Goon Pod

This week, for Christmas, a heart-warming festive treat full of joy, goodwill and Peter Sellers at his cuddliest. ONLY JOKING.Actually, it’s Carol for Another Christmas, Rod Serling’s bleak, angry, Cold War reworking of A Christmas Carol . Conceived as the opening salvo in a run of UN-friendly TV specials, the film is a full-throated warning against isolationism, nuclear brinkmanship and the idea that minding your own business ever ends well. Xerox paid for it, ABC aired it ad-free on 28 December 1964, viewers and critics were divided about it, and it then disappeared for nearly 50 years.Directed by Joseph L. Mankiewicz (Cleopatra) in his only television outing, the film stars Sterling Hayden as Daniel Grudge, a wealthy American industrialist who hates foreign aid, diplomacy and the United Nations in equal measure. On Christmas Eve he clashes with his liberal nephew Fred (Ben Gazzara) and is hauled through a series of visions featuring war dead, nuclear devastation and, most memorably, Peter Sellers as “Imperial Me” – a cowboy-Santa demagogue preaching radical individualism. It was Sellers’ first screen appearance after his near-fatal heart attack earlier that year.Also featuring Eva Marie Saint, Robert Shaw, Steve Lawrence, Pat Hingle, Britt Ekland and music by Henry Mancini, the film is verbose, didactic and relentlessly grim – and all the more fascinating for it.Joining Tyler is Tilt Araiza (The Sitcom Club / Jaffa Cakes for Proust), drawing parallels with Planet of the Apes, The Prisoner and unpacking Serling and the social and political climate just one year after after the assassination of JFK... looking at how things came together to produce this Christmas curio.

“You call this a life?”This week we dip into the big red book and examine Spike Milligan’s two famously chaotic appearances on This Is Your Life — first in 1973 at an army reunion in Bexhill and again in 1995 in the wake of Spike’s infamous crack at Prince Charles at the British Comedy Awards. From bungled surveillance operations and surprise reunions to war memories, old squeezes, secret sons and unresolved tensions, these programmes offer an occasionally revealing — and sometimes unsettling — portrait of Spike at two very different points in his life.Joining Tyler this week is co-host of World Of Telly John Williams and the pair try to navigate the uneasy compression of a vast, contradictory life into television-friendly fare.Along the way we encounter Peter Sellers in Nazi garb, Robert Graves refusing retakes because “the milkman is part of life”, Harry Secombe on VT, Eric Sykes restoring some semblance of order to proceedings, Michael Bentine getting a warm reception, Roger McGough falling a bit flat and a surprise appearance from a reclusive billionaire. We also examine the differing styles of Eamonn Andrews and Michael Aspel – the former being all awkward and lacking spontaneity; the latter oozing affable charm and keeping the show on the rails. These two programmes, separated by 22 years, chart not just Spike Milligan’s public career but his private fractures — family divisions, emotional debts, and the limits of nostalgia. They also expose the clumsy mechanics of This Is Your Life itself: a format built for uplift struggling to contain a life defined by contradiction, pain, brilliance and refusal to behave.

Tyler welcomes comedy writer David Quantick to celebrate the 1965 film One Way Pendulum starring Goon Show alumnus Eric Sykes. Adapted by NF Simpson from his own 1959 Royal Court play and directed by Peter Yates (fresh off Summer Holiday, soon to make Bullitt), Eric plays suburban dad Arthur Groomkirby, who is quietly building a full-scale Old Bailey in his living room while his son Kirby (Jonathan Miller) teaches speak-your-weight machines to sing the Hallelujah Chorus in the attic. Meanwhile, daughter Sylvia (Julia Foster) obsesses over her arms and Aunt Mildred (Mona Washbourne) witters endlessly about transport. Rounding out the madness are Peggy Mount as the food-dispatching charlady and George Cole, Graham Crowden & Douglas Wilmer in a superb hallucinatory courtroom sequence.The comparisons to the Goon Show are obvious. David – who met Simpson – explains how his very British absurdism (Lewis Carroll meets Kafka with actual laughs) cloaks the bizarre inside the banal which none of his characters question. The humour is in the mismatch between the bland domestic surroundings and the offbeat conversations therein.

"It's all in the mind." How do you categorise Yellow Submarine? Animated psychedelic musical fantasy comedy? That barely scratches the surface. In this technicolour fantasia, the cartoon Beatles tackle the Blue Meanies, who’ve turned joyful Pepperland into a static, monochrome dystopia where music has been silenced. To restore harmony, John, Paul, George and Ringo - alongside Jeremy Hilary Boob PhD and the ever-anxious Old Fred - must travel from Liverpool to Pepperland in the titular underwater vessel, drifting through strange realms like the Sea of Science and the Foothills of the Headlands.Packed with terrific songs (well, duh), a splendid voice cast (including the great Dick Emery), and a script sharpened - largely uncredited - by Roger McGough, Yellow Submarine may have begun as a contractual compromise but blossomed into something far better than most people expected. Even the real Beatles were impressed enough to pop up for a brief live-action cameo at the end, sealing the film with a smile and a song.Joining Tyler to celebrate this singular sixties cinematic exclamation-mark is comedy writer and podcaster Joel Morris, bringing his trademark insight, deep pop-cultural savvy and boundless enthusiasm to the conversation. As for why Goon Pod is covering this particular gem… well, all will be revealed in the episode!

Harry Secombe could have had reasonable grounds for claiming to be the hardest working man in showbusiness in January 1958: panto (Puss In Boots), TV (Sunday Night At The London Palladium), the Goons, a movie (Davy) and goodness knows what else. Likewise, his colleague Peter Sellers was feeling the pressure of work and his doctor advised a rest on what would have been a scheduled Goon Show recording day. As a result – and much to the chagrin of Spike Milligan – on Sunday 19th January two Goon Shows were recorded, including the one we’re discussing this week, freeing up the following Sunday for Sellers to spend some time with his cameras. The Curse of Frankenstein, as the title suggests, concerns a dying Laird intending to leave his entire fortune to the first Scotsman to play the bagpipes at the South Pole. Joining Tyler this week is returning guest Chas Early and as well as breaking down the episode they chat Morecambe & Wise, Aussie politicians, a waxwork Welshman, the Quarrymen and Spike the balladeer!