Kala Ramnath is a world-renowned Indian violinist who performs in both the Hindustani classical tradition, and in collaborations that incorporate many styles with Ray Manzarek of The Doors, Bela Fleck and Edgar Meyer, Hilary Hahn, Kronos Quartet with Reena Esmail and veena player Jayanthi Kumaresh, and leading orchestras such as my own National Arts Centre, to name but a few. You’ll hear about her childhood, and how she became a disciple of the legendary vocalist Pandit Jasraj, leading her to revolutionize her approach to Hindustani violin technique. As a teacher she has put together an incredible resource with an extensive video library that she’s created of Indian music, Indianclassicalmusic.com
When I recorded this interview with Kala, she had just the day before returned from the celebration of life for the legendary tabla master Zakir Hussain, who died this past December, and was one of the most important musicians in both Indian music and in bringing a global audience to Indian music. He had moved to San Francisco in the 1960s and was involved in too many projects to begin to list; in 2024 he was the first musician from India to receive 3 Grammys at one ceremony, including his collaboration with Bela Fleck and Edgar Meyer. Zakir Hussain was an incredibly important mentor of Kala, and you’ll hear in her words about what his guidance and collaborations meant to her.
Kala talked to me about some of her many cross-genre collaborations, including her fantastic albums with tabla master Bikram Ghosh and her inventive trio with George Brooks and Gwyneth Wentink and you'll hear some of that music as well (albums linked below).
Like all my episodes, you can watch this on my YouTube channel or listen to the podcast on all the podcast platforms, and I’ve also linked the transcript : YouTube and Transcript
Kala Ramnath Website Indianclassicalmusic.com
Raag Ahir Bhairav Paperboats album Elements trio album
Other episodes I’ve linked directly to this one, which I think may interest you: Karnatic violinist Suhadra Vijaykumar
Sitar and tabla player Mohamed Assani
It’s a joy to bring these inspiring episodes to you every week, and I do all the many jobs of research, production and publicity. Please buy me a coffee? Or check out my merch store Sign up for my newsletter and get exclusive sneak peeks!
Timestamps:
(00:00) Intro
(02:41)Zakir Hussain, Triveni with Jayanthi Kumaresh
(10:53) Kala’s childhood
(15:17) Indianclassicalmusic.com resource
(17:56) Kala Ramnath Collective world music
(19:13) albums with Bikram Ghosh
(20:28) A Better Place from Paperboats with Bikram Ghosh
(26:30) Pandit Jasraj, changing her approach to the violin
(34:46) Raag Ahir Bhairav (video linked in show notes)
(46:16) Kala’s Singing Violin style
(48:12) other episodes you’ll enjoy and different ways to support this series
(49:05)Concerto for Hindustani Violin and Orchestra written with Reena Esmail
(54:32) Ragas according to the time of day
(57:43) Ray Manzarek of The Doors, ragas with other musical traditions
(01:02:31) why Kala uses viola strings and tunes low
(01:04:21) trio with George Brooks and Gwyneth Wentink
(01:05:42) Better Than Coffee from Elements, George Brooks, Gwyneth Wentink (link in show notes)
(01:10:15) Bela Fleck, Edgar Meyer, importance of consistent practice
(01:13:54) Kalashree foundation
(01:15:28) pandemic shutdowns, performing with Zakir Hussain
Tasha Warren is an acclaimed clarinetist who has premiered over one hundred solo clarinet and chamber works. In this podcast you’ll hear excerpts from her album “Ourself Behind Ourself, Concealed” a fantastic collaboration with cellist Dave Eggar of newly commissioned and premiered Bass Clarinet and Cello works, which earned two Grammy nominations. If you listened to my episode with Meg Okura last year, you heard a bit about this project, and Meg’s episode is linked in the show notes if you missed it. Dr. Warren is Assistant Professor of Chamber Music at Michigan State University and the principal clarinet faculty of Mostly Modern Festival and you’ll hear her valuable and candid perspectives on a life as an educator, concert presenter and also the challenges of balancing such a full professional life with that of being a mom. You’ll also hear about her unique musical trip to India sponsored by Pitch Pipe organized by Jennifer Heemstra, among several inspiring projects in this wide-ranging episode. In this episode you’ll be hearing music by Nathalie Joachim, Paquito D’rivera, Martha Redbone Pascal Le Boeuf and Cornelius Boots. One of the wonderful surprises for me as a podcaster has been getting to know composers new to me and I encourage you to listen to Tasha and Dave’s recording which is linked for you below.
Like all my episodes, you can also watch this on my YouTube channel or listen to the podcast on all the podcast platforms, and I’ve also linked the transcript to my website
Ourself Behind Ourself Concealed album
It’s a joy to be able to bring these meaningful conversations to you, but this project costs me quite a bit of money and lots of time; please support this series through either my merchandise store or buy me a coffee on my Ko-fi page
Some other episodes I’ve linked directly to this one, which I think may interest you, with:
Sarah Jeffery of Team Recorder
Timestamps:
(00:00) Intro
(02:14) champion of new music, “Ourself Behind Ourself, Concealed” album with Dave Eggar
(09:05) Pascal Le Boeuf
(13:19) clip from Snapshots by Pascal Le Boeuf
(15:00) process of choosing composers for this project, expanding styles
(17:37) trip to India, Jennifer Heemstra
(25:07) experiences presenting concerts in different contexts and communities
(30:53) value of journaling, importance of self-awareness and practicing efficiently
(36:25) Martha Redbone, about Black Mountain Calling Cherokee stomp dance
(40:07) clip from Martha Redbone’s Black Mountain Calling
(41:19) Paquito D’Rivera, about African Tales
(43:26) clip of African Tales by Paquito D’Rivera
(44:37) embracing the risk of improv
(46:06) other episodes you’ll like and different ways to support this series
(46:55)study abroad program in Israel, Klezmer improv
(49:29) husband clarinetist Guy Yehuda, balancing family life with careers
(52:08) dealing with gender bias as a mom and musician
(58:34) Cornelius Boots
(1:0:33) clip from Crow Cavern by Cornelius Boots
(1:01:55) Cornelius Boots
(1:02:35) Nathalie Joachim
(1:05:03) clip of Lalin by Nathalie Joachim
(1:06:25) the benefits of music competitions
(1:09:54) solo album the Naked Clarinet, about Wings by Joan Tower, music as creativity prompt
(1:13:55) engaging with different audiences
Tal Yahalom is an award-winning jazz guitarist and composer and you’ll be getting a preview of his compelling quintet album Mirror Image with refreshingly unique instrumentation: violin, cello, percussion, sax and flute and both nylon-string and electric guitar. You’ll be hearing excerpts from the album and hear about Tal’s creative process and collaborators including percussioninst Rogerio Boccato and David Leon on sax and flute. Tal told me about some great advice he got from Pat Metheny, whom he met when Tal won the Detroit Jazz Festival National Guitar Competition, and the invaluable guidance of key mentors throughout his education and career. Tal recently came back from musically immersive travels in Brazil and Argentina, and it was inspiring to hear about his experiences their as well as hear about several of his collaborators, including his band KADAWA, and we’re featuring a track from their new album as well. Towards the end of this interview, Tal shared some personal reflections on his new duo with vocalist Danielle Wertz, and some very wise insights into student-centered learning, which I think apply quite broadly, not just to music. Like all my episodes, you can watch this on my YouTube channel or listen to the podcast on all the podcast platforms, and I’ve also linked the transcript to my website https://www.leahroseman.com/episodes/tal-yahalom
Tal Yahalom Website Mirror Image Album (pre-order link; releasing March 21, 2025)
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Other episodes you'll like:
Marc van Vugt Ariel Bart Gilad Weiss Edison Herbert
Timestamps:
(00:00) Intro
(02:49) album Mirror Image
(07:00) clip of KIM from Mirror Image
(07:29) about Prelude, use of strings
(09:30) clip of Prelude from Mirror Image
(11:13) album set list, listening parties
(14:01)Argentian grandfather, trip to Brazil and Argentina, Vardan Ovsepian
(17:26) Rogerio Boccato, Brazil trip, Gian Correa
(22:43) clip from Chorinho for Tati from Mirror Image
(23:28) Brazil trip
(25:43) creative process, about Hymn for Tomorrow
(28:56) excerpt from Hymn for Tomorrow
(30:22) album art Linnea Lieth, Tal’s creative process
(35:09) other episodes linked to this one and different ways to support this series
(36:04) Tal’s creative process
(40:26) percussionist Rogerio Boccato
(43:50) clip of Dusk on Landwehr Canal
(45:10) David Leon sax and flute player
(47:39) story of Sophianic Mess
(51:04) clip of Sophianic Mess
(51:47) band KADAWA Almog Sharvit, Ben Silashi
(55:58) KADAWA Salhov Syndrome from Post Graduation Fees
(01:02:11) Tal’s experience of student-led education, guitar teacher Shai Chen
(01:05:36) the importance of transcription
(01:09:07) meeting Pat Metheny, winning Detroit Jazz Festival Guitar Competition
(01:14:09) solo guitar album Solo Standards
(01:16:32) duo with vocalist Danielle Wertz, arranging
(01:22:18) approach to teaching student-centered approach
photo: Adrien Tillmann
Rachel Eckroth and John Hadfield are wonderfully inventive musicians who have formed a duo. This podcast episode is shining a light on their recently released album “Speaking in Tongues”and you’ll hear some of this textured and dynamic music that really pushes the boundaries of a duo, along with insights into their creative process and their varied career paths.
John Hadfield is a phenomenal percussionist, drummer, and composer, for many years based in New York and now based in Paris. He’s collaborated on over 100 recordings including Grammy-award winning albums. He talked to me about performing with Kenny Werner, with Yo-Yo Ma and the Silkroad Ensemble, as well as John’s Paris Quartet.
Rachel Eckroth was nominated for a GRAMMY for her album “The Garden” and she is very active as a keyboardist, vocalist, composer, producer and arranger. She tours currently with St. Vincent, and she talked to me about her keyboards, and some of her formative experiences.
Both Rachel and John love to explore new sound colours both acoustically and with electronic instruments and this album is a powerful, inventive and immersive listening experience. You’ll find this project linked in the show notes, and hopefully some of you can attend their live shows on one of their tours.
Like all my episodes, you can watch this on my YouTube channel or listen to the podcast on all the podcast platforms, and I’ve also linked the transcript to my website
Speaking in Tongues albumRachel Eckroth websiteJohn Hadfield website
Can you buy this independent podcaster a coffee? Thanks!
I wanted to let you know about some other episodes I’ve linked directly to this one, which I think may interest you, with:
Timestamps:
(00:00) Intro
(02:45) duo project, Speaking in Tongues album
(07:45) clip from Speaking in Tongues
(08:27) Gamelan strips, John’s Gamelan studies in Indonesia
(10:50) Phase and Libration Part 1 from album Speaking in Tongues
(14:18) formative experiences Rachel and John
(19:54) God Particle, creative process of the album
(22:13) clip from God Particle
(23:24) Rachel’s album One improvised piano music, her creative practice and challenges of touring
(26:35) Light Sleeper from Rachel Eckroth’s album One
(28:59) Paris, Dennis Rowland, Rachel’s keyboards, John’s collaborations Sara Caswell
(34:17) other linked episodes you’ll like and ways to support this series
(35:06) John’s Drum of Stories album, Collin Walcott, John’s use of electronics with acoustic
(38:25) Rachel’s touring career
(41:20) Kenny Werner, different performance experiences
(44:10) Women’s March 2017, life-changing opportunities
(48:19) clip from Andromeda from Speaking in Tongues
(49:53) New York City early career
(52:34)Silkroad ensemble, Yo-Yo Ma
(55:35) projects together with Rachel, upcoming tours, about Blood Moon
(59:53) clip from Blood Moon from Speaking in Tongues
(0101:23) conclusion
Fern Lindzon is a Canadian multi-style pianist, vocalist, composer and improvisor. She recently released a great album with her newjazz trio project Tryptique with Colleen Allen and George Koller ,and we’re featuring music from that album as well as some of her other work, including her Juno-nominated album Two Kites. We talked about her mother, the artist Rose Lindzon, many mentors and influences including Don Thompson, Alan Bern and Marilyn Lerner, and several of Fern’s projects including creating silent film music, Klezmer with the Sisters of Sheynville, and her new project of learning the expressive electronic instrument the Haken Continuum. In fact, what really struck me about talking to Fern was her thirst to continuously expand her knowledge, skills, and creativity. Like all my episodes, you can watch this on my YouTube channel or listen to the podcast on all the podcast platforms, and I’ve also linked the transcript to mywebsite.Fern Lindzon websiteCould youbuy me a coffeeto support this series? Thanks! Another way to support this podcast and channel is to ordermy merchandise. Sign up formy newsletter to get access to information about upcoming guests! Some other episodes I’ve linked directly to this one, which I think may interest you: Colleen Allen Matt Zimbel Polina Shepherd Marilyn LernerKellylee EvansKait DuntonTimestamps:(00:00) Intro (03:08)Fern’s mother the artist Rose Lindzon(07:02) Tryptique, decision to focus on piano playing(12:29) studying jazz with Don Thompson, Fred Hersch(17:04) excerpt of Eucalyptus from Tryptique(18:45) creativity prompts, silent film music(22:28) clip from the Windmills of Your Mind from album Like a Circle in a Spiral(23:52) Tryptique, Bach chorale inspiration(25:37) clip from Do Look from Tryptique(26:53) Las Meninas project, Canarios, inspiration from visual art, Gaspar Sanz (29:50) clip from Canarios from Tryptique (30:39) how to get support for projects, Marilyn Lerner(32:46) Doug Wilde(34:19)clip from Wondering from Tryptique(35:24)silent films, musical evolution and education(42:24) Klezmer, Sisters of Sheynville, Alan Bern(45:49) other episodes you’ll like and different ways to support this series(46:42) Tryptique, George Koller(48:10) clip from Compassion Blues from Tryptique(50:23) Toronto jazz scene(54:27) Two Kites album(57:00) clip from Two Kites(57:59)singing, lyrics(1:04:19) To See Through Infant Eyes from Moments Like These(1:08:38)A Circle in a Spiral, Peter Bragg photographer(01:11:22) teaching, Fern’s childhood, listening parties(01:16:45) Haken continuum