Photographer Eddie Ruvalcaba started his professional career capturing snapshots of party crews for Street Beat Magazine, an indie magazine for party crew teens of the ‘90s. His photographs have become part of an archive of ‘90s LA Latinx teen life. Thirty years later, Eddie reflects on his beginnings with Street Beat and how photography became a staple in his life.
*A note that Eddie was the staff photographer at Homeboy Industries from 2016-2021, and this interview was recorded in 2021 when he was still on staff. You’ll hear him mention it in the interview. He continues to work as an independent contractor for Homeboy Industries.
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Carribean Fragoza is a writer, artist and co-founder of the South El Monte Arts Posse. She writes about Latinx women and girls whose narratives aren’t always portrayed in the mainstream. In 2014, she wrote a short story for Bomb Magazine titled “The Vicious Ladies'' — inspired by the news coverage surrounding Emmery Muñoz’s real-life party crew following her murder.
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What does the party crew scene ultimately tell us about what it means to have a safe space - and how might that shape the way Emmery is remembered? Janice looks back and learns that the rosy memories are not the only ones worth remembering.
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In 2022 – more than sixteen years later – we hear from Emmery’s entire family who gather and re-hash more than a decade’s worth of information when an investigator joins the case.
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Before TikTok, Instagram and even – MySpace, party crew teens found ways to create communities online. One of these early social media sites was called Techno4.us — where Janice and Emmery both had profiles once upon a time. In T4’s heyday, party crew kids all over LA and beyond would connect through colorful and chaotic digital profiles where teens were showing their lives uncensored and on their own terms.
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