More Than a Movie

“These boys were mine and now I give them to you.” For the season finale of More Than a Movie, we sat down with friend of the pod Aitch Alberto to dive deep on her feature filmmaking debut. We discussed everything from adapting a beloved YA novel and convincing the author to give her the rights, to taking over directing duties from Miguel Arteta, and what it’s like to have financiers derail the post-production process. If you’re curious about the A-to-Z of getting a movie made in Hollywood today, listen to Aitch detail the process in our exciting sendoff for the season.

“We won Sundance! What the fuck?” If you’re an outsider, the film industry can be seemingly impossible to penetrate. It’s even more difficult to tell your story - and have it seen - when it’s a semi-autobiographical coming-of-age tale about a queer Latina and her alcoholic father set in a small town in New Mexico.  That story became the indie filmmaking miracle In the Summers, a deeply personal tone poem that won the top two prizes at Sundance 2024, America’s most prestigious film festival. To explore the movie's journey from pre-production to Sundance, we interviewed the star of the film, music legend Residente in his first major acting role, and director Alessandra Lacorazza, whose life story inspired this new queer/Latino classic.

“He did it for $7,000.” Before Machete, before Spy Kids, before From Dusk till Dawn, there was El Mariachi. Eager to make a name for himself in the world of film, but with no industry connections whatsoever, Robert Rodriguez went and directed a movie on his own - guerilla style - in Mexico, with a production budget of only $7,000. Producer Elizabeth Avellan is back to tell us how Robert came up with the idea and the crazy story of how he pulled it off. Spoiler: it involves signing himself up to be a medical lab rat so he could raise some of the funds. We also interviewed Mr. Mariachi, Carlos Gallardo, a true pro who not only starred in the film, but also had his hands involved in the producing, special effects, and camera departments while on set.

“Let’s just shoot the play.” If you’ve listened to the first season of More Than a Movie, you may remember the one property that kept getting mentioned over and over - Zoot Suit - the play, and later film, that linked a generation of Latino actors and became a foundational text for the Chicano arts movement. Even many of our guests this season - from Andy Garcia to Lou Diamond Phillips and Enrique Castillo - have a connection to Zoot Suit, so we were incredibly honored when the legendary creator himself, Luis Valdez, came on board for an interview.  We discussed his early political work on the ground with Cesar Chavez, founding the iconic Teatro Campesino, and everything Zoot Suit - the conception of the play, directing the film adaptation his way, and essentially launching Edward James Olmos’ movie career.

“I was filming Plan B in the fall and editing Language Lessons on the weekend.” Everybody in Hollywood will tell you, it’s incredibly difficult to get a film made. Making a movie during a global pandemic? Even more difficult. Directing two movies during lockdown, in your first-ever attempt at feature filmmaking? Seemingly impossible. But not for Natalie Morales. We talked to the multi-hyphenate about her transition from acting in some of our favorite sitcoms to finally stepping behind the camera and how on earth she was able to get her two incredible debut films off the ground in the heart of Covid