Talks From The Crypt

Joe Begos, director of Bliss, Christmas Bloody Christmas, Jimmy and Stiggs, and more, joins us in the Crypt for a conversation about independent filmmaking, shooting on film, and carving your own path without the system behind you.Joe discusses his films, the chaos that inspires his work, his polarizing writing and visual style, and maintaining full control over his films. We get into moving to Los Angeles with nothing, skipping film school, self-funding projects, and the reality of surviving as an independent horror filmmaker.We also talk film vs digital, world-building and taking wild ideas seriously, practical effects, working with Eli Roth, and the current state of the industry. We give our thoughts on Scream 7, remakes, horror conventions, and the mindset it takes to keep making movies your way no matter what it costs.—Subscribe: youtube.com/@TalksFromTheCryptFollow On Social Media –Talks From The Crypt: https://instagram.com/talksfromthecrypthttps://talksfromthecrypt.com Joe Begos:https://instagram.com/joebegos—00:00:00 - Intro00:00:48 - Moving to LA, Starting Out In Filmmaking, Writing Out of Necessity00:07:35 - Joe's Polarizing Writing and Visual Style, Maintaining Control of His Films00:19:53 - Starting Out In Short Films and Getting Into Film Festivals, School of Begos00:28:29 - Joe's World Building, Christmas Bloody Christmas, Taking Crazy Plots Seriously00:35:54 - Jimmy and Stiggs Sequel Idea, The Film Performing Under Expectations, Making Small Budgets Work00:43:43 - Film vs. Digital, Not Making The Vampire Element of Bliss Too Obvious00:57:30 - Joe Brings Gifts, Abel Ferrara Inspiration, Easter Eggs01:08:48 - Arthouse Theaters and Video Stores, AI in the Film Industry, The Industry Is Moving Backwards01:26:08 - Working with Eli Roth on Jimmy and Stiggs, Getting No Noise Complaints While Making the Film, Connection to Infamous Murderers01:36:56 - Ryan Murphy's Monster Series, Joe's Next Projects, Shooting in LA 01:44:06 - People Take LA for Granted, Theme Parks, Conventions, and Haunted Attractions01:54:27 - Haunted Attractions, Horror In the Mainstream, How Horror Conventions Changed02:09:26 - Scream 7 Review (Spoilers)02:17:31 - Joe's Texas Chainsaw Massacre Idea, Problems With Remaking Classics, Henry: Portrait of a Serial Killer02:26:58 - Joe's Socials and Outro—Copyright Disclaimer (Fair Use Notice):Under Section 107 of the Copyright Act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research. Fair use is a use permitted by copyright law that might otherwise be infringing. All media used in this video are for the purpose of commentary, analysis, and education under fair use.

Grimmlife Collective is a horror and true-crime travel channel hosted by Michael and Jessica Kolence, known for exploring filming locations, cemeteries, abandoned sites, and dark history locations across the world. Their work blends on-location storytelling, horror fandom, and documentary-style deep dives into the strange and macabre.From traveling Europe and Disney cruises to abandoned videos, fear of flying, prophetic dreams, and night terrors. We talk Dark Universe, react to the Scream 7 release and trailer, get into horror sequels and fan theories, and why trailers are ruining movies. We get into the real exorcism of Anneliese Michel, listening to the tapes, covering Ted Bundy, being contacted by victims of cold cases, and why we’re fascinated with the morbid in the first place.Michael and Jessica open up about convention politics, celebrities who don’t care, the horror industry being highly competitive and cliquish, navigating social media hate, insecurities on camera, and why they stopped daily vlogs. We also get into aliens, Bigfoot, Area 51, conspiracy theories, world-ending scenarios, and the strange psychology behind negativity in the YouTube community.—Subscribe: youtube.com/@TalksFromTheCryptFollow On Social Media –Talks From The Crypt: https://instagram.com/talksfromthecrypthttps://talksfromthecrypt.com Grimmlife Collective: https://instagram.com/grimmlifecollectivehttps://grimmlifecollective.com Jessica Kolence: https://instagram.com/witchydamehttps://www.youtube.com/BabyGhoulAsmr—00:00:00 – Intro00:00:57 – Traveling the World: Europe, Disney Cruises, Abandoned Videos, Living Life Through A Lens00:06:21 – Dark Universe, Movie Trailers, Bone Temple, Scream 7 Teaser Reaction, Scream Fan Theories, Sequels and Remakes00:16:29 – Vegas and LA Tear Everything Down, Embracing History, Fear of Flying, Prophetic Dreams, and Night Terrors00:26:59 – Conventions/Signings, Celebrities That Don't Care and Bad Experiences With Them, Being In a Bad Mood While Signing00:37:00 – Horror Fans Are Great, But the Horror Industry is HIGHLY Politicized and Competitive. Not Letting the Professional Side Override the Fan Side.00:44:50 – Navigating Social Media, Creativity, Still Getting Nervous, Jessica Starting Her Own Channel, Why They Stopped Vlogs, and Insecurities00:58:56 – Area 51 Skit, Believing In Aliens, The Pyramids, Big Foot, Loch Ness Monster, Unannounced Projects01:11:27 – The Real Exorcism of Anneliese Michel, Listening to the Exorcism Tapes01:28:08 – Covering True Crime, Ted Bundy, Getting Contacted By Victims of Cold Cases, Sleepy Hollow01:38:58 – Why Are We Fascinated With Morbid Subjects?01:45:00 – Addressing the Haters in the Comment Section, Engaging With Fans, Pet Peeves of the "YouTube Community"02:00:00 – Adam the Woo's Passing, Telling People You Care, Staying Positive, Separating Work Life From Personal Life02:09:50 – World Ending Conspiracies02:20:14 – Anticipated Films of 2026, Going to the Movies, Theater Etiquette, Who Still Watches 3D02:29:33 – TFTC Poster, Grimmlife Socials, and Outro—Copyright Disclaimer (Fair Use Notice):Under Section 107 of the Copyright Act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research. Fair use is a use permitted by copyright law that might otherwise be infringing. All media used in this video are for the purpose of commentary, analysis, and education under fair use.

Joe Lynch and Becca Howard are the hosts of ⁩ A Couple Of Old Fashioneds, a filmed movie podcast where they surprise each other with double features and talk through their reactions and analysis of the films.They join us in the Crypt for a crossover episode about how their show started, discovering movies together, and why introducing someone to a film they’ve never seen is exciting. We talk film bros vs real movie fans, screenwriting, film school, fan fiction, and learning by watching movies.Joe and Becca also break down working together on Suitable Flesh, low-budget filmmaking, bad crews, editing, and staying sane in the industry. We also get into Vegas, dive bars, Joe Bob’s Jamboree, pitching projects, anxiety, and how the novelty of Hollywood eventually wears off.—Subscribe: youtube.com/talksfromthecryptFollow On Social Media –Talks From The Crypt: https://instagram.com/talksfromthecrypthttps://talksfromthecrypt.com A Couple Of Old Fashioneds:youtube.com/acoupleofoldfashionedshttps://instagram.com/acofbeccajoehttps://instagram.com/thejoelynchhttps://instagram.com/oldfashionedbecca—00:00:00 – Intro00:02:20 – Introducing New Movies to People & The Genesis of A Couple of Old Fashioned's00:11:10 –Film Bros vs. Film Enthusiasts00:20:11 The Film Industry, Screenwriting, Film School, Fan Fiction, and Screenwriting Methods00:32:40 – Suitable Flesh - Bad Crew Memebers, Continuity Errors, Writing, Directing, Editing, The Female Gaze, and Feeding Your Crew Right01:05:23 – Being Grateful On Set01:17:22 – Loving the Role You're In and Separating Work from the Relationship01:31:06 – Double Down Saloon, Vegas, and Joe Bob's Jamboree01:41:40 – Unannounced Film, Writing Inspirations, and Pitching01:50:09 – The Novelty of Hollywood is Gone, Pitching, Anxiety, Debuting a New Film, and Creative Partners02:07:15 – A Couple of Old Fashioneds—Copyright Disclaimer (Fair Use Notice):Under Section 107 of the Copyright Act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research. Fair use is a use permitted by copyright law that might otherwise be infringing. All media used in this video are for the purpose of commentary, analysis, and education under fair use.

Joe Lynch, director of Wrong Turn 2, Mayhem, and Suitable Flesh, joins us in the Crypt for a candid conversation about directing, nerves that never go away, and navigating a long career in Hollywood.Joe discusses Wrong Turn 2, filmmaking struggles, leadership on set, yelling, chaos, and the behind-the-scenes drama on Suitable Flesh. We talk the good and bad of meeting heroes, talking shop with Guillermo Del Toro, and shaking hands with John Carpenter. He also breaks news on his upcoming films Buzzkill and Meatpaw, sharing cast and crew details about the new projects, and talks about staying hungry, rolling with punches, and more.—Subscribe: youtube.com/@TalksFromTheCryptFollow On Social Media –Talks From The Crypt: https://instagram.com/talksfromthecrypt https://talksfromthecrypt.com Joe Lynchhttps://instagram.com/thejoelynch youtube.com/@ACoupleOfOldFashionedshttps://patreon.com/themoviecrypt—00:00:00 - Intro00:00:31 - "Cold" Open? Still Being Nervous. Steven Spielberg and Working With Tony Todd.00:09:15 - Working in Television with Disney and How It Differs From Filmmaking. Still Getting Nervous on The Movie Crypt After 600+ Episodes & Meeting Heroes00:21:28 - "Never Meet Your Heroes," Meeting John Carpenter00:28:02 - Joe Opens Up About Directing. Working on Wrong Turn 2 and G4. Why He Hasn't Written More.00:37:59 - Breaking Down The Creative Process Behind Wrong Turn 2, His Directorial Debut. The "Most Hated" Director in Hollywood.00:55:46 - Maintaining an Enthusiastic Attitude in the Film Industry, People That Are Not Cut Out For It, Learning All Jobs01:11:26 - Getting Serious With Cast and Crew As a Director, Screaming on Set, Problems on Suitable Flesh, People Actually Having Sex on Mayhem01:23:56 - Joe Breaks News On His Newest Features - Buzzkill and Meatpaw - and REVEALS the Creature and New Crew Members On the Film, Meeting Del Toro, Attending Masters of Horror Dinners - good title01:58:52 - Not Being a "Veteran" and Staying as the New Kid On The Block, Staying Hungry. Truth In Journalism, Joe's Spider-Man Universe Short Film Inspired by Man Bites Dog02:11:54 - Directors Must Roll With The Punches02:21:26 - Outro—Copyright Disclaimer (Fair Use Notice):Under Section 107 of the Copyright Act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research. Fair use is a use permitted by copyright law that might otherwise be infringing. All media used in this video are for the purpose of commentary, analysis, and education under fair use.

Chuck Russell, the legendary director behind The Mask, The Blob, and A Nightmare on Elm Street 3: Dream Warriors, joins us in the Crypt to talk about the wild ride of his illustrious Hollywood career – from nearly directing Child’s Play and almost turning The Mask into a horror film, to working with Jim Carrey, Arnold Schwarzenegger, and Frank Darabont – and to promote his newest film Witchboard.Chuck opens up about UFO encounters, the paranormal, near-death experiences, and the forces that might be influencing Hollywood from behind the curtain. He breaks down practical effects, dream research, faith, simulation theory, and what it really means to create from both sides of the veil.He also discusses his early years breaking into the industry, performing stunts, and writing screenplays in 1980s Hollywood. Chuck shares his views on the “Horror Ghetto,” why he declined Child’s Play, and how he feels about the later Nightmare on Elm Street sequels. —Subscribe: youtube.com/@TalksFromTheCryptFollow On Social Media –Talks From The Crypt: https://instagram.com/talksfromthecrypt https://talksfromthecrypt.com Witchboard:https://witchboardmovie2025.com—00:00:00 - Intro00:00:31 - Nightmare On Elm Street Pt. 3: Dream Warriors, Dreamscape, Frank Darabont, Hell Night, and The Blob00:11:46 - Starting Out In Hollywood, Putting Yourself Into Screenplays, Working Stunts with Arnold Schwarzenegger00:21:16 - Hollywood Is Changing, Movie Theaters, The Mask Was Originally A Horror Film, Working With Jim Carrey, and Chuck's Back Up Actors if Jim Said No to the Role, A Sequel to The Mask?00:40:45 - Putting New Actors on the Map (Patricia Arquette and Cameron Diaz), How Chuck Feels About Nightmare on Elm St. Sequels, The "Horror Ghetto," Why He Declined the Offer To Direct Child's Play00:49:12 - Bless The Child, Writing Good And Evil, Pure Despair, Mistrust for Authority00:56:25 - Eraser with Arnold Schwarzenegger, Working With CIA Advisors, Does The Government Control Hollywood? Working With Dream Researchers for Dreamscape01:02:21 - Secret Societies, Chuck's Real Sightings of UFOs, Is There Alien Life In The Universe? The Moon Landing01:16:23 - God, The Paranormal, Near Death Experiences, Lucid Dreaming, The Simulation Theory, AI, We're Living In A Sci-Fi Movie01:27:10 - Embracing The New, Chuck's Early Usage of CGI01:32:34 - Chuck's Return to Horror with Witchboard, Filming in New Orleans, Pendulum Boards vs. Ouija Boards, Hypocrisy of the Catholic Church01:41:11 - How Chuck's Catholic Upbringing Inspired Elements Within Witchboard, Hallucinogenics, Working with Animals01:48:21 - Reimagining Older Films, The Cast of Witchboard, Drugs as a Metaphor for Magic01:55:47 - Practical Effects In Witchboard, Watching Coolest Scenes from Witchboard and Bless The Child02:09:46 - Chuck Would Never Recommend Becoming an Actor02:20:46 - Working With Legendary DP's, Working in Thailand and India with a Tribe of Elephants, Directing a Non-English Script, Blocking Action Scenes02:32:57 - Outro—Copyright Disclaimer:Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing.