The Prisoner—the fifth volume of In Search of Lost Time—spirals through the vortex of the narrator’s jealousy concerning Albertine. Something of that vortex churns on into The Fugitive—the sixth volume—and then the focus moves toward grief. But across the entire novel, there are intimations of other ways to be, of other possibilities for the narrator. Hannah Freed-Thall describes, for example, a beach scene in the second volume, where the narrator is “in love with the whole landscape, and the sea, and the beach, and the air.” Intense experiences of art also jolt the narrator into other kinds of thinking. Joshua Landy says, “Art ends up being the answer to a lot of questions. In this context, one of the questions that it’s answering is: how can I make genuine contact with another mind?” Alex Ross explains how music in Proust’s novel offers “a deeper and more complex experience of life, time, memory, everything.” Hannah Freed-Thall sees potential for that richer experience beyond the narrator’s engagement with art, too. “In Proust,” she says, “it’s like everything is an aesthetic experience.”Guests this season include: The New Yorker’s Alex Ross—see especially "Imaginary Concerts"; Christine Smallwood, author of La Captive; Rick Moody, author of The Ice Storm; Hannah Freed-Thall, author of Modernism at the Beach; and Joshua Landy, author of The World According to Proust.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.