Let’s Talk Memoir

Sarah Chauncey joins Let’s Talk Memoir for a conversation about her many careers in writing, working on a memoir and deciding not to publish, framing the story we want to tell, experiencing ourselves as a part of living system, going deeper and becoming more vulnerable, taking responsibility for our wellbeing and mental health, not seeing oneself as a limited, pursuing inner peace, reading subtextual energy on the page, different forms of storytelling, patterns in memoir, searching for emotional transformation and change, and getting to the heart of spiritual and awakened memoir. Also in this episode: -the great mystery -no longer being a character -deciding not to be too public   Books mentioned in this episode: -Working by Studs Terkel -The Situation and the Story by Vivian Gornick -Mariette in Ecstasy by Ron Hansen  -Nonviolent Communication: A Language of Life by Marshall B. Rosenberg -The Power of Vulnerability by Brene Brown Sarah Chauncey is a veteran writer and developmental editor, as well as the author of P.S. I Love You More Than Tuna, the first gift book for adults grieving the loss of a pet. In the early part of her career, she wrote for VH1, Comedy Central and other TV outlets, as well as entertainment websites and music magazines. Later, she pivoted to storytelling for organizations including NASA, McAfee and Intel. Sarah writes the Resonant Storytelling Substack, which offers guidance on craft and process for creative nonfiction writers. She also writes The Counterintuitive Guide to Life, which helps readers develop mental health resilience by developing self-awareness; and More Than Tuna, which offers support for those grieving the loss of a pet. In recent years, she’s written for Tiny Buddha, Lion’s Roar, Modern Loss, Eckhart Tolle’s website, Jane Friedman’s blog and the Brevity blog.    Connect with Sarah: Website: https://www.sarahchauncey.com/ Substack: https://substack.com/@sarahchauncey Instagram: https://www.instagram.com/sarahkchauncey/ LinkedIn: https://www.linkedin.com/in/sarahchauncey/ Facebook: https://www.facebook.com/sarah.k.chauncey   – Ronit’s writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer’s Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts’ 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories.  She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book. More about Ronit: https://ronitplank.com Subscribe to Ronit’s Substack: https://substack.com/@ronitplank   Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social   Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll’s Fingers

Kaila Yu joins Let’s Talk Memoir for a conversation about how she hated writing at first and has had an accidental career in it, how she had no intention of writing a memoir, selling a book on proposal and pitching off a timely event, racial and sexually motivated hate crime, Asian fetishization and the feeling of being other, her experience as a pin up model in the 90s, sexual assault and the flight, fight, fawn response, dismantling tropes, the male gaze, forms of erasure, internalized racism, putting it all out there, and her new memoir in essays Fetishized: A Reckoning with Yellow Fever, Feminism, and Beauty.   Also in this episode: -feeling invisible -shaping a book with an agent -the marathon that is book promotion Books mentioned in this episode: Minor Feelings by Cathy Park Hong My Body by Emily Ratajkowski Love Yourself Like Your Life Depends on It by Kamal Ravikant   Kaila Yu is an author with bylines in The New York Times, Rolling Stone, Los Angeles Times, Bon Appétit, Conde Nast Traveler, and many more.  Her debut memoir, ‘Fetishized: A Reckoning with Yellow Fever, Feminism, and Beauty,’ was published on August 19th, 2025, with Penguin Random House's Crown Publishing. Connect with Kaila: instagram.com/kailayu tiktok.com/@kaila.yu KailaYu.com https://www.penguinrandomhouse.com/books/738645/fetishized-by-kaila-yu/   – Ronit’s writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer’s Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts’ 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories.  She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book. More about Ronit: https://ronitplank.com Subscribe to Ronit’s Substack: https://substack.com/@ronitplank   Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social   Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll’s Fingers

Tamara Jong joins Let’s Talk Memoir for a conversation about growing up Jehovah’s Witness, her mother's untimely passing, losing faith, disguising who we are, trying multiple approaches to a writing practice, navigating material that resists us, becoming vulnerable, the tenderness of losing, learning to trust ourselves, weaving in motherhood and mother figures in our work, finding community and home, spirituality without religion, when we feel comfortable enough to be ourselves, and her new memoir in essays Worldly Girls. Also in this episode: -learning to trust others -leaning into what works for us -feeling compelled to finish books   Books mentioned in this episode: Lit by Mary Karr How to Write an Autobiographical Novel by Alexander Chee Unquenchable Thirst by Mary Johnson    TAMARA JONG is a Tiohtià:ke (Montréal) born writer of Chinese and European ancestry. Her work has been published in the Humber Literary Review, Room Magazine, and The Fiddlehead, and has been both long and shortlisted for various creative non-fiction prizes. She is a graduate of The Writer’s Studio at Simon Fraser University, and a former member of Room Magazine’s collective. She currently lives and works on Treaty 3 territory, the occupied and ancestral lands of the Haudenosaunee, Anishinabewaki, Attiwonderonk, and Mississaugas of the Credit First Nation (Guelph, ON). Worldly Girls is her first book.   Connect with Tamara: Website: https://www.tamaraljong.com/ Instagram: https://www.instagram.com/bokchoygurl BlueSky: https://bsky.app/profile/bokchoygurltjong.bsky.social Twitter: @Bokchoygurl Book*hug's website: https://bookhugpress.ca/shop/author/tamara-jong/worldly-girls-by-tamara-jong/ Barnes and Noble: https://www.barnesandnoble.com/w/worldly-girls-tamara-jong/1146964224?ean=9781771669504 Also available on Amazon or ask for it at your local bookstore or your library   – Ronit’s writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer’s Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts’ 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories.  She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book. More about Ronit: https://ronitplank.com Subscribe to Ronit’s Substack: https://substack.com/@ronitplank   Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social   Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll’s Fingers

Diane Gottlieb, Jennifer Fliss, and Nina B. Lichtenstein join Let’s Talk Memoir for a conversation about their work as editors and what they look for in submissions, setting your writing apart, knowing where to omit for maximum impact, the magic of prompts, working with supportive editors, how constraints give us freedom, ordering an essay collection, how stories sustain us, disentangling the artist from politics, allyship, the process of becoming ourselves, celebrating our heritage, the ecosystem of Jewish life, submission calls, and our new anthology Manna Songs: Stories of Jewish Culture and Heritage. Also in this episode: -being seen -writing into joy -being a Jew by choice    Purchase Manna Songs here: https://elj-editions.com/mannasongs/ and wherever you get your books www.Dianegottlieb.com www.Jenniferflisscreative.com https://www.ninalichtenstein.com/   Diane Gottlieb, MSW, MEd, MFA, is the editor of Manna Songs: Stories of Jewish Culture & Heritage, the award-winning anthology Awakenings: Stories of Body & Consciousness, and Grieving Hope. Her writing appears in Brevity, Witness, River Teeth, 2023 Best Microfiction, Smokelong Quarterly, Bellevue Review, Colorado Review, JUDITH, and Jewish Book Council among many other lovely places. She is the winner of Tiferet Journal’s 2021 Writing Contest in Nonfiction, and a finalist for Hole in the Head Review’s 2024 Charles Simic Poetry Prize and Florida Review’s 2023 Editor’s Choice Award in Nonfiction. Diane is the Prose/CNF Editor at Emerge Literary and the Special Projects Editor at ELJ Editions. Connect with Diane:  https://elj-editions.com/mannasongs/ dianegottlieb.com @dianegotauthor   Jennifer Fliss (she/her) is a Seattle-based author of the collections, As If She Had a Say and The Predatory Animal Ball. Over 200 of her stories and essays have appeared in F(r)iction, PANK, Hobart, The Rumpus, The Washington Post, and elsewhere. She was a Pen Parentis Fellow and recipient of a Grant for Artist Project award from Artist’s Trust.  www.jenniferflisscreative.com https://nupress.northwestern.edu/9780810146259/as-if-she-had-a-say/ https://okaydonkeymag.bigcartel.com/product/the-predatory-animal-ball-by-jennifer-fliss   Nina B. Lichtenstein is a native of Oslo, Norway, and holds a PhD in French literature from UCONN and an MFA in creative nonfiction from the University of Southern Maine's Stonecoast program. She is the founder and director of Maine Writers Studio, and the co-founder and co-editor of In a Flash Lit Mag. Her writing has appeared in various journals, magazines, and outlets, as well as in several anthologies. Her book, Sephardic Women's Voices: Out of North Africa, was published by Gaon Books in 2017, and her memoir, Body: My Life in Parts by Vine Leaves Press in May , 2025. She has three adult sons, and lives in Maine with her husband.  https://www.facebook.com/ninalich/ https://www.instagram.com/vikingjewess/ https://ninablichtenstein.substack.com/ https://www.ninalichtenstein.com/ https://www.mainewritersstudio.com/ https://vineleavespress.myshopify.com/products/body-my-life-in-parts-by-nina-b-lichtenstein – Ronit’s writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer’s Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts’ 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories.  She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. Sh

Edgar Gomez joins Let’s Talk Memoir for a conversation about growing up poor in Florida, wanting to believe in the American dream and realizing it’s not accessible, surviving a precarious childhood, reckoning with trauma, grappling with and excavating shame, what queer people want vs. what they get, navigating sex work, the Pulse nightclub tragedy, when to tell family about our memoirs, writing about others with generosity, staying true to our identity, fighting for joy, and their memoir in essays Alligator Tears.   Also in this episode: -staying true to ourselves -growing up NicaRican -navigating queerness   Books mentioned in this episode: Butterfly Boy by Rigoberto Gonzalez Long Live the Tribe of Fatherless Girls by T Kira Madden Their Eyes Were Watching God by Nora Neale Hurston   Edgar Gomez is a queer NicaRican writer born and raised in Florida. He is the author of the memoir High-Risk Homosexual, winner of the American Book Award, a Stonewall Israel-Fishman Nonfiction Book Honor Award, and the Lambda Literary Award. Their sophomore book, Alligator Tears, was released in February 2025 and was called "Triumphant, dazzling, and unfailingly stylish" by Publisher's Weekly. A graduate of the University of California’s MFA program, Gomez has written for The LA Times, Poets & Writers, Lithub, New York Magazine, and beyond. He has received fellowships from The New York Foundation for the Arts, The National Endowment for the Arts, and The Black Mountain Institute. He lives between New York and Puerto Rico. Find him across social media @OtroEdgarGomez.   Connect with Edgar: Website: EdgarGomez.net @OtroEdgarGomez on Bluesky and instagram.  Get the book: https://www.penguinrandomhouse.com/books/743399/alligator-tears-by-edgar-gomez/   – Ronit’s writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer’s Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts’ 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories.  She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book. More about Ronit: https://ronitplank.com   Subscribe to Ronit’s Substack: https://substack.com/@ronitplank   Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social   Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll’s Fingers