<description>&lt;p&gt;&lt;strong&gt;In this week’s episode, Courtney and Caroline take a look at the different types of paint and the unique qualities that they can bring to a painting. Understand why classical portraits look so “fleshy” and learn about the unusual choice of material Jackson Pollock made for his action paintings.&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;For the transcript of this episode and to see images of the works featured, click here: &lt;/strong&gt;&lt;a href="https://www.dropbox.com/sh/gy4bi06c1yiiqh8/AAAmqgvdmmt92hQ9jWEhPspZa?dl=0"&gt;&lt;strong&gt;https://www.dropbox.com/sh/gy4bi06c1yiiqh8/AAAmqgvdmmt92hQ9jWEhPspZa?dl=0&lt;/strong&gt;&lt;/a&gt;&lt;/p&gt;
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In this week’s episode, Courtney and Caroline take a look at the different types of paint and the unique qualities that they can bring to a painting. Understand why classical portraits look so “fleshy” and learn about the unusual choice of material Jackson Pollock made for his action paintings.
For the transcript of this episode and to see images of the works featured, click here: <a href="https://www.dropbox.com/sh/gy4bi06c1yiiqh8/AAAmqgvdmmt92hQ9jWEhPspZa?dl=0">https://www.dropbox.com/sh/gy4bi06c1yiiqh8/AAAmqgvdmmt92hQ9jWEhPspZa?dl=0</a>

Art in the Making

Paint — Ah, the Days of Yore

Paint — Ah, the Days of Yore

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