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" class="jsx-3162370740">Rob Crilly is the Chief US Political Correspondent for The Daily Mail who has covered Donald Trump since his bid for the presidency in 2015. Part of the White House press corp and regularly travelling with the president, Rob offers unique insights into Trump’s personality, communication style, and the impact Trump has had on American politics and journalism. We discuss the challenges of covering the Trump presidency with his disregard for facts, the Trump’s administration’s efforts to sideline traditional media for “new media”, the lack of opposition and Trump’s relationship with Keir Starmer.
“He's extraordinarily personable, and maybe it comes from his background as a property mogul, and he's essentially a salesman, but he sort of knows how to put people at their ease.”
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Peter Kosminsky, the renowned British film and television director who recently directed the much-acclaimed Wolf Hall, discusses his career journey—from being sacked by the BBC Plays department to finally becoming a successful documentary-maker and filmmaker. He describes the creative process behind Wolf Hall, the challenges British filmmakers face in securing funding from streaming services for projects focused on British subject matter, and his proposal for a UK cultural fund, financed by a levy on streaming service subscriptions, to support the production of high-quality British dramas.
On his Grenfell project:
"Are we really saying that British television is incapable of making a drama about this critical subject to a British audience, because a bunch of American streamers don't think it's interesting enough to finance?"
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@BeebRoger
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Adjoa Andoh is one of Britain's most celebrated actors, with an extensive career spanning stage, screen, and radio. She has appeared in iconic TV series like Doctor Who and Netflix’s Bridgerton, as well as making her Hollywood debut in Clint Eastwood's Invictus.
In this episode we discuss the importance of radio drama, concerns about the significant cuts to radio drama production, the potential impact on the creative industries eco system, and the value of public service broadcasting.
"We're sort of the frog being boiled slowly. We're slowly losing things, and then you're suddenly aware there don't seem to be as many plays on, but you're not quite sure how; and this is terrible."
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@BeebRoger
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This week we’ll be hearing from some of our nation’s greatest actors Bill Nighy and Adjoa Andoh on why they think the BBC should reverse the proposed cut to BBC Radio 3's sole drama slot and why they are seeking reassurances that there will be no reduction in the amount of drama on Radio 4. Make sure you don’t miss out on this episode which will be published later this week.
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@BeebRoger
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David Lloyd is a veteran of the local radio industry, with over 40 years of experience in roles at LBC, Virgin Radio, and the BBC. He also brings regulatory expertise from his time at the UK Radio Authority, now part of Ofcom. Today, he's a broadcaster and co-founder of Boom Radio, a relatively new UK station catering to baby boomers.
In this episode, we discuss the state of BBC local radio, including the details of Lloyd's complaint about BBC Radio Devon's failure to adequately cover the 2024 riots. We also explore the potential role of alternative providers and the impact of the BBC's proposed spin-off service on Lloyd's own station, Boom Radio.
“I think the BBC can do a lot better on the resources available, even as reduced. They've still got £120 million now furnishing a lot of very part-time radio stations—that's a lot of money. In other hands, that could actually deliver some incredible local radio, which, yes, is the BBC the right person to be running local radio if it really takes them that much money to deliver it poorly?”
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https://www.crowdfunder.co.uk/p/roger-boltons-beeb-watch-podcast
@BeebRoger
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LinkedIn: Roger Bolton's Beeb Watch
email: roger@rogerboltonsbeebwatch.com
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