<description>&lt;p&gt;The Mishneh Torah printed in Venice in the 1570s was the product of a broad and deliberate program of censorship. Beyond removing the handful of references to the Christian founder, which we discussed in the prior class, the censors altered many other words and phrases. In some places, entire laws disappear; in others, the language is carefully adjusted to soften its force. In this class, we trace the principles that guided the censors and examine how their work left a lasting imprint on one of Judaism’s foundational texts. &lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Censoring the Rambam: Part II&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;
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The Mishneh Torah printed in Venice in the 1570s was the product of a broad and deliberate program of censorship. Beyond removing the handful of references to the Christian founder, which we discussed in the prior class, the censors altered many other words and phrases. In some places, entire laws disappear; in others, the language is carefully adjusted to soften its force. In this class, we trace the principles that guided the censors and examine how their work left a lasting imprint on one of Judaism’s foundational texts. Censoring the Rambam: Part II

Classes by Mordechai Dinerman

Censoring the Rambam: Part II

Censoring the Rambam: Part II

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