<description>&lt;p&gt;Award-winning actor Kristin Scott Thomas talks to John Wilson about her career and cultural influences. After a breakthrough role in the Evelyn Waugh film adaptation of A Handful Of Dust, she became a global star with Four Weddings and a Funeral in 1994. Two years later, was Oscar nominated for The English Patient directed by Anthony Minghella. Her screen roles in the years since have included Gosford Park, The Horse Whisperer and more recently Rebecca and on television, Slow Horses. She has just made her debut as a director and screenwriter with My Mother’s Wedding, inspired by her real life family story. 
Her extensive theatre credits include Chekhov’s The Seagull, for which she won an Olivier Award, and she played The Queen in Peter Morgan's drama The Audience. Kristin Scott Thomas has also enjoyed a distinguished stage and film career in France, where she was awarded the Legion of Honour in 2005. In 2014 she was made a Dame for services to drama. &lt;/p&gt;&lt;p&gt;Producer: Edwina Pitman&lt;/p&gt;</description>

Award-winning actor Kristin Scott Thomas on her career and cultural influences.

Award-winning actor Kristin Scott Thomas talks to John Wilson about her career and cultural influences. After a breakthrough role in the Evelyn Waugh film adaptation of A Handful Of Dust, she became a global star with Four Weddings and a Funeral in 1994. Two years later, was Oscar nominated for The English Patient directed by Anthony Minghella. Her screen roles in the years since have included Gosford Park, The Horse Whisperer and more recently Rebecca and on television, Slow Horses. She has just made her debut as a director and screenwriter with My Mother’s Wedding, inspired by her real life family story. 
Her extensive theatre credits include Chekhov’s The Seagull, for which she won an Olivier Award, and she played The Queen in Peter Morgan's drama The Audience. Kristin Scott Thomas has also enjoyed a distinguished stage and film career in France, where she was awarded the Legion of Honour in 2005. In 2014 she was made a Dame for services to drama. Producer: Edwina Pitman

Kristin Scott Thomas

<description>&lt;p&gt;The Booker Prize winning American author George Saunders talks to John Wilson about his cultural influences. He made his name as a writer of satirical or absurdist short stories which often explore contemporary consumerist society, always underpinned with a strong sense of human compassion and empathy. In 2017, his first full length novel Lincoln In The Bardo - about Presidential grief amid a cacophony of spiritual voices - won the Booker Prize and became a global bestseller. His latest novel Vigil once again explores death and the afterlife. George Saunders teaches creative writing at Syracuse University, New York, and is widely regarded as one of the most influential figures in American literature.&lt;/p&gt;&lt;p&gt;Producer: Edwina Pitman&lt;/p&gt;</description>

Booker Prize-winning American author George Saunders reveals his cultural influences.

The Booker Prize winning American author George Saunders talks to John Wilson about his cultural influences. He made his name as a writer of satirical or absurdist short stories which often explore contemporary consumerist society, always underpinned with a strong sense of human compassion and empathy. In 2017, his first full length novel Lincoln In The Bardo - about Presidential grief amid a cacophony of spiritual voices - won the Booker Prize and became a global bestseller. His latest novel Vigil once again explores death and the afterlife. George Saunders teaches creative writing at Syracuse University, New York, and is widely regarded as one of the most influential figures in American literature.Producer: Edwina Pitman

George Saunders

<description>&lt;p&gt;The soprano Dame Felicity Lott talks to John Wilson about her distinguished career and cultural influences. One of Britain's best-loved sopranos, her breakthrough role was as a last minute stand-in for Pamina in The Magic Flute in 1975. Over the next four decades, she built an international career, performing at opera houses and concert halls around the world, singing works by composers including Richard Strauss, Schubert and Mozart. At home, she was seen frequently on television, sang regularly at the BBC Proms and was made a Dame in 1996. She was also the recipient of the Légion d’Honneur, France’s highest cultural award.
Dame Felicity sadly died on 15 May 2026, shortly after this programme was first broadcast.&lt;/p&gt;&lt;p&gt;Producer: Edwina Pitman&lt;/p&gt;&lt;p&gt;Music and archive used:&lt;/p&gt;&lt;p&gt;Ruhe sanft from Zaide, W A Mozart, sung by Felicity Lott
Rudolf the Red-nosed Reindeer, courtesy of Felicity Lott
The Last Night of the Proms, 1996, Ah! que j'aime les militaires from La grande-duchesse de Gérolstein, J Offenbach, sung by Felicity Lott
Overture to The Magic Flute, W A Mozart
An Die Musik, F Schubert, piano: Graham Johnston, sung by Felicity Lott
Licht und Liebe, F Schubert, piano: Graham Johnson, sung by Anthony Rolfe Johnson and Felicity Lott
Vier letzte Lieder: Im Abendrot, R Strauss, sung by Elisabeth Schwarzkopf
Closing scene from Capriccio, R Strauss
Act 1 from Der Rosenkavalier, sung by Anne Sofie von Otter and Felicity Lott
Act III from Der Rosenkavalier, sung by Anne Sofie von Otter, Barbara Bonney and Felicity Lott
Vier letzte Lieder: Beim Schlafengehen, R Strauss, sung by Felicity Lott&lt;/p&gt;</description>

Soprano Dame Felicity Lott talks to John Wilson about her distinguished career.

The soprano Dame Felicity Lott talks to John Wilson about her distinguished career and cultural influences. One of Britain's best-loved sopranos, her breakthrough role was as a last minute stand-in for Pamina in The Magic Flute in 1975. Over the next four decades, she built an international career, performing at opera houses and concert halls around the world, singing works by composers including Richard Strauss, Schubert and Mozart. At home, she was seen frequently on television, sang regularly at the BBC Proms and was made a Dame in 1996. She was also the recipient of the Légion d’Honneur, France’s highest cultural award.
Dame Felicity sadly died on 15 May 2026, shortly after this programme was first broadcast.Producer: Edwina PitmanMusic and archive used:Ruhe sanft from Zaide, W A Mozart, sung by Felicity Lott
Rudolf the Red-nosed Reindeer, courtesy of Felicity Lott
The Last Night of the Proms, 1996, Ah! que j'aime les militaires from La grande-duchesse de Gérolstein, J Offenbach, sung by Felicity Lott
Overture to The Magic Flute, W A Mozart
An Die Musik, F Schubert, piano: Graham Johnston, sung by Felicity Lott
Licht und Liebe, F Schubert, piano: Graham Johnson, sung by Anthony Rolfe Johnson and Felicity Lott
Vier letzte Lieder: Im Abendrot, R Strauss, sung by Elisabeth Schwarzkopf
Closing scene from Capriccio, R Strauss
Act 1 from Der Rosenkavalier, sung by Anne Sofie von Otter and Felicity Lott
Act III from Der Rosenkavalier, sung by Anne Sofie von Otter, Barbara Bonney and Felicity Lott
Vier letzte Lieder: Beim Schlafengehen, R Strauss, sung by Felicity Lott

Felicity Lott

<description>&lt;p&gt;Over a seven-decade career, Michael Frayn has been acclaimed as a novelist, playwright, journalist, translator &amp;amp; memoirist. From his comedies – including the stage farce Noises Off, and a screenplay for Clockwise starring John Cleese, and the novels Headlong and Skios – to the complex political, historical and scientific themes of his stage plays Democracy and Copenhagen, he has been prolific in a diverse array of genres and subjects. He is also renowned for his stage adaptations of the works of Russian writers including Anton Chekhov. At 92, Michael Frayn advised on a recent revival of Copenhagen for the Hampstead Theatre. &lt;/p&gt;&lt;p&gt;Producer: Edwina Pitman&lt;/p&gt;&lt;p&gt;Archive used:&lt;/p&gt;&lt;p&gt;Extract from To A Skylark, Percy Bysshe Shelley, read by Timothy West, BBC Radio 4, 27 April 1998
Extract from Spies, Michael Frayn, read by Martin Jarvis, BBC Radio 4, 29 April 2002
Clip from Wild Honey, Michael Frayn/Anton Chekov, BBC Radio 4, 20 January 1989
Extract from Scoop, Evelyn Waugh, read by Robert Hardy, BBC Radio 4, 3 April 1998
Clip from Noises Off, Peter Bogdanovich, 1992
Clip from Clockwise, Christopher Morahan, 1986
Clip from Copenhagen, Howard Davies, 2002&lt;/p&gt;</description>

Playwright and novelist Michael Frayn reveals his formative cultural influences.

Over a seven-decade career, Michael Frayn has been acclaimed as a novelist, playwright, journalist, translator &amp; memoirist. From his comedies – including the stage farce Noises Off, and a screenplay for Clockwise starring John Cleese, and the novels Headlong and Skios – to the complex political, historical and scientific themes of his stage plays Democracy and Copenhagen, he has been prolific in a diverse array of genres and subjects. He is also renowned for his stage adaptations of the works of Russian writers including Anton Chekhov. At 92, Michael Frayn advised on a recent revival of Copenhagen for the Hampstead Theatre. Producer: Edwina PitmanArchive used:Extract from To A Skylark, Percy Bysshe Shelley, read by Timothy West, BBC Radio 4, 27 April 1998
Extract from Spies, Michael Frayn, read by Martin Jarvis, BBC Radio 4, 29 April 2002
Clip from Wild Honey, Michael Frayn/Anton Chekov, BBC Radio 4, 20 January 1989
Extract from Scoop, Evelyn Waugh, read by Robert Hardy, BBC Radio 4, 3 April 1998
Clip from Noises Off, Peter Bogdanovich, 1992
Clip from Clockwise, Christopher Morahan, 1986
Clip from Copenhagen, Howard Davies, 2002

Michael Frayn

<description>&lt;p&gt;Turner Prize-winning Artist Lubaina Himid talks to John Wilson about her formative influences. She made her name in the mid-1980s as a pioneering member of the British black arts movement, organising exhibitions to champion the work of fellow women artists. Having trained as a theatre designer, her paintings and installation pieces often have a strong narrative aspect, telling stories of race, history and identity. In 2017, at the age of 63, she became the oldest artist to win the Turner Prize, as well as the first black woman to do so. The following year, she was made a CBE for services to art. In 2026, Lubaina Himid will represent Britain at the international arts festival, the Venice Biennale.&lt;/p&gt;&lt;p&gt;Producer: Edwina Pitman&lt;/p&gt;</description>

Artist Lubaina Himid reveals her formative influences.

Turner Prize-winning Artist Lubaina Himid talks to John Wilson about her formative influences. She made her name in the mid-1980s as a pioneering member of the British black arts movement, organising exhibitions to champion the work of fellow women artists. Having trained as a theatre designer, her paintings and installation pieces often have a strong narrative aspect, telling stories of race, history and identity. In 2017, at the age of 63, she became the oldest artist to win the Turner Prize, as well as the first black woman to do so. The following year, she was made a CBE for services to art. In 2026, Lubaina Himid will represent Britain at the international arts festival, the Venice Biennale.Producer: Edwina Pitman

Lubaina Himid

In-depth conversations with some of the world's leading artists and creatives across theatre, visual arts, music, dance, film and more. Hosted by John Wilson.

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