REVOLUTIONS PER MOVIE

My Mom passed away this week, so I will be taking a few weeks off to take care of some family matters. I hope you enjoy this tribute to my Mom, and I will be back soon.Thanks everyone,Chris Slusarenko, Revolutions Per MovieKay Slusarenko: "I’m asked sometimes why I do installations - why I make art based on the aesthetic experience which in the end cannot be fully described, depicted, recorded or explained, and is expensive to build and impossible to sell. All I can say is this is what I'm passionate about. Maybe it also has to do with my background in music. I went to the University of Idaho on a music scholarship and although I switched to art after my sophomore year music has continued to be a major part of my life. There is an emotional response I receive when listening to music which I seldom have when I'm looking at art. Music surrounds me, enters my body and makes me know that I'm alive. Installation work is the closest I have found to duplicating this experience.” Hosted on Acast. See acast.com/privacy for more information.

For this week's episode, I convinced my guest, comedian/actor Eugene Mirman (Bob's Burgers, Flight Of The Conchords, Delocated), to let me record my 500th episode 7 years in advance in order to capitalize on his star power.We discuss the magic of comedy albums & comedy concert films; recording visual comedy for an album, Eugene’s 7 LP Sub Pop masterwork I'm Sorry (You're Welcome), which includes 45 minutes of him crying and 159 orgasms, Eugene's scrapped "jokes for animals", his new LP & video special Here Comes The Whimsy, Eugene pushing the boundaries of a physical audio release by having it also available as a chair or a sack of flour that you have to carry around like a baby, how Eugene records his parts for the Bob's Burgers' songs. PLUS Eugene surprises me with a music film (5 minutes before recording) to discuss: "What The Hell Happened To Blood, Sweat & Tears," which is about the band being blackmailed into performing behind the Iron Curtain by the U.S. government.So let's join Eugene in sending fifty tap shoes to a restaurant of his choice on this week's episode of Revolutions Per Movie!EUGENE MIRMAN: www.eugenemirman.comprettygoodfriends.comHERE COMES THE WHIMSY: EUGENE'S NEW FULL STAND-UP SPECIAL:www.youtube.com/watch?v=JHPEaN1DxKwREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film, or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon (over 125 bonus episodes are available and counting). If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes and series such as A Very Opinionated Look At Urgh! A Music War & What Makes The Midnight So Special?, A Devotees Look At New Wave Theater, Exploring The Axis: The Oral History Of Frontier Records With Lisa Fancher, Dips On Chips w/ Jeff McDonald of Redd Kross, physical goods such as a limited edition 7" Flexidisc, and other exclusive goods that I send out to you for supporting the show. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

My guest this week is NYC-based musician, author, and performance artist Joseph Keckler (NPR's Tiny Desk, tours with Lydia Lunch & Sleater-Kinney), who chose the 1929 two-reeler short St. Louis Blues, which is the legend Bessie Smith's first and only film appearance. We discuss Joseph’s iconic performance on NPR’s Tiny Desk Concert Series, how he came to unleash his powerful vocal range on a wide range of audiences, choosing to write and sing in German about the adult moments where he was relapsing into a teenage Goth, befriending and touring with Lydia Lunch, Bebe Hansen, the current No-Wave scene in NYC, the excitement of having a standoff with an audience, opening for Sleater-Kinney, confusing but life-altering concert billings, where we both were when first hearing Bessie Smith and the imprint it left on us, why this 1929 short film of Bessie Smith was almost destroyed in the 50s, tape trading with The Residents, hearing Aretha Franklin's voice coming up through the floorboards and being obsessed with Cab Calloway & Bessie Smith as a child, Bessie’s acting chops and the unique direction of this performance & more.So let's sing at the top of our lungs into the bottom of our beer mug on this week's Revolutions Per Movie.Joseph will be performing on May 31st 2026 in NYC at TV EYE w/ Genre Is DeathTickets available at tveyenyc.com/calendarJOSEPH KECKLER:josephkeckler.com/BESSIE SMITH in ST. LOUIS BLUES:youtube.com/watch?v=xIGscPYfEGsREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film, or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon (over 125 bonus episodes are available and counting). If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes and series such as A Very Opinionated Look At Urgh! A Music War & What Makes The Midnight So Special?, A Devotees Look At New Wave Theater, Exploring The Axis: The Oral History Of Frontier Records With Lisa Fancher, Dips On Chips w/ Jeff McDonald of Redd Kross, physical goods such as a limited edition 7" Flexidisc, and other exclusive goods that I send out to you for supporting the show. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

Welcome to our bi-monthly ENCORE PRESENTATION of classic REVOLUTIONS PER MOVIE episodes from the vault! Today, as we frustratingly say goodbye (for now) to Stephen Colbert on Late Night, I bring you the sweetest and most honest discussion from The Late Show With Stephen Colbert writer & performer, the legendary Brian Stack. Not only did we discuss his love and passion for Townes Van Zandt (whose documentary he chose to discuss), but he was also really open about his time at Late Night With Conan O'Brien and his transition to working on Colbert's show, offering a fascinating glimpse into the world of late-night.Hope to see you again soon, Dr. Frankenstein's Monster!(Episode 104 originally aired on July 17th, 2025).This week, I am joined by one of the greatest late-night writers & performers of all time, BRIAN STACK (Late Night With Conan O’Brien, The Late Show with Stephen Colbert), who picked a beloved music documentary to discuss: Be Here To Love Me - A Film About Townes Van Zandt.We discuss the differences between working on Conan and Stephen’s shows, the last-minute panic of doing a late night show, my experience performing on Conan, accidental mistakes turning into magic, how many of Brian’s characters are tragically musical, band banter, the melancholy edge of the best comedy, how musicians who write the best sad songs are often the funniest people, the creation of the band Slipnutz, how Townes' music came into both our lives later in life, songs that tear you heart out, being a musician’s musician, The Stooges, Aimee Mann, Dave Alvin, The Chelsea Hotel being the headquarters of Zandt’s record label, how Townes is his own storyteller in this documentary, self-destructive tendencies in comedy and music, Dylan and Townes relationship, our Chris Elliott obsessions, being under-heard and misunderstood, Steve Shelley of Sonic Youth trying to help Townes make a record, the documentary Heartworn Highways, Neko Case, Mick Jagger’s country accent, writing songs in your dreams and so much more.So let's laugh through the pain on this week's episode of Revolutions Per Movie.BRIAN STACK:https://teamcoco.com/celebs/brian-stackREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film, or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon (over 125 bonus episodes are available and counting). If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes and series such as A Very Opinionated Look At Urgh! A Music War & What Makes The Midnight So Special?, A Devotees Look At New Wave Theater, Exploring The Axis: The Oral History Of Frontier Records With Lisa Fancher, Dips On Chips w/ Jeff McDonald of Redd Kross, physical goods such as a limited edition 7" Flexidisc, and other exclusive goods that I send out to you for supporting the show. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

My guest this week is composer and musician Prateek Rajagopal (Executive Producer and Co-Composer of Blarf with Eric André: Film Scores For Films That Don't Exist, former member of Indian grindcore band Gutslit & film composer.We discuss how Prateek at a young age was not deemed ready for Metallica by his older brother, growing up in metal and hardcore punk, high school bands, Prateek writing jingles in India while working as a banker, the Indian metal scene, Grindcore & Gutslit, how punk and metal were not united in the 80s, going on autopilot as a musician, how to do weird things with an electric guitar, bombing in music, how Jonny Greenwood inspired Prateek and how he ended up in the USC Film Scoring Masters program, the lack of western musical infrastructure in India and how that's improving, scoring the film Tu Yaa Main and working with director Bejoy Nambiar, how Prateek and Eric André got on each other’s radar, straddling Blarf's earnest film scores with heaps of subversiveness, composing the songs Dead Balleria and Run For Your Death, translating Blarf live, smashing instruments, what Eric André and Prateek hoped to achieve with this record and more!PRATEEK RAJAGOPAL:prateekrajagopal.comBLARF:stonesthrow.com/store/film-scores-for-films-that-dont-existREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film, or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon (over 125 bonus episodes are available and counting). If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes and series such as A Very Opinionated Look At Urgh! A Music War & What Makes The Midnight So Special?, A Devotees Look At New Wave Theater, Exploring The Axis: The Oral History Of Frontier Records With Lisa Fancher, Dips On Chips w/ Jeff McDonald of Redd Kross, physical goods such as a limited edition 7" Flexidisc, and other exclusive goods that I send out to you for supporting the show. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.