I'm a Writer But

Daniel Sweren-Becker discusses his new novel, Kill Show, as well as using the oral history format, finding the right balance of red herrings to tantalize but not torture the reader, true crime, the way truth can be shaped and manipulated, white man’s fragility, and more! Daniel Sweren-Becker is an author, a television writer, and a playwright living in Los Angeles. He graduated from Wesleyan University and received an MFA from New York University. His play Stress Positions premiered in New York City at the SoHo Playhouse, and he is the author of the novels The Ones and The Equals. His new novel is Kill Show. Learn more about your ad choices. Visit megaphone.fm/adchoices

Katya Apekina discusses her new novel, Mother Doll, as well as using humor as a coping mechanism and a vehicle for intimacy, sex scenes, giving a ghost a voice, being inspired by her grandmother’s memoirs, generational trauma, time as something stacked rather than something sprawling, ambiguous endings, and so much more! Katya Apekina is a novelist, screenwriter and translator. Her novel, The Deeper the Water the Uglier the Fish, was named a Best Book of 2018 by Kirkus, Buzzfeed, LitHub and others, was a finalist for the LA Times Book Prize and has been translated into Spanish, Catalan, French, German and Italian. She has published stories in various literary magazines and translated poetry and prose for Night Wraps the Sky: Writings by and about Mayakovsky (FSG, 2008), short-listed for the Best Translated Book Award. She co-wrote the screenplay for the feature film New Orleans, Mon Amour, which premiered at SXSW in 2008. She is the recipient of an Elizabeth George grant, an Olin Fellowship, the Alena Wilson prize and a 3rd Year Fiction Fellowship from Washington University in St. Louis where she did her MFA. She has done residencies at VCCA, Playa, Ucross, Art Omi: Writing and Fondation Jan Michalski in Switzerland. Born in Moscow, she grew up in Boston, and currently lives in Los Angeles with her husband, daughter and dog. Learn more about your ad choices. Visit megaphone.fm/adchoices

Brandi Wells talks about their debut novel, The Cleaner, and discusses the Muppet Babies, writing a character who’s inventing her own world, what constitutes “real work,” what they love about teaching, revising by listening to their book be read to them over and over, weird coworkers, and more! Brandi Wells is the author of the novella, This Boring Apocalypse as well as a full length chapbook of stories, Please Don't Be Upset. Their fiction appears in Puerto Del Sol, Mid-American Review, Tri-Quarterly and many other journals. A native of Georgia, they teach creative writing at California State University, Fullerton.  Their new novel is The Cleaner, an offbeat, darkly clever tale about a night cleaner who discovers a toxic secret about her company’s CEO—and decides to take matters into her own hands. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sarah Kain Gutowski discusses her book-length narrative in poems, The Familiar, the way she’s made space for her Extraordinary and Ordinary Selves, figuring out how to market herself and her work, finding the meaning in darkness, collaborating with Texas Review Press, and more! Sarah Kain Gutowski is the author of Fabulous Beast, winner of the 14th annual National Indies Excellence Award for Poetry and a 2019 Foreword Indies Finalist. With interdisciplinary artist Meredith Starr, she is co-creator of Every Second Feels Like Theft, a conversation in cyanotypes and poetry, and It’s All Too Much, a limited edition audio project. Her poems have appeared in The Gettysburg Review, The Threepenny Review, Painted Bride Quarterly, and The Southern Review, and her criticism has been published by Colorado Review, Calyx, and New York Journal of Books. Her new collection is a book-length narrative in poems titled The Familiar, which explores female mid-life existential crisis through two characters, the Ordinary Self and the Extraordinary Self, who send a single household into chaos as they vacillate between the siren call of ambition, the necessity of the workplace, and responsibility to love and family. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today, John Cotter (Losing Music) discusses writing a memoir by accreting details, revision, being a gusher or not, reinventing the wheel with every project, considering the reader, how his memoir is actually a mystery, the inhumanity of the medical industry, and more! John Cotter is the author of the novel Under the Small Lights, and the memoir Losing Music, which Oprah Daily calls, “as much a love letter to sound itself as it is a chronicle of loss; your world will sound different after reading it.” The Millions calls Losing Music, “a powerful addition to the memoir canon–hard-hitting, beautiful, profound.” And The Wall Street Journal says, “Evidence that Mr. Cotter’s ear is still keen for the melodies of language sings from every page.”  Learn more about your ad choices. Visit megaphone.fm/adchoices