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A tap break that sounds like a typewriter, a flapper’s bob as a battle cry, and a nine-day sprint that turned an understudy into a Broadway star—this is Thoroughly Modern Millie at full voltage. We revisit the show’s glittering craft and ask what it takes to keep its joy without repeating its harm.

We start with fresh theatre headlines—Alexandra Burke stepping into Chaka Khan, and Luke Evans strutting toward Rocky Horror—then pivot into Millie’s world. Jeanine Tesori’s buoyant score and Dick Scanlan’s lyrics conjure a 1920s New York brimming with ambition, reinvention, and jazz-age swagger. We unpack Sutton Foster’s legendary leap to the title role, celebrate the female-forward casting canvas, and relive choreography highlights like the typewriter-tap sequence that turns office bustle into percussive theatre.

Then we tackle the show’s fault line: a subplot built on racial caricature and human trafficking. We explore how licensing changes and thoughtful direction can remove the racial disguise, cast the brothers with dignity, and reposition the villain without cheap laughs. The goal is clear—honour the show’s heart while repairing what harms. Along the way, we decode the period references threaded through the songs—Brooks Brothers, coupon-clipping thrift, the bob’s quiet revolt, and makeup moving from taboo to mainstream—as proof that Millie is ultimately about social change.

If you love craft, care about context, and believe classics can evolve, this one’s for you. Subscribe, share with a theatre friend, and leave a review with your take: how would you reframe Millie for today’s stage?

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