<description>&lt;p&gt;A hush-hush factory opening. No photographs allowed. A story of cover-ups, corporate espionage, fightbacks – and death ...&lt;/p&gt;&lt;p&gt;In this series, casually scanning old newspaper archives, Ophelia Byrne comes across an odd headline: “Hush hush process in Ballyclare firm.” &lt;/p&gt;&lt;p&gt;The newspaper was printed in 1967. “Strictly no photographs” was the order issued at the opening of the new factory. &lt;/p&gt;&lt;p&gt;“90 guests steered clear of a top-secret process.” All workers “will have to sign an oath of secrecy.” &lt;/p&gt;&lt;p&gt;What, she wonders, is this factory making? &lt;/p&gt;&lt;p&gt;Ophelia doesn’t know it when she starts out, but her subsequent investigation into this company, Turner and Newall, will take her from a small town in Northern Ireland across the Irish Sea to places like Rochdale, Leeds and London. &lt;/p&gt;&lt;p&gt;It will bring her to one million documents released for a transatlantic trial – papers which show cover-ups and even corporate espionage. &lt;/p&gt;&lt;p&gt;The product, of course, is asbestos. You may think you know the story – it’s a dangerous substance.&lt;/p&gt;&lt;p&gt;But Ophelia marries previous journalistic investigations to new documents which reveal what government agencies knew about its risks, and when. &lt;/p&gt;&lt;p&gt;She combs through company correspondence which the manufacturers claimed did not exist, and clearly never imagined would become public. 
 
This is the story of Killer Dust, from mountains of the material in mines still operating in countries today, to the skyscrapers of Manhattan, and the terraced streets of the north of England. &lt;/p&gt;&lt;p&gt;It is the story too of the people who fought and died for the truth to expose the reckless pursuit of profit in the making of one of the most dangerous building materials on the planet. &lt;/p&gt;&lt;p&gt;Presenter/ Producer: Ophelia Byrne
Studio Engineer: Gary Bawden
Executive Editor: Andy Martin&lt;/p&gt;</description>

A hush-hush factory opening. No photographs allowed. Oaths of secrecy. What's going on?

A hush-hush factory opening. No photographs allowed. A story of cover-ups, corporate espionage, fightbacks – and death ...In this series, casually scanning old newspaper archives, Ophelia Byrne comes across an odd headline: “Hush hush process in Ballyclare firm.” The newspaper was printed in 1967. “Strictly no photographs” was the order issued at the opening of the new factory. “90 guests steered clear of a top-secret process.” All workers “will have to sign an oath of secrecy.” What, she wonders, is this factory making? Ophelia doesn’t know it when she starts out, but her subsequent investigation into this company, Turner and Newall, will take her from a small town in Northern Ireland across the Irish Sea to places like Rochdale, Leeds and London. It will bring her to one million documents released for a transatlantic trial – papers which show cover-ups and even corporate espionage. The product, of course, is asbestos. You may think you know the story – it’s a dangerous substance.But Ophelia marries previous journalistic investigations to new documents which reveal what government agencies knew about its risks, and when. She combs through company correspondence which the manufacturers claimed did not exist, and clearly never imagined would become public. 
 
This is the story of Killer Dust, from mountains of the material in mines still operating in countries today, to the skyscrapers of Manhattan, and the terraced streets of the north of England. It is the story too of the people who fought and died for the truth to expose the reckless pursuit of profit in the making of one of the most dangerous building materials on the planet. Presenter/ Producer: Ophelia Byrne
Studio Engineer: Gary Bawden
Executive Editor: Andy Martin

1. A Very Strange Event

<description>&lt;p&gt;An unmarked grave – and missing documents. What do the authorities know?&lt;/p&gt;&lt;p&gt;In this series, casually scanning old newspaper archives, Ophelia Byrne comes across an odd headline: “Hush hush process in Ballyclare firm.” &lt;/p&gt;&lt;p&gt;The newspaper was printed in 1967. “Strictly no photographs” was the order issued at the opening of the new factory. &lt;/p&gt;&lt;p&gt;“90 guests steered clear of a top-secret process.” All workers “will have to sign an oath of secrecy.” &lt;/p&gt;&lt;p&gt;What, she wonders, is this factory making? &lt;/p&gt;&lt;p&gt;Ophelia doesn’t know it when she starts out, but her subsequent investigation into this company, Turner and Newall, will take her from a small town in Northern Ireland across the Irish Sea to places like Rochdale, Leeds and London. &lt;/p&gt;&lt;p&gt;It will bring her to one million documents released for a transatlantic trial – papers which show cover-ups and even corporate espionage. &lt;/p&gt;&lt;p&gt;The product, of course, is asbestos. You may think you know the story – it’s a dangerous substance.&lt;/p&gt;&lt;p&gt;But Ophelia marries previous journalistic investigations to new documents which reveal what government agencies knew about its risks, and when. &lt;/p&gt;&lt;p&gt;She combs through company correspondence which the manufacturers claimed did not exist, and clearly never imagined would become public. 
 
This is the story of Killer Dust, from mountains of the material in mines still operating in countries today, to the skyscrapers of Manhattan, and the terraced streets of the north of England. &lt;/p&gt;&lt;p&gt;It is the story too of the people who fought and died for the truth to expose the reckless pursuit of profit in the making of one of the most dangerous building materials on the planet. &lt;/p&gt;&lt;p&gt;Presenter/ Producer: Ophelia Byrne
Studio Engineer: Gary Bawden
Executive Editor: Andy Martin&lt;/p&gt;</description>

An unmarked grave – and missing documents. What do the authorities know?

An unmarked grave – and missing documents. What do the authorities know?In this series, casually scanning old newspaper archives, Ophelia Byrne comes across an odd headline: “Hush hush process in Ballyclare firm.” The newspaper was printed in 1967. “Strictly no photographs” was the order issued at the opening of the new factory. “90 guests steered clear of a top-secret process.” All workers “will have to sign an oath of secrecy.” What, she wonders, is this factory making? Ophelia doesn’t know it when she starts out, but her subsequent investigation into this company, Turner and Newall, will take her from a small town in Northern Ireland across the Irish Sea to places like Rochdale, Leeds and London. It will bring her to one million documents released for a transatlantic trial – papers which show cover-ups and even corporate espionage. The product, of course, is asbestos. You may think you know the story – it’s a dangerous substance.But Ophelia marries previous journalistic investigations to new documents which reveal what government agencies knew about its risks, and when. She combs through company correspondence which the manufacturers claimed did not exist, and clearly never imagined would become public. 
 
This is the story of Killer Dust, from mountains of the material in mines still operating in countries today, to the skyscrapers of Manhattan, and the terraced streets of the north of England. It is the story too of the people who fought and died for the truth to expose the reckless pursuit of profit in the making of one of the most dangerous building materials on the planet. Presenter/ Producer: Ophelia Byrne
Studio Engineer: Gary Bawden
Executive Editor: Andy Martin

2. Burying Evidence

<description>&lt;p&gt;A secretive place – but some are talking. And a dying woman decides to tell her story. Will anyone get to listen?&lt;/p&gt;&lt;p&gt;In this series, casually scanning old newspaper archives, Ophelia Byrne comes across an odd headline: “Hush hush process in Ballyclare firm.” &lt;/p&gt;&lt;p&gt;The newspaper was printed in 1967. “Strictly no photographs” was the order issued at the opening of the new factory. &lt;/p&gt;&lt;p&gt;“90 guests steered clear of a top-secret process.” All workers “will have to sign an oath of secrecy.” &lt;/p&gt;&lt;p&gt;What, she wonders, is this factory making? &lt;/p&gt;&lt;p&gt;Ophelia doesn’t know it when she starts out, but her subsequent investigation into this company, Turner and Newall, will take her from a small town in Northern Ireland across the Irish Sea to places like Rochdale, Leeds and London. &lt;/p&gt;&lt;p&gt;It will bring her to one million documents released for a transatlantic trial – papers which show cover-ups and even corporate espionage. &lt;/p&gt;&lt;p&gt;The product, of course, is asbestos. You may think you know the story – it’s a dangerous substance.&lt;/p&gt;&lt;p&gt;But Ophelia marries previous journalistic investigations to new documents which reveal what government agencies knew about its risks, and when. &lt;/p&gt;&lt;p&gt;She combs through company correspondence which the manufacturers claimed did not exist, and clearly never imagined would become public. 
 
This is the story of Killer Dust, from mountains of the material in mines still operating in countries today, to the skyscrapers of Manhattan, and the terraced streets of the north of England. &lt;/p&gt;&lt;p&gt;It is the story too of the people who fought and died for the truth to expose the reckless pursuit of profit in the making of one of the most dangerous building materials on the planet. &lt;/p&gt;&lt;p&gt;Presenter/ Producer: Ophelia Byrne
Studio Engineer: Gary Bawden
Executive Editor: Andy Martin&lt;/p&gt;</description>

A secretive place – but some are talking. Will anyone get to listen?

A secretive place – but some are talking. And a dying woman decides to tell her story. Will anyone get to listen?In this series, casually scanning old newspaper archives, Ophelia Byrne comes across an odd headline: “Hush hush process in Ballyclare firm.” The newspaper was printed in 1967. “Strictly no photographs” was the order issued at the opening of the new factory. “90 guests steered clear of a top-secret process.” All workers “will have to sign an oath of secrecy.” What, she wonders, is this factory making? Ophelia doesn’t know it when she starts out, but her subsequent investigation into this company, Turner and Newall, will take her from a small town in Northern Ireland across the Irish Sea to places like Rochdale, Leeds and London. It will bring her to one million documents released for a transatlantic trial – papers which show cover-ups and even corporate espionage. The product, of course, is asbestos. You may think you know the story – it’s a dangerous substance.But Ophelia marries previous journalistic investigations to new documents which reveal what government agencies knew about its risks, and when. She combs through company correspondence which the manufacturers claimed did not exist, and clearly never imagined would become public. 
 
This is the story of Killer Dust, from mountains of the material in mines still operating in countries today, to the skyscrapers of Manhattan, and the terraced streets of the north of England. It is the story too of the people who fought and died for the truth to expose the reckless pursuit of profit in the making of one of the most dangerous building materials on the planet. Presenter/ Producer: Ophelia Byrne
Studio Engineer: Gary Bawden
Executive Editor: Andy Martin

3. The "Evil Day"?

<description>&lt;p&gt;Strikes, panic, stock market shares in freefall. Corporate espionage has some very odd results.&lt;/p&gt;&lt;p&gt;In this series, casually scanning old newspaper archives, Ophelia Byrne comes across an odd headline: “Hush hush process in Ballyclare firm.” &lt;/p&gt;&lt;p&gt;The newspaper was printed in 1967. “Strictly no photographs” was the order issued at the opening of the new factory. &lt;/p&gt;&lt;p&gt;“90 guests steered clear of a top-secret process.” All workers “will have to sign an oath of secrecy.” &lt;/p&gt;&lt;p&gt;What, she wonders, is this factory making? &lt;/p&gt;&lt;p&gt;Ophelia doesn’t know it when she starts out, but her subsequent investigation into this company, Turner and Newall, will take her from a small town in Northern Ireland across the Irish Sea to places like Rochdale, Leeds and London. &lt;/p&gt;&lt;p&gt;It will bring her to one million documents released for a transatlantic trial – papers which show cover-ups and even corporate espionage. &lt;/p&gt;&lt;p&gt;The product, of course, is asbestos. You may think you know the story – it’s a dangerous substance.&lt;/p&gt;&lt;p&gt;But Ophelia marries previous journalistic investigations to new documents which reveal what government agencies knew about its risks, and when. &lt;/p&gt;&lt;p&gt;She combs through company correspondence which the manufacturers claimed did not exist, and clearly never imagined would become public. 
 
This is the story of Killer Dust, from mountains of the material in mines still operating in countries today, to the skyscrapers of Manhattan, and the terraced streets of the north of England. &lt;/p&gt;&lt;p&gt;It is the story too of the people who fought and died for the truth to expose the reckless pursuit of profit in the making of one of the most dangerous building materials on the planet. &lt;/p&gt;&lt;p&gt;Presenter/ Producer: Ophelia Byrne
Studio Engineer: Gary Bawden
Executive Editor: Andy Martin&lt;/p&gt;</description>

Strikes, panic and stock market shares in freefall.

Strikes, panic, stock market shares in freefall. Corporate espionage has some very odd results.In this series, casually scanning old newspaper archives, Ophelia Byrne comes across an odd headline: “Hush hush process in Ballyclare firm.” The newspaper was printed in 1967. “Strictly no photographs” was the order issued at the opening of the new factory. “90 guests steered clear of a top-secret process.” All workers “will have to sign an oath of secrecy.” What, she wonders, is this factory making? Ophelia doesn’t know it when she starts out, but her subsequent investigation into this company, Turner and Newall, will take her from a small town in Northern Ireland across the Irish Sea to places like Rochdale, Leeds and London. It will bring her to one million documents released for a transatlantic trial – papers which show cover-ups and even corporate espionage. The product, of course, is asbestos. You may think you know the story – it’s a dangerous substance.But Ophelia marries previous journalistic investigations to new documents which reveal what government agencies knew about its risks, and when. She combs through company correspondence which the manufacturers claimed did not exist, and clearly never imagined would become public. 
 
This is the story of Killer Dust, from mountains of the material in mines still operating in countries today, to the skyscrapers of Manhattan, and the terraced streets of the north of England. It is the story too of the people who fought and died for the truth to expose the reckless pursuit of profit in the making of one of the most dangerous building materials on the planet. Presenter/ Producer: Ophelia Byrne
Studio Engineer: Gary Bawden
Executive Editor: Andy Martin

4. Panic

<description>&lt;p&gt;A woman types an anonymous letter. She’ll never know - but it will trigger a battle from red brick England, to the skyscrapers of Manhattan.&lt;/p&gt;&lt;p&gt;In this series, casually scanning old newspaper archives, Ophelia Byrne comes across an odd headline: “Hush hush process in Ballyclare firm.” &lt;/p&gt;&lt;p&gt;The newspaper was printed in 1967. “Strictly no photographs” was the order issued at the opening of the new factory. &lt;/p&gt;&lt;p&gt;All workers “will have to sign an oath of secrecy.” &lt;/p&gt;&lt;p&gt;What, she wonders, is this factory making? &lt;/p&gt;&lt;p&gt;Ophelia doesn’t know it when she starts out, but her subsequent investigation into this company, Turner and Newall, will take her from a small town in Northern Ireland across the Irish Sea to places like Rochdale, Leeds and London. &lt;/p&gt;&lt;p&gt;It will bring her to one million documents released for a transatlantic trial – papers which show cover-ups and even corporate espionage. &lt;/p&gt;&lt;p&gt;The product, of course, is asbestos. You may think you know the story – it’s a dangerous substance.&lt;/p&gt;&lt;p&gt;But Ophelia marries previous journalistic investigations to new documents which reveal what government agencies knew about its risks, and when. &lt;/p&gt;&lt;p&gt;She combs through company correspondence which the manufacturers claimed did not exist, and clearly never imagined would become public. 
 
This is the story of Killer Dust, from mountains of the material in mines still operating in countries today, to the skyscrapers of Manhattan, and the terraced streets of the north of England. &lt;/p&gt;&lt;p&gt;It is the story too of the people who fought and died for the truth to expose the reckless pursuit of profit in the making of one of the most dangerous building materials on the planet. &lt;/p&gt;&lt;p&gt;Presenter/ Producer: Ophelia Byrne
Studio Engineer: Gary Bawden
Executive Editor: Andy Martin&lt;/p&gt;</description>

A woman types an anonymous letter – triggering a ferocious corporate court battle.

A woman types an anonymous letter. She’ll never know - but it will trigger a battle from red brick England, to the skyscrapers of Manhattan.In this series, casually scanning old newspaper archives, Ophelia Byrne comes across an odd headline: “Hush hush process in Ballyclare firm.” The newspaper was printed in 1967. “Strictly no photographs” was the order issued at the opening of the new factory. All workers “will have to sign an oath of secrecy.” What, she wonders, is this factory making? Ophelia doesn’t know it when she starts out, but her subsequent investigation into this company, Turner and Newall, will take her from a small town in Northern Ireland across the Irish Sea to places like Rochdale, Leeds and London. It will bring her to one million documents released for a transatlantic trial – papers which show cover-ups and even corporate espionage. The product, of course, is asbestos. You may think you know the story – it’s a dangerous substance.But Ophelia marries previous journalistic investigations to new documents which reveal what government agencies knew about its risks, and when. She combs through company correspondence which the manufacturers claimed did not exist, and clearly never imagined would become public. 
 
This is the story of Killer Dust, from mountains of the material in mines still operating in countries today, to the skyscrapers of Manhattan, and the terraced streets of the north of England. It is the story too of the people who fought and died for the truth to expose the reckless pursuit of profit in the making of one of the most dangerous building materials on the planet. Presenter/ Producer: Ophelia Byrne
Studio Engineer: Gary Bawden
Executive Editor: Andy Martin

5. The Bodies Pile Up

The teams assume nothing as they examine events through fresh eyes.

Sign In

Assume Nothing

Details

Recent Episodes