<p>Houston, 2004. Super Bowl XXXVIII. The biggest television event of the year — and everyone involved is chasing perfection.</p><p>Inside the NFL machine, Jim Steeg is orchestrating a military-grade operation where every second is worth millions. In the production truck, Salli Frattini is holding together a halftime show so complex it feels like a controlled explosion: Janet Jackson, Justin Timberlake, pyro, thousands of performers, and cameras everywhere. On the field, Patriots linebacker Matt Chatham is inches away from the game of his life.</p><p>And somewhere in the middle of all this sits Mark Roberts — disguised, tattooed, layered in Velcro, and nervously taping a tiny deflated American football over his “chicken McNugget” because Texas has him rattled.</p><p>As the game kicks off, the tension builds — not just for the players, but for everyone who knows what’s riding on halftime. When it arrives, the stadium turns into a full-blown 2004 MTV spectacle: lights, dancers, smoke, sweat, and pop royalty at its most electric.</p><p>It looks flawless. It sounds flawless. Everyone thinks it is flawless.</p><p>But in a blink-and-you’ll-miss-it moment, something happens that almost nobody inside the stadium fully registers — yet will be replayed, analysed, and argued about for decades.</p><p>And while everyone  is distracted by that half-second… Mark sees his chance.</p><p>Presented by Rich Hall
Produced and written by Elle Scott
Production co-ordinator:  Juliette Harvey.  
Production manager: Debbie Waddell.  
Development Executive:  Emma Shaw.
Production Executive:  Ian Taitt
Executive Producer: Georgia Catt
Sound Design and Composition: Julian Corrie
Assistant Commissioner:  Rob Green
Commissioning Executive:  Stevie Middleton
A BBC Studios Production for  BBC Radio 5 Live and BBC Sounds.</p>

Sport's Strangest Crimes

BBC Radio 5 Live

5. Houston, we have so many problems

MAR 6, 202641 MIN
Sport's Strangest Crimes

5. Houston, we have so many problems

MAR 6, 202641 MIN

Description

<p>Houston, 2004. Super Bowl XXXVIII. The biggest television event of the year — and everyone involved is chasing perfection.</p><p>Inside the NFL machine, Jim Steeg is orchestrating a military-grade operation where every second is worth millions. In the production truck, Salli Frattini is holding together a halftime show so complex it feels like a controlled explosion: Janet Jackson, Justin Timberlake, pyro, thousands of performers, and cameras everywhere. On the field, Patriots linebacker Matt Chatham is inches away from the game of his life.</p><p>And somewhere in the middle of all this sits Mark Roberts — disguised, tattooed, layered in Velcro, and nervously taping a tiny deflated American football over his “chicken McNugget” because Texas has him rattled.</p><p>As the game kicks off, the tension builds — not just for the players, but for everyone who knows what’s riding on halftime. When it arrives, the stadium turns into a full-blown 2004 MTV spectacle: lights, dancers, smoke, sweat, and pop royalty at its most electric.</p><p>It looks flawless. It sounds flawless. Everyone thinks it is flawless.</p><p>But in a blink-and-you’ll-miss-it moment, something happens that almost nobody inside the stadium fully registers — yet will be replayed, analysed, and argued about for decades.</p><p>And while everyone is distracted by that half-second… Mark sees his chance.</p><p>Presented by Rich Hall Produced and written by Elle Scott Production co-ordinator: Juliette Harvey. Production manager: Debbie Waddell. Development Executive: Emma Shaw. Production Executive: Ian Taitt Executive Producer: Georgia Catt Sound Design and Composition: Julian Corrie Assistant Commissioner: Rob Green Commissioning Executive: Stevie Middleton A BBC Studios Production for BBC Radio 5 Live and BBC Sounds.</p>