Ep #3 - The Truth Cannot Be Cancelled: Editing A Personal Documentary

JUL 5, 202236 MIN
The Art of Documentary Storytelling

Ep #3 - The Truth Cannot Be Cancelled: Editing A Personal Documentary

JUL 5, 202236 MIN

Description

In this special episode, my staff editor and I collaborate on four calls with the director of The Boys In Red Hats (2021). He had hired New Doc Editing to edit his personal documentary, one that traversed hyper-polarized terrain.This is the story of a man who became woke—while staying true to the positive values of his conservative past.In 2019, a politically-charged video went viral. It showed students wearing red MAGA hats confronting a Native American elder in DC. The image of young Nick Sandmann staring down the weathered Nathan Phillips became “the smirk heard round the world.” Director Jonathan Schroder, a producer for National Geographic, is himself a graduate of the prep school that the boys attended, Covington Catholic High School.We encouraged him and his co-producer to film their behind-the-scenes discussions about the film, and they agreed. This new verite footage completely transformed the rough cut into what one critic called a “refreshingly transparent” documentary.The main arc was the filmmaker’s own character transformation, which initially was confusing to follow. We clarified Jonathan's change by adding a Protagonist’s Statement of Desire in Act One, and a Protagonist’s Statement of Transformation in Act Three. We also weighed the consequences of Jonathan's plan to show up unannounced at the door of Nathan Phillips, who so far had avoided an interview! It was a dicey directing decision. Would Jonathan be accused of an unfair ambush?In this podcast, you'll hear how a deeply-awakened director risked the wrath of some viewers by confronting an aging indigenous activist. Jonathan’s decision made a gripping Third Act climax, avowing that “the truth cannot be cancelled”.EPISODE 3 TAKEAWAYSWriting narration for a personal documentaryEstablish the film's storytelling grammar Protagonist’s Statements of Desire and TransformationThree criteria for making cutsEnhance a “talking heads” doc with animation Post-production workflow QUOTABLES“The Boys in Red Hats is refreshingly transparent.... Few directors would expose themselves to this degree, and Schroder deserves kudos for his openness on this journey of self-discovery.”-       Roger Ebert.com“I didn’t want to shut down the director’s courage by invoking cancel culture--the fear that if he said or did something deemed politically incorrect--he’d be demonized as a character and dismissed as a filmmaker.”-       Karen Everett, Story ConsultantRECOMMENDED RESOURCESWatch Film TrailerWatch the FilmDirector Jon Schroder’s IMDb BioThe Post-Progressive PostNew Doc Editing, LLCKaren Everett IMDb PERMISSIONSPermission to use the content of this podcast is provided by the editor, co-producer, and Jonathan Schroder, Producer/Director of The Boys in Red Hats.Music provided by award-winning composers Gunnard Doboze and William Ryan Fritch.BIOKaren Everett is one of the world’s leading documentary story consultants. Her business New Doc Editing helps filmmakers structure and edit compelling films. Karen taught editing for 18 years at the #1-ranked U.S. documentary program, at UC Berkeley’s Graduate School of Journalism.