<p>Late-Victorian and modernist writers have been famously preoccupied with ideas of personal and poetic discipline (or the lack thereof). How are such notions of askesis articulated within the global contexts of the twentieth century? This talk examines how two prominent twentieth-century writers—Sri Aurobindo and Rabindranath Tagore—engage with askesis in their works. Both writers were deeply fascinated by asceticism and by the figure of the ascetic. I argue that they used literary form as a space to reflect on and experiment with askesis as both figure and method. For Aurobindo, blank verse becomes a formal reflection not only of heterodox ascetic practice but also of a strategic orientation toward a transhistorical and transcultural vision of future poetry and society. For Tagore, the figure of the ascetic functions as an aesthetic cipher against which nascent political ideas and imaginaries may be tested. Drawing on Aurobindo’s The Future Poetry (1917-1920) and Tagore’s “The Ghat’s Story” (1884), Rajarshi (1887), Achalayatan (1912), and Sanyasi (1917), this talk illuminates the centrality of askesis to global twentieth-century critical thought on the theo-politics of literary form. </p><p>Bio: </p><p>Dr. Apala Das is an Assistant Professor of English at Bilkent University, Ankara, Turkey. She received her PhD in English from the University of Toronto in 2024. Her current book project, titled In the Shadows of Discipline: Literatures of Renunciation in the Global Twentieth Century, examines selected global literary experiments of the twentieth century as instances of modernist asceticism, conceptualized as critical and creative responses to the ideological and biopolitical forces latent in asceticism. Her work has appeared or is forthcoming in The Wallace Stevens Journal, the Journal of Postcolonial Writing, Modern Fiction Studies, Religion and Literature, and the Bloomsbury Philosophy Library’s Aesthetics and Politics in the Global South.</p>