<p>Peter Stathas, founder and artistic director of Peter Stathas Dance, and company dancer Lauren Twomley, are in the studio this month for a conversation that stretches across generations of New York dance history!</p><br><p>Peter and Lauren talk about how embracing curiosity and risking the unexpected keeps dance fresh, meaningful, and connected across generations. Peter began his dance career at SUNY Purchase before performing with the José Limón Dance Company. Then, he spent 30 years as a physical therapist and entrepreneur before returning to choreography in 2016. He talks about how emotional the experience was for him of returning to dance and gives his advice for other dancers who are stepping back into the studio or back on stage after some time away. In 2018, the duet Assuage sparked the creation of his company, rooted in a mission to create dance that reflects the human experience while advocating for sustainability, collaboration, and equity in the field.</p><br><p>In February of this year, Peter Stathas Dance Company presented its program, What We Hold, a cross-generational program at the Mark Morris Dance Center. The evening brought works from the 1980s back into the studio and onto the stage — not as a form of nostalgia, but as a living conversation across time, as the company describes it. These pieces were set on a new generation of dancers navigating today’s dance landscape.</p><br><p>Born in Brooklyn and a graduate of SUNY Purchase with a BFA in Dance and a minor in Arts Management, Lauren is one of those dancers. She has worked with a range of choreographers and has performed masterworks by Martha Graham, José Limón, and Merce Cunningham. She joined the Limón Dance Company in 2019 and now serves not only as a dancer with Peter Stathas Dance, but also rehearsal coordinator and social media manager. She’s also a teaching artist with the José Limón Dance Foundation, where she explores the deconstruction of Limón Movement Principles to make the technique more accessible and approachable.</p><br><p>In this interview, we talk about lineage, how dancers are constructing a moment in time and becoming part of history in the process, what it means to carry someone else’s artistic work in your own body, and how love, care, and devotion make a sustainable life in dance. Check it out!</p><p><br></p><ul><li>Learn more about Peter Stathas Dance: <a href="http://peterstathasdance.com" rel="noopener noreferrer" target="_blank">peterstathasdance.com</a></li><li>Support the company: <a href="https://peterstathasdance.com/support/" rel="noopener noreferrer" target="_blank">https://peterstathasdance.com/support/</a></li><li>Follow Peter Stathas Dance on Instagram: <a href="instagram.com/peterstathasdance" rel="noopener noreferrer" target="_blank">instagram.com/peterstathasdance</a></li><li>Subscribe to The Adult Ballet Studio on YouTube: <a href="youtube.com/@adultballetstudio" rel="noopener noreferrer" target="_blank">@adultballetstudio</a></li></ul><p><br></p><p><em>Music in this episode:</em></p><p><em>Waltz of the Flowers - Tchaikovsky</em></p><p><em>Barroom Ballet - Silent Film Light - Kevin MacLeod</em></p><p><em>Barroom Ballet - Silent Film Light by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. </em><a href="https://creativecommons.org/licenses/by/4.0/" rel="noopener noreferrer" target="_blank"><em>https://creativecommons.org/licenses/by/4.0/</em></a></p><p><em>Source: </em><a href="http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100310" rel="noopener noreferrer" target="_blank"><em>http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100310</em></a></p><p><em>Artist: </em><a href="http://incompetech.com/" rel="noopener noreferrer" target="_blank"><em>http://incompetech.com/</em></a></p><br><p><a href="https://podcasters.spotify.com/pod/dashboard/episode/instagram.com/eblosfield" rel="noopener noreferrer" target="_blank">@eblosfield </a> |
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