Is Sweeney Todd an Opera? I mean, maybe it is. Thoughts? Mila Henry, Artistic Director of The American Opera Project and I cut to the chase on thie subject.<a rel="payment" href="https://www.patreon.com/PrettyNoise">Support the show</a>

<description>Is Sweeney Todd an Opera? I mean, maybe it is. Thoughts? Mila Henry, Artistic Director of The American Opera Project and I cut to the chase on thie subject.&lt;p&gt;&lt;a rel="payment" href="https://www.patreon.com/PrettyNoise"&gt;Support the show&lt;/a&gt;&lt;/p&gt;</description>

Is Sweeney Todd an Opera? I mean, maybe it is.  Thoughts? Mila Henry, Artistic Director of The American Opera Project and I cut to the chase on thie subject.Support the show 

Episode 6 1970-1979: Sweeney Todd, Part One Is it an Opera if Opera Companies Produce it?

In this episode, I discuss the 1957 masterpiece Dialogues of the Carmelites by Francis Poulenc with Ben Spierman, Emily Pulley, and Matt Burns.<a rel="payment" href="https://www.patreon.com/PrettyNoise">Support the show</a>

<description>&lt;p&gt;In this episode, I discuss the 1957 masterpiece Dialogues of the Carmelites by Francis Poulenc with Ben Spierman, Emily Pulley, and Matt Burns.&lt;/p&gt;&lt;p&gt;&lt;a rel="payment" href="https://www.patreon.com/PrettyNoise"&gt;Support the show&lt;/a&gt;&lt;/p&gt;</description>

In this episode, I discuss the 1957 masterpiece Dialogues of the Carmelites by Francis Poulenc with Ben Spierman, Emily Pulley, and Matt Burns. Support the show 

1950-1959: Dialogues of the Carmelites, not Arias of the Carmelites

In this episode, I interview Soprano Laquita Mitchell, Tenor Robert Mack about the opera Porgy and Bess. I also ask Baritone Kenneth Overton to answer 10 questions as Porgy. And as always, I talk wine and opera with Matt Burns from Tasting Concerts.<a rel="payment" href="https://www.patreon.com/PrettyNoise">Support the show</a>

<description>&lt;p&gt;In this episode, I interview Soprano Laquita Mitchell, Tenor Robert Mack about the opera Porgy and Bess. I also ask Baritone Kenneth Overton to answer 10 questions as Porgy. And as always, I talk wine and opera with Matt Burns from Tasting Concerts.&lt;/p&gt;&lt;p&gt;&lt;a rel="payment" href="https://www.patreon.com/PrettyNoise"&gt;Support the show&lt;/a&gt;&lt;/p&gt;</description>

In this episode, I interview Soprano Laquita Mitchell, Tenor Robert Mack about the opera Porgy and Bess. I also ask Baritone Kenneth Overton to answer 10 questions as Porgy. And as always, I talk wine and opera with Matt Burns from Tasting Concerts. Support the show 

1930-1939: Porgy and Bess - A True American Opera

In this episode, I speak with Daniela Candillari, Mark Delavan, and Matt Burns about Tosca.<a rel="payment" href="https://www.patreon.com/PrettyNoise">Support the show</a>

<description>In this episode, I speak with Daniela Candillari, Mark Delavan, and Matt Burns about Tosca.&lt;p&gt;&lt;a rel="payment" href="https://www.patreon.com/PrettyNoise"&gt;Support the show&lt;/a&gt;&lt;/p&gt;</description>

In this episode, I speak with Daniela Candillari, Mark Delavan, and Matt Burns about Tosca.Support the show 

1900-1909: Tosca - Where Contemporary Opera Begins

Episode 2: A Pretty Noise - Genesis, or how it all began.<a rel="payment" href="https://www.patreon.com/PrettyNoise">Support the show</a>

<description>&lt;p&gt;Episode 2: A Pretty Noise - Genesis, or how it all began.&lt;/p&gt;&lt;p&gt;&lt;a rel="payment" href="https://www.patreon.com/PrettyNoise"&gt;Support the show&lt;/a&gt;&lt;/p&gt;</description>

Episode 2: A Pretty Noise - Genesis, or how it all began. Support the show 

A Pretty Noise: Genesis

The Podcast about Opera from Tosca to Today

A Pretty Noise

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