РАСКО́ЛAnother deep dive into the doleful denizens of Limbus Company's bus. Although in this case we are dealing with a feverishly cheerful and multifarious (I have a feeling I'm going to abuse that adjective) individual, set free from their mind body and spirit-bindings. Let's not forget Sonya, hy0umon of negotiable affection-flipped freedom fighter. Let us cling to the needles that pierce the flesh of our shared reality.Narrated and produced by Thomas BarkerIf you'd like to chip in a couple of dollars to help with hosting and production costs, I'd be enormously grateful.https://ko-fi.com/tttReferences:Blake, E. (2006). Sonya, Silent No More: A Response to the Woman Question in Dostoevsky’s “Crime and Punishment.” The Slavic and East European Journal, 50(2), 252–271. https://doi.org/10.2307/20459250https://limbuscompany.wiki.gg/wiki/Rodion#PersonalityCurtler, H. M. (2004). The Artistic Failure of Crime and Punishment. Journal of Aesthetic Education, 38(1), 1–11. https://doi.org/10.2307/3527358Beebe, M. (1955). The Three Motives of Raskolnikov: A Reinterpretation of Crime and Punishment. College English, 17(3), 151–158. https://doi.org/10.2307/495737Schmidt, D.P. (2023, June 8). casuistry. Encyclopedia Britannica. https://www.britannica.com/topic/casuistryQueries, comments? Write to me at: [email protected] this episode on Youtube: https://youtube.com/playlist?list=PLU9gAlZeexHnFHASayT0nGM17V4hCSzSi