Just dropping in to share some news about the show, and what's coming next.

<description>
 &lt;p&gt;Just dropping in to share some news about the show, and what's coming next. &lt;/p&gt;
 </description>


        Just dropping in to share some news about the show, and what's coming next. 
      

A note from The Big Dig team

An episode from a new GBH News podcast about reparations: "When a City Tries to Heal Itself"Boston, a city entrenched in the history of the American Revolution, creates a task force to explore the city’s history of slavery and economic discrimination and to consider reparations for Black citizens. The effort is delicately balanced to navigate political challenges – and yet it is immediately beset with delay and mismanaging, leading some city residents to wonder whether Boston is really serious.———Credits:Host, Producer and Writer: Saraya WintersmithSenior Producer: Jerome CampbellEditorial Assistant: Mara MellitsEditor: Paul SingerProduction oversight: Lee HillMixing &amp; Sound Design: David Goodman and Gary MottTheme Song and original music: Malik WilliamsArtwork: Matt Welch and Mamie-Hawa BawohProject Manager: Meiqian HeManaging Producer for GBH Podcasts: Devin Maverick Robins

<description>
 &lt;p&gt;An episode from a new GBH News podcast about reparations: "When a City Tries to Heal Itself"&lt;/p&gt;&lt;p&gt;Boston, a city entrenched in the history of the American Revolution, creates a task force to explore the city’s history of slavery and economic discrimination and to consider reparations for Black citizens. The effort is delicately balanced to navigate political challenges – and yet it is immediately beset with delay and mismanaging, leading some city residents to wonder whether Boston is really serious.&lt;/p&gt;&lt;p&gt;———&lt;/p&gt;&lt;p&gt;Credits:&lt;/p&gt;&lt;p&gt;Host, Producer and Writer: Saraya Wintersmith&lt;/p&gt;&lt;p&gt;Senior Producer: Jerome Campbell&lt;/p&gt;&lt;p&gt;Editorial Assistant: Mara Mellits&lt;/p&gt;&lt;p&gt;Editor: Paul Singer&lt;/p&gt;&lt;p&gt;Production oversight: Lee Hill&lt;/p&gt;&lt;p&gt;Mixing &amp;amp; Sound Design: David Goodman and Gary Mott&lt;/p&gt;&lt;p&gt;Theme Song and original music: Malik Williams&lt;/p&gt;&lt;p&gt;Artwork: Matt Welch and Mamie-Hawa Bawoh&lt;/p&gt;&lt;p&gt;Project Manager: Meiqian He&lt;/p&gt;&lt;p&gt;Managing Producer for GBH Podcasts: Devin Maverick Robins&lt;/p&gt;
 </description>

An episode from a new GBH News podcast about reparations: "When a City Tries to Heal Itself"


        An episode from a new GBH News podcast about reparations: "When a City Tries to Heal Itself"

Boston, a city entrenched in the history of the American Revolution, creates a task force to explore the city’s history of slavery and economic discrimination and to consider reparations for Black citizens. The effort is delicately balanced to navigate political challenges – and yet it is immediately beset with delay and mismanaging, leading some city residents to wonder whether Boston is really serious.

———

Credits:

Host, Producer and Writer: Saraya Wintersmith

Senior Producer: Jerome Campbell

Editorial Assistant: Mara Mellits

Editor: Paul Singer

Production oversight: Lee Hill

Mixing &amp; Sound Design: David Goodman and Gary Mott

Theme Song and original music: Malik Williams

Artwork: Matt Welch and Mamie-Hawa Bawoh

Project Manager: Meiqian He

Managing Producer for GBH Podcasts: Devin Maverick Robins
      

Introducing: What Is Owed?

An episode from our colleagues at Detours: The Hardest Fact I Ever CheckedAdam Monahan, producer for GBH’s Antiques Roadshow, attempts to verify what could be one of the most valuable objects to ever appear on the program: a flag from John F. Kennedy’s famed navy boat, the PT-109. With the help of a chemist, an appraiser, an author and a curator (oh, and his mom too), Adam tries to determine whether or not we have a national treasure on our hands.

<description>
 &lt;p&gt;An episode from our colleagues at Detours: The Hardest Fact I Ever Checked&lt;/p&gt;&lt;p&gt;Adam Monahan, producer for GBH’s Antiques Roadshow, attempts to verify what could be one of the most valuable objects to ever appear on the program: a flag from John F. Kennedy’s famed navy boat, the PT-109. With the help of a chemist, an appraiser, an author and a curator (oh, and his mom too), Adam tries to determine whether or not we have a national treasure on our hands.&lt;/p&gt;
 </description>

An episode from our colleagues at Detours: The Hardest Fact I Ever Checked


        An episode from our colleagues at Detours: The Hardest Fact I Ever Checked

Adam Monahan, producer for GBH’s Antiques Roadshow, attempts to verify what could be one of the most valuable objects to ever appear on the program: a flag from John F. Kennedy’s famed navy boat, the PT-109. With the help of a chemist, an appraiser, an author and a curator (oh, and his mom too), Adam tries to determine whether or not we have a national treasure on our hands.
      

Introducing: Detours from Antiques Roadshow

An episode from our colleagues at The Frontline Dispatch: Documenting the Siege of Mariupol<a href="https://www.pbs.org/wgbh/frontline/documentary/20-days-in-mariupol/">20 Days in Mariupol </a>is an unflinching, first-hand account of the early days of Russia’s invasion of the port city of Mariupol, which remains under Russian occupation to this day.Ukrainian-born director and journalist Mstyslav Chernov and his colleagues from the Associated Press were the last international journalists to remain in Mariupol as Russian troops attacked. His new film, from FRONTLINE and the AP, draws on Chernov’s news dispatches and his reflections as he documented the devastation of his home country for the world to see.Chernov sat down with FRONTLINE editor-in-chief and executive producer Raney Aronson-Rath and editor and producer Michelle Mizner in February 2023, as we marked the grim anniversary of the war in Ukraine.In this episode of <a href="https://www.pbs.org/wgbh/frontline/podcast/dispatch/">The FRONTLINE Dispatch</a>, recorded at the Boston Public Library, Chernov recounts the decision to go to Mariupol, how he and Mizner created a documentary feature from his Pulitzer Prize-winning journalism, and what he hopes people will take away from the film — today, and in years to come.“I know that we form our understanding of the current events of the world around us by watching news and consuming news,” Chernov said. “ But [we] form our understanding of our past with documentary films… Film is a medium which carries meaning across time, for generations to come.”An earlier version of this episode was published in July.You can watch<a href="https://www.pbs.org/wgbh/frontline/documentary/20-days-in-mariupol/"> 20 Days in Mariupol</a> on FRONTLINE’s website, FRONTLINE’s<a href="https://youtu.be/gvAyykRvPBo?si=fidaDXz_FEdNci2r"> YouTube Channel</a>, the PBS App, and the PBS Documentaries Prime Video Channel.Want to be notified every time a new podcast episode drops? <a href="https://www.pbs.org/wgbh/frontline/dispatch-newsletter-subscription/">Sign up</a> for The FRONTLINE Dispatch newsletter.

<description>
 &lt;p&gt;An episode from our colleagues at The Frontline Dispatch: Documenting the Siege of Mariupol&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.pbs.org/wgbh/frontline/documentary/20-days-in-mariupol/"&gt;&lt;strong&gt;&lt;em&gt;20 Days in Mariupol&lt;/em&gt;&lt;/strong&gt;&lt;strong&gt; &lt;/strong&gt;&lt;/a&gt;is an unflinching, first-hand account of the early days of Russia’s invasion of the port city of Mariupol, which remains under Russian occupation to this day.&lt;/p&gt;&lt;p&gt;Ukrainian-born director and journalist Mstyslav Chernov and his colleagues from the Associated Press were the last international journalists to remain in Mariupol as Russian troops attacked. His new film, from FRONTLINE and the AP, draws on Chernov’s news dispatches and his reflections as he documented the devastation of his home country for the world to see.&lt;/p&gt;&lt;p&gt;Chernov sat down with FRONTLINE editor-in-chief and executive producer Raney Aronson-Rath and editor and producer Michelle Mizner in February 2023, as we marked the grim anniversary of the war in Ukraine.&lt;/p&gt;&lt;p&gt;In this episode of &lt;a href="https://www.pbs.org/wgbh/frontline/podcast/dispatch/"&gt;&lt;strong&gt;The FRONTLINE Dispatch&lt;/strong&gt;&lt;/a&gt;, recorded at the Boston Public Library, Chernov recounts the decision to go to Mariupol, how he and Mizner created a documentary feature from his Pulitzer Prize-winning journalism, and what he hopes people will take away from the film — today, and in years to come.&lt;/p&gt;&lt;p&gt;“I know that we form our understanding of the current events of the world around us by watching news and consuming news,” Chernov said. “ But [we] form our understanding of our past with documentary films… Film is a medium which carries meaning across time, for generations to come.”&lt;/p&gt;&lt;p&gt;An earlier version of this episode was published in July.&lt;/p&gt;&lt;p&gt;You can watch&lt;a href="https://www.pbs.org/wgbh/frontline/documentary/20-days-in-mariupol/"&gt;&lt;strong&gt; &lt;/strong&gt;&lt;strong&gt;&lt;em&gt;20 Days in Mariupol&lt;/em&gt;&lt;/strong&gt;&lt;/a&gt; on FRONTLINE’s website, FRONTLINE’s&lt;a href="https://youtu.be/gvAyykRvPBo?si=fidaDXz_FEdNci2r"&gt;&lt;strong&gt; YouTube Channel&lt;/strong&gt;&lt;/a&gt;, the PBS App, and the PBS Documentaries Prime Video Channel.&lt;/p&gt;&lt;p&gt;Want to be notified every time a new podcast episode drops? &lt;a href="https://www.pbs.org/wgbh/frontline/dispatch-newsletter-subscription/"&gt;&lt;strong&gt;Sign up&lt;/strong&gt;&lt;/a&gt; for &lt;em&gt;The FRONTLINE Dispatch&lt;/em&gt; newsletter.&lt;/p&gt;
 </description>

An episode from our colleagues at The Frontline Dispatch: Documenting the Siege of Mariupol

An episode from our colleagues at The Frontline Dispatch: Documenting the Siege of Mariupol

<a href="https://www.pbs.org/wgbh/frontline/documentary/20-days-in-mariupol/">20 Days in Mariupol </a>is an unflinching, first-hand account of the early days of Russia’s invasion of the port city of Mariupol, which remains under Russian occupation to this day.

Ukrainian-born director and journalist Mstyslav Chernov and his colleagues from the Associated Press were the last international journalists to remain in Mariupol as Russian troops attacked. His new film, from FRONTLINE and the AP, draws on Chernov’s news dispatches and his reflections as he documented the devastation of his home country for the world to see.

Chernov sat down with FRONTLINE editor-in-chief and executive producer Raney Aronson-Rath and editor and producer Michelle Mizner in February 2023, as we marked the grim anniversary of the war in Ukraine.

In this episode of <a href="https://www.pbs.org/wgbh/frontline/podcast/dispatch/">The FRONTLINE Dispatch</a>, recorded at the Boston Public Library, Chernov recounts the decision to go to Mariupol, how he and Mizner created a documentary feature from his Pulitzer Prize-winning journalism, and what he hopes people will take away from the film — today, and in years to come.

“I know that we form our understanding of the current events of the world around us by watching news and consuming news,” Chernov said. “ But [we] form our understanding of our past with documentary films… Film is a medium which carries meaning across time, for generations to come.”

An earlier version of this episode was published in July.

You can watch<a href="https://www.pbs.org/wgbh/frontline/documentary/20-days-in-mariupol/"> 20 Days in Mariupol</a> on FRONTLINE’s website, FRONTLINE’s<a href="https://youtu.be/gvAyykRvPBo?si=fidaDXz_FEdNci2r"> YouTube Channel</a>, the PBS App, and the PBS Documentaries Prime Video Channel.

Want to be notified every time a new podcast episode drops? <a href="https://www.pbs.org/wgbh/frontline/dispatch-newsletter-subscription/">Sign up</a> for The FRONTLINE Dispatch newsletter.

Introducing: The Frontline Dispatch

It’s been fifty years since the Big Dig was first conceived, thirty years since construction began, more than a dozen years since it was completed – and the final twist is: the project has largely delivered on its promises. How do we reconcile that reality with the scandal and outrage we’ve heard so much about?

Credits:

Host and scriptwriter: Ian Coss

Executive Producer: Devin Maverick Robins

Producers: Isabel Hibbard and Ian Coss

Editor: Lacy Roberts

Editorial Advisor: Stephanie Leydon

Fact Checker: Lisa Wardle

Scoring and Music Supervision: Ian Coss

Project Manager: Meiqian He

<description>
 &lt;p&gt;It’s been fifty years since the Big Dig was first conceived, thirty years since construction began, more than a dozen years since it was completed – and the final twist is: the project has largely delivered on its promises. How do we reconcile that reality with the scandal and outrage we’ve heard so much about?&lt;/p&gt;

&lt;p&gt;Credits:&lt;/p&gt;

&lt;p&gt;Host and scriptwriter: Ian Coss&lt;/p&gt;

&lt;p&gt;Executive Producer: Devin Maverick Robins&lt;/p&gt;

&lt;p&gt;Producers: Isabel Hibbard and Ian Coss&lt;/p&gt;

&lt;p&gt;Editor: Lacy Roberts&lt;/p&gt;

&lt;p&gt;Editorial Advisor: Stephanie Leydon&lt;/p&gt;

&lt;p&gt;Fact Checker: Lisa Wardle&lt;/p&gt;

&lt;p&gt;Scoring and Music Supervision: Ian Coss&lt;/p&gt;

&lt;p&gt;Project Manager: Meiqian He&lt;/p&gt;
 </description>

It’s been fifty years since the Big Dig was first conceived, thirty years since construction began, more than a dozen years since it was completed.


        It’s been fifty years since the Big Dig was first conceived, thirty years since construction began, more than a dozen years since it was completed – and the final twist is: the project has largely delivered on its promises. How do we reconcile that reality with the scandal and outrage we’ve heard so much about?


Credits:


Host and scriptwriter: Ian Coss


Executive Producer: Devin Maverick Robins


Producers: Isabel Hibbard and Ian Coss


Editor: Lacy Roberts


Editorial Advisor: Stephanie Leydon


Fact Checker: Lisa Wardle


Scoring and Music Supervision: Ian Coss


Project Manager: Meiqian He
      

Part 9: Hearts and Minds

There is a cynicism that hangs over the topic of American infrastructure – whether it’s high-speed rail or off-shore wind – it feels like this country can’t build big things anymore. No one project embodies that cynicism quite like what Bostonians call ‘The Big Dig.’ Infamous for its ever-increasing price tag, this massive highway tunneling effort was once ridiculed as the Big Mess, the Big Hole, the Big Pig, the Big Lie. But now, decades later the story looks more complicated. So how did the narrative around this project go so horribly wrong? And what lessons can it offer for the ambitious projects of today?The <a href="https://www.wgbh.org/podcasts/the-big-dig">nine episode series</a> is produced by GBH News in partnership with PRX.---------------------------Credits:Host and scriptwriter: Ian CossExecutive Producer: Devin Maverick RobinsProducers: Isabel Hibbard and Ian CossEditor: Lacy RobertsEditorial Advisor: Stephanie LeydonFact Checker: Lisa WardleScoring and Music Supervision: Ian CossProject Manager: Meiqian He

There is a cynicism that hangs over the topic of American infrastructure – whether it’s high-speed rail or off-shore wind – it feels like this country can’t build big things anymore.

The Big Dig

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