, but instead to engage with technology and information in ways that advance us all.
In this episode you’ll learn about:
- The dangers in using AI to determine who law enforcement investigates, who gets housing or mortgages, who gets jobs, and other decisions that affect people’s lives and freedoms.
- How "moral crumple zones” in technological systems can divert responsibility and accountability from those deploying the tech.
- Why transparency and openness of AI systems — including training AI on consensually obtained, publicly visible data — is so important to ensure systems are developed without bias and to everyone’s benefit.
- Why “watermarking” probably isn’t a solution to AI-generated disinformation.
Kit Walsh is a senior staff attorney at EFF, serving as Director of Artificial Intelligence & Access to Knowledge Legal Projects. She has worked for years on issues of free speech, net neutrality, copyright, coders' rights, and other issues that relate to freedom of expression and access to knowledge, supporting the rights of political protesters, journalists, remix artists, and technologists to agitate for social change and to express themselves through their stories and ideas. Before joining EFF, Kit led the civil liberties and patent practice areas at the Cyberlaw Clinic, part of Harvard University's Berkman Klein Center for Internet and Society; earlier, she worked at the law firm of Wolf, Greenfield & Sacks, litigating patent, trademark, and copyright cases in courts across the country. Kit holds a J.D. from Harvard Law School and a B.S. in neuroscience from MIT, where she studied brain-computer interfaces and designed cyborgs and artificial bacteria.
Jacob Hoffman-Andrews is a senior staff technologist at EFF, where he is lead developer on Let's Encrypt, the free and automated Certificate Authority; he also works on EFF's Encrypt the Web initiative and helps maintain the HTTPS Everywhere browser extension. Before working at EFF, Jacob was on Twitter's anti-spam and security teams. On the security team, he implemented HTTPS-by-default with forward secrecy, key pinning, HSTS, and CSP; on the anti-spam team, he deployed new machine-learned models to detect and block spam in real-time. Earlier, he worked on Google’s maps, transit, and shopping teams.
Collaging, remixing, sampling—art always has been more than the sum of its parts, a synthesis of elements and ideas that produces something new and thought-provoking. Technology has enabled and advanced this enormously, letting us access and manipulate information and images in ways that would’ve been unimaginable just a few decades ago.
For Nettrice Gaskins, this is an essential part of the African American experience: The ability to take whatever is at hand—from food to clothes to music to visual art—and combine it with life experience to adapt it into something new and original. She joins EFF’s Cindy Cohn and Jason Kelley to discuss how she takes this approach in applying artificial intelligence to her own artwork, expanding the boundaries of Black artistic thought.
In this episode you’ll learn about:
- Why making art with AI is about much more than just typing a prompt and hitting a button
- How hip-hop music and culture was an early example of technology changing the state of Black art
- Why the concept of fair use in intellectual property law is crucial to the artistic process
- How biases in machine learning training data can affect art
- Why new tools can never replace the mind of a live, experienced artist
Dr. Nettrice R. Gaskins is a digital artist, academic, cultural critic, and advocate of STEAM (science, technology, engineering, arts, and math) fields whose work she explores "techno-vernacular creativity" and Afrofuturism. She teaches, writes, "fabs,” and makes art using algorithms and machine learning. She has taught multimedia, visual art, and computer science with high school students, and now is assistant director of the Lesley STEAM Learning Lab at Lesley University. She was a 2021 Ford Global Fellow, serves as an advisory board member for the School of Literature, Media, and Communication at Georgia Tech, and is the author of “Techno-Vernacular Creativity and Innovation” (2021). She earned a BFA in Computer Graphics with honors from Pratt Institute in 1992; an MFA in Art and Technology from the School of the Art Institute of Chicago in 1994; and a doctorate in Digital Media from Georgia Tech in 2014.
MUSIC CREDITS
Xena's Kiss / Medea's Kiss by mwic (c) copyright 2018 Licensed under a Creative Commons Attribution (3.0) license.
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lostTrack by Airtone (c) copyright 2019 Licensed under a Creative Commons Attribution (3.0) license. Ft. mwic
From Napster to YouTube, some of the most important and controversial uses of the internet have been about building community: connecting people all over the world who share similar interests, tastes, views, and concerns. Big corporations try to co-opt and control these communities, and politicians often promote scary narratives about technology’s dangerous influences, but users have pushed back against monopoly and rhetoric to find new ways to connect with each other.
Alex Winter is a leading documentarian of the evolution of internet communities. He joins EFF’s Cindy Cohn and Jason Kelley to discuss the harms of behavioral advertising, what algorithms can and can’t be blamed for, and promoting the kind of digital literacy that can bring about a better internet—and a better world—for all of us.
In this episode you’ll learn about:
- Debunking the monopolistic myth that communicating and sharing data is theft.
- Demystifying artificial intelligence so that it’s no longer a “black box” impervious to improvement.
- Decentralizing and democratizing the internet so more, diverse people can push technology, online communities, and our world forward.
- Finding a nuanced balance between free speech and harm mitigation in social media.
- Breaking corporations’ addiction to advertising revenue derived from promoting disinformation.
Alex Winter is a director, writer and actor who has worked across film, television and theater. Perhaps best known on screen for “Bill & Ted’s Excellent Adventure” (1989) and its sequels as well as “The Lost Boys” (1987), “Destroy All Neighbors” (2024) and other films, he has directed documentaries including “Downloaded” (2013) about the Napster revolution; “Deep Web” (2015) about the online black market Silk Road and the trial of its creator Ross Ulbricht; “Trust Machine” (2018) about the rise of bitcoin and the blockchain; and “The YouTube Effect” (2022). He also has directed critically acclaimed documentaries about musician Frank Zappa and about the Panama Papers, the biggest global corruption scandal in history and the journalists who worked in secret and at great risk to break the story.
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