<p>UK-based Australian composer, artist, and writer/broadcaster Julian day talks about reconsidering classical music traditions, interactive music and his studies overseas.<br/><br/>Julian Day treats sound as a powerful socio-political agent. Since 2007 they have co-facilitated Super Critical Mass, a radically inclusive orchestra project in which temporary communities of untrained participants develop sonic actions in civic spaces, drawing on aspects of emergence and game theory.<br/><br/>Julian Day: <a href='https://www.julianday.com/'>https://www.julianday.com/</a><br/>__________<br/><br/><b>– Discussed in this episode –<br/>• </b>ABC Classic FM: <a href='https://www.abc.net.au/classic/'>https://www.abc.net.au/classic/</a><br/><b>• </b>Music Australia: <a href='https://musicaustralia.org.au/'>https://musicaustralia.org.au/</a><br/><b>• </b>Marco Fusinato: <a href='http://marcofusinato.com/'>http://marcofusinato.com/</a><br/><b>• </b>La Biennale di Venezia (Venice Bienale): <a href='https://www.labiennale.org/en'>https://www.labiennale.org/en</a><br/><b>• </b>Elegy: <a href='https://ensembleoffspring.com/event/o4a-elegy/'>https://ensembleoffspring.com/event/o4a-elegy/</a><br/><b>• </b>Louis Andriessen: <a href='https://www.boosey.com/composer/Louis+Andriessen'>https://www.boosey.com/composer/Louis+Andriessen</a><br/><b>• </b>Super Critical Mass: <a href='https://www.supercriticalmass.com/'>https://www.supercriticalmass.com/</a><br/><b>• </b>Damian Barbeler: <a href='https://www.australianmusiccentre.com.au/artist/barbeler-damian'>https://www.australianmusiccentre.com.au/artist/barbeler-damian</a><br/><b>• </b><em>Music After the Fall: Modern Composition and Culture Since 1989</em> – Tim Rutherford-Johnson: <a href='https://johnsonsrambler.wordpress.com/music-after-the-fall/'>https://johnsonsrambler.wordpress.com/music-after-the-fall/</a><br/><b>• </b>David Lang: <a href='https://davidlangmusic.com/'>https://davidlangmusic.com/</a><br/><b>• </b>Sticky Notes: <a href='https://ensembleoffspring.com/event/sticky-notes/2022-03-15/'>https://ensembleoffspring.com/event/sticky-notes/2022-03-15/</a><br/><b>• </b>Ciaran Frame: <a href='http://www.ciaranframe.com/'>http://www.ciaranframe.com/</a><br/><b>• </b>Game On: <a href='https://ensembleoffspring.com/event/game-on-backstage/'>https://ensembleoffspring.com/event/game-on-backstage/</a><br/><b>• </b>Institute of Modern Art, Brisbane: <a href='https://ima.org.au/'>https://ima.org.au/</a><br/><b>• </b>La Monte Young: <a href='https://www.melafoundation.org/lmy.htm'>https://www.melafoundation.org/lmy.htm</a><br/><b>• </b>Phillip Glass: <a href='https://philipglass.com/'>https://philipglass.com/</a><br/>__________<br/><br/>Opening music: <em>Heaven Only Empty </em>(2014) – Damien Ricketson<br/>Closing music: <em>Light for the First Time </em>(2017) – Bree van Reyk<br/><br/>The Offcast is hosted by Claire Edwardes OAM, and produced and edited by Ben Robinson.<br/>Ensemble Offspring: <a href='https://ensembleoffspring.com/'>https://ensembleoffspring.com/</a></p>