<description>&lt;p&gt;From Norma Desmond to Mrs Robinson, the older woman has long been a provocative icon of cinema. And older woman-younger man relationships are still raising eyebrows and garnering headlines, thanks to recent films like Babygirl, Bridget Jones: Mad About The Boy and Marty Supreme. &lt;/p&gt;&lt;p&gt;Ellen E Jones and Mark Kermode look at what happens when the woman is older in an age gap relationship, and ask - why is the older woman still such a provocative proposition? &lt;/p&gt;&lt;p&gt;Ellen speaks to critic and cosmopolitan older woman Anne Billson about the evolution of the older woman through film history, from Sunset Boulevard to Something's Gotta Give. &lt;/p&gt;&lt;p&gt;Mark talks to actor Anne Reid about her controversial first lead film role, in 2003's The Mother - about a sexagenarian grandmother who starts a relationship with her daughter's boyfriend, played by Daniel Craig.&lt;/p&gt;&lt;p&gt;And Mark also talks to Matt Greenhalgh, the screenwriter behind Film Stars Don't Die In Liverpool, which told the story of Hollywood star Gloria Grahame's real late-in-life romance with the 28-year-old Liverpudlian actor Peter Turner. &lt;/p&gt;&lt;p&gt;Producer: Jane Long
A Prospect Street production for BBC Radio 4&lt;/p&gt;</description>

Ellen and Mark look at what changes when the woman is older in a screen romance.

From Norma Desmond to Mrs Robinson, the older woman has long been a provocative icon of cinema. And older woman-younger man relationships are still raising eyebrows and garnering headlines, thanks to recent films like Babygirl, Bridget Jones: Mad About The Boy and Marty Supreme. Ellen E Jones and Mark Kermode look at what happens when the woman is older in an age gap relationship, and ask - why is the older woman still such a provocative proposition? Ellen speaks to critic and cosmopolitan older woman Anne Billson about the evolution of the older woman through film history, from Sunset Boulevard to Something's Gotta Give. Mark talks to actor Anne Reid about her controversial first lead film role, in 2003's The Mother - about a sexagenarian grandmother who starts a relationship with her daughter's boyfriend, played by Daniel Craig.And Mark also talks to Matt Greenhalgh, the screenwriter behind Film Stars Don't Die In Liverpool, which told the story of Hollywood star Gloria Grahame's real late-in-life romance with the 28-year-old Liverpudlian actor Peter Turner. Producer: Jane Long
A Prospect Street production for BBC Radio 4

The Older Woman

<description>&lt;p&gt;Whether marooned on a desert island or stranded by a plane crash, countless stories of survival are found onscreen. In both dramatic reimagining and reality television formats, these narratives showcase ordinary people in extraordinary circumstances. But why are these feats of human endurance so compelling to watch? &lt;/p&gt;&lt;p&gt;Ellen E Jones speaks to Ray Mears, wilderness guide, bushcraft expert, and broadcaster who has spent his life teaching people how to stay alive in some of the most remote parts of the world. He shares what film and television gets wrong about survival - and why the witchetty grub deserves more reverence.&lt;/p&gt;&lt;p&gt;Debra Granik, director of the 2018 film Leave No Trace, reflects on how sessions with a primitive skills instructor and Youtube shelter building tutorials informed her approach to filming. She also describes why survival can often include economic survival in some regions of the USA, and why a certain skillset is vital for everyday living, as evidenced in her 2010 film Winter's Bone. &lt;/p&gt;&lt;p&gt;Mark talks to the daring wanderer and survivor Werner Herzog, a filmmaker with decades of experience in perilous scenarios. Werner details his fascination with the survival narratives found in his documentaries, Wings of Hope and Little Dieter Needs to Fly - and why finding yourself back from the brink of existence can lead to a greater appreciation of life. &lt;/p&gt;&lt;p&gt;Producer: Mae-Li Evans
A Prospect Street production for BBC Radio 4&lt;/p&gt;</description>

Ellen and Mark explore how the challenges of nature have proved rich territory on screen.

Whether marooned on a desert island or stranded by a plane crash, countless stories of survival are found onscreen. In both dramatic reimagining and reality television formats, these narratives showcase ordinary people in extraordinary circumstances. But why are these feats of human endurance so compelling to watch? Ellen E Jones speaks to Ray Mears, wilderness guide, bushcraft expert, and broadcaster who has spent his life teaching people how to stay alive in some of the most remote parts of the world. He shares what film and television gets wrong about survival - and why the witchetty grub deserves more reverence.Debra Granik, director of the 2018 film Leave No Trace, reflects on how sessions with a primitive skills instructor and Youtube shelter building tutorials informed her approach to filming. She also describes why survival can often include economic survival in some regions of the USA, and why a certain skillset is vital for everyday living, as evidenced in her 2010 film Winter's Bone. Mark talks to the daring wanderer and survivor Werner Herzog, a filmmaker with decades of experience in perilous scenarios. Werner details his fascination with the survival narratives found in his documentaries, Wings of Hope and Little Dieter Needs to Fly - and why finding yourself back from the brink of existence can lead to a greater appreciation of life. Producer: Mae-Li Evans
A Prospect Street production for BBC Radio 4

Survival

<description>&lt;p&gt;Fifty years on from the release of the film Carrie, directed by Brian DePalma and based on the first novel by Stephen King, Ellen E Jones and Mark Kermode look at King adaptations on screen, from The Shawshank Redemption to The Shining. Why is the work of the modern horror maestro so often adapted? And what is the best ever Stephen King adaptation?&lt;/p&gt;&lt;p&gt;Ellen hears from US critic and writer Maitland McDonagh, who has been a front-row witness to King on screen for five decades, about her favourite adaptations of his work - from Misery to The Monkey. &lt;/p&gt;&lt;p&gt;And Ellen speaks to Edgar Wright - the director of Shaun Of The Dead, Baby Driver and the most recent King adaptation to reach cinema screens - The Running Man. &lt;/p&gt;&lt;p&gt;Meanwhile, Mark talks to Mike Flanagan - the filmmaker who, perhaps more than any other in recent years, has helped keep King's work vividly alive on screen, with adaptations of Gerald's Game, Doctor Sleep, The Life of Chuck and a forthcoming new take on Carrie. &lt;/p&gt;&lt;p&gt;Producer: Jane Long
A Prospect Street production for BBC Radio 4&lt;/p&gt;</description>

Ellen and Mark look at King adaptations, from The Shawshank Redemption to The Shining.

Fifty years on from the release of the film Carrie, directed by Brian DePalma and based on the first novel by Stephen King, Ellen E Jones and Mark Kermode look at King adaptations on screen, from The Shawshank Redemption to The Shining. Why is the work of the modern horror maestro so often adapted? And what is the best ever Stephen King adaptation?Ellen hears from US critic and writer Maitland McDonagh, who has been a front-row witness to King on screen for five decades, about her favourite adaptations of his work - from Misery to The Monkey. And Ellen speaks to Edgar Wright - the director of Shaun Of The Dead, Baby Driver and the most recent King adaptation to reach cinema screens - The Running Man. Meanwhile, Mark talks to Mike Flanagan - the filmmaker who, perhaps more than any other in recent years, has helped keep King's work vividly alive on screen, with adaptations of Gerald's Game, Doctor Sleep, The Life of Chuck and a forthcoming new take on Carrie. Producer: Jane Long
A Prospect Street production for BBC Radio 4

Stephen King

<description>&lt;p&gt;Ellen E Jones and Mark Kermode look at one of the most beloved screen genres of them all - the courtroom drama. From classics like 12 Angry Men and A Few Good Men, to modern examples such as Saint Omer and Anatomy Of A Fall  - what are the tricks and tropes of trials in cinema and TV?&lt;/p&gt;&lt;p&gt;Mark speaks to film critic and programmer, Christina Newland, about the history of the genre. They discuss everything from To Kill a Mockingbird to Legally Blonde as they examine how the genre has evolved.&lt;/p&gt;&lt;p&gt;Ellen then speaks to critic Kim Newman about how TV courtroom dramas and reality TV turn audiences into jurors themselves. Ellen also speaks to Ronald Gladden, the star of the TV show, Jury Duty. &lt;/p&gt;&lt;p&gt;Producer: Queenie Qureshi-Wales
A Prospect Street production for BBC Radio 4&lt;/p&gt;</description>

Ellen E Jones and Mark Kermode explore the tricks and tropes of trials in film and TV.

Ellen E Jones and Mark Kermode look at one of the most beloved screen genres of them all - the courtroom drama. From classics like 12 Angry Men and A Few Good Men, to modern examples such as Saint Omer and Anatomy Of A Fall  - what are the tricks and tropes of trials in cinema and TV?Mark speaks to film critic and programmer, Christina Newland, about the history of the genre. They discuss everything from To Kill a Mockingbird to Legally Blonde as they examine how the genre has evolved.Ellen then speaks to critic Kim Newman about how TV courtroom dramas and reality TV turn audiences into jurors themselves. Ellen also speaks to Ronald Gladden, the star of the TV show, Jury Duty. Producer: Queenie Qureshi-Wales
A Prospect Street production for BBC Radio 4

Courtroom Drama

<description>&lt;p&gt;2025 marks 250 years since the birth of Jane Austen, the English writer whose finely tuned observations of Regency life shaped the modern novel. But perhaps more notably for Screenshot, it’s also 30 years since Colin Firth walked out of a lake and straight into the nation’s hearts, in the BBC’s Pride and Prejudice miniseries.&lt;/p&gt;&lt;p&gt;Three decades on from the ‘Austenmania’ of 1995, Ellen E Jones and Mark Kermode explore Jane Austen adaptations past and present. Do screen versions of novels like Emma and Sense and Sensibility offer a cosy retreat from the modern world - or do they still have something to say in the present moment? &lt;/p&gt;&lt;p&gt;Mark speaks to film writer and researcher Lillian Crawford about various Austen triumphs and missteps on screen, from numerous incarnations of Emma, to Netflix’s recent update on her last novel, Persuasion. He also speaks to playwright Nick Dear about an adaptation many Austen experts consider a high-water mark - the 1995 version of Persuasion, written by Dear and directed by Roger Michell for the BBC’s Screen Two strand. &lt;/p&gt;&lt;p&gt;Meanwhile, Ellen talks to Amy Heckerling, writer and director of the classic 1995 comedy Clueless, which transplants Austen’s novel Emma to a Beverly Hills high school. And she also speaks to writer-director Celine Song, whose recent film Materialists stars Dakota Johnson as a professional matchmaker - and unmistakably bears the influence of Austen. &lt;/p&gt;&lt;p&gt;Producer: Jane Long
A Prospect Street production for BBC Radio 4&lt;/p&gt;</description>

Ellen E Jones and Mark Kermode explore Austen adaptations past and present.

2025 marks 250 years since the birth of Jane Austen, the English writer whose finely tuned observations of Regency life shaped the modern novel. But perhaps more notably for Screenshot, it’s also 30 years since Colin Firth walked out of a lake and straight into the nation’s hearts, in the BBC’s Pride and Prejudice miniseries.Three decades on from the ‘Austenmania’ of 1995, Ellen E Jones and Mark Kermode explore Jane Austen adaptations past and present. Do screen versions of novels like Emma and Sense and Sensibility offer a cosy retreat from the modern world - or do they still have something to say in the present moment? Mark speaks to film writer and researcher Lillian Crawford about various Austen triumphs and missteps on screen, from numerous incarnations of Emma, to Netflix’s recent update on her last novel, Persuasion. He also speaks to playwright Nick Dear about an adaptation many Austen experts consider a high-water mark - the 1995 version of Persuasion, written by Dear and directed by Roger Michell for the BBC’s Screen Two strand. Meanwhile, Ellen talks to Amy Heckerling, writer and director of the classic 1995 comedy Clueless, which transplants Austen’s novel Emma to a Beverly Hills high school. And she also speaks to writer-director Celine Song, whose recent film Materialists stars Dakota Johnson as a professional matchmaker - and unmistakably bears the influence of Austen. Producer: Jane Long
A Prospect Street production for BBC Radio 4

Jane Austen

Ellen E Jones and Mark Kermode guide us through the expanding universe of the moving image revealing fascinating links and hidden gems from cinema and TV to streaming and beyond.

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