It’s Christmas in New York, and as fall turned to winter it looked like things were going to be festive in a way they hadn't been since 2019. One sign of new life was the return of The Nutcracker, in George Ballanchine’s classic production, performed by the dancers and orchestra of the New York City Ballet as it has been (almost) every year since 1954. Despite new safety protocols and re-workings, the show was as magnificent as always and brought a little holiday magic back to midtown (at least for a few weeks).
Featured in this Episode
Resources/More Information:
Lincoln Center is the great city on the hill of performing arts in the United States, home to arguably the most distinguished opera company, ballet company, and symphony orchestra in the country, as well as our most famous music school, the world’s largest performing arts library, and much, much more… But for all of the highbrow excellence of these institutions, none of them had much to offer a city taking its first tentative steps out of quarantine, which craved ways to come together, inclusively and outdoors.
So Lincoln Center threw open its massive and under-utilized outdoor campus to some amazing performers that normally wouldn’t have the opportunity to perform there. Among them was Debra Ann Byrd, a theater veteran who’s one-woman show “Becoming Othello: A Black Girl’s Journey” tells a tale of perseverance, perfect for this city right now.
Featured in this Episode
The craziness of the last few years has made for some unexpected partnerships around the city. None of these were stranger and more successful than the shotgun wedding of a tiny neighborhood history museum and a risk-taking collective of burlesque artistes known to some as a “Voltron of gay strippers”. This unlikely collaboration not only saved them both financially, but pushed them both into bold new creative directions they never would have otherwise discovered.
Featured in this Episode
Special Thanks: Nightlife Documentrian Andres (Insta @legomojo
Like many smaller classical music ensembles, the celebrated PubliQuartet found ways to keep going during the shutdown - largely by performing outdoors in some very unorthodox settings. One of these was the catacombs of The Green-Wood Cemetery, one of the venues where Death of Classical has been presenting eclectic performances since early 2020. What’s it like to perform during a pandemic in a space where you’re literally surrounded by the dead? Remarkably transcendent, it turns out.
Featured in this Episode
Resources/More Info:
Held back in June, “Brand New Day” was an ecstatic takeover of Times Square, with singers and dancers from Broadway and beyond celebrating what they hoped was the imminent return of New York Theater. But some of the featured performers couldn’t help but wonder - was the closing of New York an opportunity to do better than rebuilding on the same outdated foundations?
We spoke with Jason A. Rodriguez of the hit TV show “Pose” and his long-time business partner Ricardo Sebastian about their vision for a new day in New York that supports performers who have long been marginalized and exploited.
Featured in this Episode
Resources/More Info: