G’day everyone, I’m David Reidy. Welcome to Piano, Finally, a podcast by an old bloke who’s getting around to learning the piano, finally.In the lead-up to Christmas, practice opportunities appear and disappear in equal measure. A little more playing happened this week, though not as much as hoped. The 3D printer is busy producing small gifts for the staff party, and while it’s handy for personalised presents, it hasn’t yet found a role at the piano.🎧 YouTube – Piano Myth or Fact? Do Kids Learn Faster Than Adults? Ryan Abshear’s new video examines why children appear to learn piano faster than adults — not magic, but time, expectations, and practice hours. Adults often assume quick mastery because we’re used to learning other skills rapidly; a child playing difficult repertoire may already have six years of experience. Ryan’s thoughtful breakdown is well worth watching. Link: included in your episode📝 Essay – In Public This week’s reflections centre on doing things in public — choir rehearsals, student performances at assembly, coaching public speaking, and hearing that the podcast encouraged someone to try something new. Performing publicly isn’t harder than doing it privately; the difficulty comes from the standards we set for ourselves and the fear of judgment. But most people are kind. Anonymous criticism isn’t worth your attention; genuine listeners are overwhelmingly supportive. Being open about learning — especially when playing piano in front of students — removes pressure and invites encouragement rather than comparison.🎼 Progress • Moonlight Sonata continues slowly but steadily. • The flute piece is developing, though coordinating staccato and legato needs work. • Wynn-Anne Rossi’s A Wild Chase is nearly complete and improving with the drum machine.Recorded on the Kawai NV10, Cubase 15, and Pianoteq 9 with a Shigeru Kawai SK-EX model.The contents of this podcast were entirely generated by a human. These show notes, however, were created by ChatGPT.<a target="_blank" href="https://www.buzzsprout.com/twilio/text_messages/2366139/open_sms">Send me a text message.</a>You can contact me: <ul> <li>via email at david@pianofinally.show; this is probably the best option</li> <li>the show website, <a href='https://www.pianofinally.show'>www.pianofinally.show</a> </li> <li>Instagram and Threads @pianofinally</li> <li>and on <a href='https://www.youtube.com/@pianofinally'>YouTube</a> </li> <li>all the podcast directories - <a href='https://pianofinally.buzzsprout.com/share'>list</a> </li> <li>here&apos;s the <a href='https://feeds.buzzsprout.com/2366139.rss'>RSS feed</a> </li> </ul> Some of the links to books and other items mentioned in the podcast may affiliate links for Amazon or other providers. If you use one of these links, a commission may be paid to me at no additional cost to you. Thank you if you use a link. All reviews of products, websites and services are unpaid, and no sponsorship has been received for any content on this podcast.

<description>&lt;p&gt;G’day everyone, I’m David Reidy. Welcome to &lt;em&gt;Piano, Finally&lt;/em&gt;, a podcast by an old bloke who’s getting around to learning the piano, finally.&lt;/p&gt;&lt;p&gt;In the lead-up to Christmas, practice opportunities appear and disappear in equal measure. A little more playing happened this week, though not as much as hoped. The 3D printer is busy producing small gifts for the staff party, and while it’s handy for personalised presents, it hasn’t yet found a role at the piano.&lt;/p&gt;&lt;p&gt;🎧 &lt;b&gt;YouTube – Piano Myth or Fact? Do Kids Learn Faster Than Adults?&lt;/b&gt;&lt;br/&gt;Ryan Abshear’s new video examines why children appear to learn piano faster than adults — not magic, but time, expectations, and practice hours. Adults often assume quick mastery because we’re used to learning other skills rapidly; a child playing difficult repertoire may already have six years of experience. Ryan’s thoughtful breakdown is well worth watching.&lt;br/&gt;Link: &lt;em&gt;included in your episode&lt;/em&gt;&lt;/p&gt;&lt;p&gt;📝 &lt;b&gt;Essay – In Public&lt;/b&gt;&lt;br/&gt;This week’s reflections centre on doing things in public — choir rehearsals, student performances at assembly, coaching public speaking, and hearing that the podcast encouraged someone to try something new. Performing publicly isn’t harder than doing it privately; the difficulty comes from the standards we set for ourselves and the fear of judgment.&lt;br/&gt;But most people are kind. Anonymous criticism isn’t worth your attention; genuine listeners are overwhelmingly supportive. Being open about learning — especially when playing piano in front of students — removes pressure and invites encouragement rather than comparison.&lt;/p&gt;&lt;p&gt;🎼 &lt;b&gt;Progress&lt;/b&gt;&lt;br/&gt;• &lt;em&gt;Moonlight Sonata&lt;/em&gt; continues slowly but steadily.&lt;br/&gt;• The flute piece is developing, though coordinating staccato and legato needs work.&lt;br/&gt;• Wynn-Anne Rossi’s &lt;em&gt;A Wild Chase&lt;/em&gt; is nearly complete and improving with the drum machine.&lt;/p&gt;&lt;p&gt;Recorded on the &lt;b&gt;Kawai NV10&lt;/b&gt;, &lt;b&gt;Cubase 15&lt;/b&gt;, and &lt;b&gt;Pianoteq 9&lt;/b&gt; with a &lt;b&gt;Shigeru Kawai SK-EX&lt;/b&gt; model.&lt;/p&gt;&lt;p&gt;&lt;b&gt;The contents of this podcast were entirely generated by a human. These show notes, however, were created by ChatGPT.&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;a target="_blank" href="https://www.buzzsprout.com/twilio/text_messages/2366139/open_sms"&gt;Send me a text message.&lt;/a&gt;&lt;/p&gt;&lt;p&gt;You can contact me:&lt;/p&gt; &lt;ul&gt; &lt;li&gt;via email at david@pianofinally.show; this is probably the best option&lt;/li&gt; &lt;li&gt;the show website, &lt;a href='https://www.pianofinally.show'&gt;www.pianofinally.show&lt;/a&gt; &lt;/li&gt; &lt;li&gt;Instagram and Threads @pianofinally&lt;/li&gt; &lt;li&gt;and on &lt;a href='https://www.youtube.com/@pianofinally'&gt;YouTube&lt;/a&gt; &lt;/li&gt; &lt;li&gt;all the podcast directories - &lt;a href='https://pianofinally.buzzsprout.com/share'&gt;list&lt;/a&gt; &lt;/li&gt; &lt;li&gt;here&amp;apos;s the &lt;a href='https://feeds.buzzsprout.com/2366139.rss'&gt;RSS feed&lt;/a&gt; &lt;/li&gt; &lt;/ul&gt; &lt;p&gt;Some of the links to books and other items mentioned in the podcast may affiliate links for Amazon or other providers. If you use one of these links, a commission may be paid to me at no additional cost to you. Thank you if you use a link. &lt;br/&gt;All reviews of products, websites and services are unpaid, and no sponsorship has been received for any content on this podcast.&lt;/p&gt;</description>

G’day everyone, I’m David Reidy. Welcome to Piano, Finally, a podcast by an old bloke who’s getting around to learning the piano, finally. In the lead-up to Christmas, practice opportunities appear and disappear in equal measure. A little more playing happened this week, though not as much as hoped. The 3D printer is busy producing small gifts for the staff party, and while it’s handy for personalised presents, it hasn’t yet found a role at the piano. 🎧 YouTube – Piano Myth or Fact? Do Kids L...

Episode 76 - In Public

G’day everyone, I’m David Reidy. Welcome to Piano, Finally — a podcast by an old bloke who’s getting around to learning the piano, finally.With the exams marked and reports written, the last weeks of the school year bring a welcome return to regular practice (and twice-daily swimming). This week’s episode is built around a story in two parts: a run of theatre outings, and an unexpected new musical adventure.🎭 Performances Around Sydney A free week meant several nights out: • The Rest Is History Returns at the Opera House, with Tom Holland and Dominic Sandbrook delivering a lively extended podcast episode and Q&amp;A. • Bell Shakespeare – Romeo and Juliet, a polished, contemporary staging with excellent pacing and standout comic moments. Video excerpts here: <a href='https://www.bellshakespeare.com.au/romeo-and-juliet'>https://www.bellshakespeare.com.au/romeo-and-juliet</a> • Devi Mamak &amp; the Caravan Band, blending sitar, sax, drums and dancers in a Marrickville venue that doubles as a belly-dance school. More info: <a href='https://caravandancecompany.com.au/'>https://caravandancecompany.com.au/</a> 📝 Something New – Joining a Community Choir An email from Sydney Festival announced a community choir performing on 25 January at Barangaroo. Despite not being a singer, I signed up — partly out of curiosity, partly to step outside my comfort zone. The rehearsal, led by composer Nardi Simpson, was warm, energetic and enormous fun. Two of the four songs were introduced, including Four Directions, complete with harmonies and some accidental “clams” in the projected lyrics. With over 200 people in the room and only a handful of tenors, it’s going to be an adventure.🎼 Review – Bach’s Well-Tempered Clavier (Schirmer) Another aspirational addition to the music shelf. This Carl Czerny-edited volume includes fingering, dynamics, a short biographical essay, and all 48 Preludes and Fugues. Clear engraving, perfect-bound, and solid value. https://www.musicjunction.com.au/products/complete-well%EF%BF%BDtempered-clavier 🎹 Progress • Beethoven – Moonlight Sonata: Still uneven in places, but improving. • Wynn-Anne Rossi – A Wild Chase: Nearly complete and played from memory. • Trumpet Tune (Clarke/Purcell): Slow but steady.Recorded on the Kawai NV10 using Cubase 15 and Pianoteq 9 with a Shigeru Kawai SK-EX piano model.The contents of this podcast were entirely generated by a human. These show notes, however, were created by ChatGPT.<a target="_blank" href="https://www.buzzsprout.com/twilio/text_messages/2366139/open_sms">Send me a text message.</a>You can contact me: <ul> <li>via email at david@pianofinally.show; this is probably the best option</li> <li>the show website, <a href='https://www.pianofinally.show'>www.pianofinally.show</a> </li> <li>Instagram and Threads @pianofinally</li> <li>and on <a href='https://www.youtube.com/@pianofinally'>YouTube</a> </li> <li>all the podcast directories - <a href='https://pianofinally.buzzsprout.com/share'>list</a> </li> <li>here&apos;s the <a href='https://feeds.buzzsprout.com/2366139.rss'>RSS feed</a> </li> </ul> Some of the links to books and other items mentioned in the podcast may affiliate links for Amazon or other providers. If you use one of these links, a commission may be paid to me at no additional cost to you. Thank you if you use a link. All reviews of products, websites and services are unpaid, and no sponsorship has been received for any content on this podcast.

<description>&lt;p&gt;G’day everyone, I’m David Reidy. Welcome to &lt;em&gt;Piano, Finally&lt;/em&gt; — a podcast by an old bloke who’s getting around to learning the piano, finally.&lt;/p&gt;&lt;p&gt;With the exams marked and reports written, the last weeks of the school year bring a welcome return to regular practice (and twice-daily swimming). This week’s episode is built around a story in two parts: a run of theatre outings, and an unexpected new musical adventure.&lt;/p&gt;&lt;p&gt;🎭 &lt;b&gt;Performances Around Sydney&lt;/b&gt;&lt;br/&gt;A free week meant several nights out:&lt;br/&gt;• &lt;b&gt;The Rest Is History Returns&lt;/b&gt; at the Opera House, with Tom Holland and Dominic Sandbrook delivering a lively extended podcast episode and Q&amp;amp;A.&lt;br/&gt;• &lt;b&gt;Bell Shakespeare – Romeo and Juliet&lt;/b&gt;, a polished, contemporary staging with excellent pacing and standout comic moments. Video excerpts here:&lt;br/&gt;&lt;a href='https://www.bellshakespeare.com.au/romeo-and-juliet'&gt;https://www.bellshakespeare.com.au/romeo-and-juliet&lt;/a&gt;&lt;br/&gt;&lt;br/&gt;• &lt;b&gt;Devi Mamak &amp;amp; the Caravan Band&lt;/b&gt;, blending sitar, sax, drums and dancers in a Marrickville venue that doubles as a belly-dance school. More info:&lt;br/&gt;&lt;a href='https://caravandancecompany.com.au/'&gt;https://caravandancecompany.com.au/&lt;/a&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;&lt;p&gt;📝 &lt;b&gt;Something New – Joining a Community Choir&lt;/b&gt;&lt;br/&gt;An email from &lt;b&gt;Sydney Festival&lt;/b&gt; announced a community choir performing on 25 January at Barangaroo. Despite not being a singer, I signed up — partly out of curiosity, partly to step outside my comfort zone. The rehearsal, led by composer &lt;b&gt;Nardi Simpson&lt;/b&gt;, was warm, energetic and enormous fun. Two of the four songs were introduced, including &lt;em&gt;Four Directions&lt;/em&gt;, complete with harmonies and some accidental “clams” in the projected lyrics. With over 200 people in the room and only a handful of tenors, it’s going to be an adventure.&lt;/p&gt;&lt;p&gt;🎼 &lt;b&gt;Review – Bach’s &lt;/b&gt;&lt;b&gt;&lt;em&gt;Well-Tempered Clavier&lt;/em&gt;&lt;/b&gt; (Schirmer)&lt;br/&gt;Another aspirational addition to the music shelf. This Carl Czerny-edited volume includes fingering, dynamics, a short biographical essay, and all 48 Preludes and Fugues. Clear engraving, perfect-bound, and solid value.&lt;br/&gt;https://www.musicjunction.com.au/products/complete-well%EF%BF%BDtempered-clavier&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;&lt;p&gt;🎹 &lt;b&gt;Progress&lt;/b&gt;&lt;br/&gt;• &lt;b&gt;Beethoven – Moonlight Sonata&lt;/b&gt;: Still uneven in places, but improving.&lt;br/&gt;• &lt;b&gt;Wynn-Anne Rossi – A Wild Chase&lt;/b&gt;: Nearly complete and played from memory.&lt;br/&gt;• &lt;b&gt;Trumpet Tune (Clarke/Purcell)&lt;/b&gt;: Slow but steady.&lt;/p&gt;&lt;p&gt;Recorded on the &lt;b&gt;Kawai NV10&lt;/b&gt; using &lt;b&gt;Cubase 15&lt;/b&gt; and &lt;b&gt;Pianoteq 9&lt;/b&gt; with a &lt;b&gt;Shigeru Kawai SK-EX&lt;/b&gt; piano model.&lt;/p&gt;&lt;p&gt;&lt;b&gt;The contents of this podcast were entirely generated by a human. These show notes, however, were created by ChatGPT.&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;a target="_blank" href="https://www.buzzsprout.com/twilio/text_messages/2366139/open_sms"&gt;Send me a text message.&lt;/a&gt;&lt;/p&gt;&lt;p&gt;You can contact me:&lt;/p&gt; &lt;ul&gt; &lt;li&gt;via email at david@pianofinally.show; this is probably the best option&lt;/li&gt; &lt;li&gt;the show website, &lt;a href='https://www.pianofinally.show'&gt;www.pianofinally.show&lt;/a&gt; &lt;/li&gt; &lt;li&gt;Instagram and Threads @pianofinally&lt;/li&gt; &lt;li&gt;and on &lt;a href='https://www.youtube.com/@pianofinally'&gt;YouTube&lt;/a&gt; &lt;/li&gt; &lt;li&gt;all the podcast directories - &lt;a href='https://pianofinally.buzzsprout.com/share'&gt;list&lt;/a&gt; &lt;/li&gt; &lt;li&gt;here&amp;apos;s the &lt;a href='https://feeds.buzzsprout.com/2366139.rss'&gt;RSS feed&lt;/a&gt; &lt;/li&gt; &lt;/ul&gt; &lt;p&gt;Some of the links to books and other items mentioned in the podcast may affiliate links for Amazon or other providers. If you use one of these links, a commission may be paid to me at no additional cost to you. Thank you if you use a link. &lt;br/&gt;All reviews of products, websites and services are unpaid, and no sponsorship has been received for any content on this podcast.&lt;/p&gt;</description>

G’day everyone, I’m David Reidy. Welcome to Piano, Finally — a podcast by an old bloke who’s getting around to learning the piano, finally. With the exams marked and reports written, the last weeks of the school year bring a welcome return to regular practice (and twice-daily swimming). This week’s episode is built around a story in two parts: a run of theatre outings, and an unexpected new musical adventure. 🎭 Performances Around Sydney A free week meant several nights out: • The Rest Is His...

Episode 75 - Something New

We’re into the last three teaching weeks of the school year; final marking is nearly done, and I’m looking forward to a bit more time at the piano.🎧 YouTube – Beethoven Literally Used Four Chords to Write Für Elise YouTube analysis channels can be a goldmine. Jazz pianist Charles Cornell – co-founder of Better Piano and author of Jazz Piano Improv – has a terrific breakdown of Für Elise. He looks at the key (A minor), the 3/8 time signature (so it doesn’t feel like a waltz), and the chord movement from A minor–E and then C–G. It’s almost note-by-note, showing how harmony and melody fit together rather than just listing Roman numerals. If you’re learning the piece, it’s a great way to go beyond “just remembering the notes”.📺 Video: <a href='https://www.youtube.com/watch?v=C-W8VbPgpkU'>https://www.youtube.com/watch?v=C-W8VbPgpkU</a> 📝 Essay – Unexpected Benefits You’d think the main benefit of learning piano would simply be playing piano. In practice, it’s opened far more doors. Learning has also reconnected me with the Sydney Symphony Orchestra: spotting names like Daniil Trifonov, Sir Stephen Hough and Nobuyuki Tsujii on the program nudged me into a subscription, pre-concert talks, and a deeper understanding of composers and form. A music episode of The Rest is History podcast has slipped into my regular listening too.All of this has brought more concerts, more conversations in foyers and festival tents, and more chances to meet like-minded people than I expected when I first walked into a piano shop.🎼 Review – Chopin: Complete Preludes, Nocturnes and Waltzes (Schirmer) Another “aspirational” purchase: Chopin – Complete Preludes, Nocturnes and Waltzes (Schirmer Vol. 2056). I can’t yet play most of it, but the A-major Prelude Op. 28 No. 7 is firmly on the “soon” list. The edition is edited by Rafael Joseffy, a 19th-century Hungarian-born Chopin specialist, who also provides fingering.The book includes a brief introduction plus 26 Preludes, 21 Nocturnes and 19 Waltzes. The engraving is from older plates but clean and readable; at 248 pages it’s a chunky perfect-bound volume that will stay open with a little encouragement. For 66 pieces, AU$48.95 from Music Junction feels like good value.Links:<ul><li>Music Junction (AU): https://www.musicjunction.com.au/products/chopin-complete-preludes-nocturnes-and-waltzes?_pos=5&amp;_sid=547dbbf5d&amp;_ss=r </li><li>Amazon AU: https://www.amazon.com.au/Frederic-Chopin-Complete-Preludes-Nocturnes/dp/0634099205 </li></ul>🎹 Progress Practice continues on Beethoven’s “Moonlight” Sonata – still not as even as I’d like, but improving – and Wynn-Anne Rossi’s A Wild Chase, now mostly from memory, with the drum machine back on the piano to rebui<a target="_blank" href="https://www.buzzsprout.com/twilio/text_messages/2366139/open_sms">Send me a text message.</a>You can contact me: <ul> <li>via email at david@pianofinally.show; this is probably the best option</li> <li>the show website, <a href='https://www.pianofinally.show'>www.pianofinally.show</a> </li> <li>Instagram and Threads @pianofinally</li> <li>and on <a href='https://www.youtube.com/@pianofinally'>YouTube</a> </li> <li>all the podcast directories - <a href='https://pianofinally.buzzsprout.com/share'>list</a> </li> <li>here&apos;s the <a href='https://feeds.buzzsprout.com/2366139.rss'>RSS feed</a> </li> </ul> Some of the links to books and other items mentioned in the podcast may affiliate links for Amazon or other providers. If you use one of these links, a commission may be paid to me at no additional cost to you. Thank you if you use a link. All reviews of products, websites and services are unpaid, and no sponsorship has been received for any content on this podcast.

<description>&lt;p&gt;We’re into the last three teaching weeks of the school year; final marking is nearly done, and I’m looking forward to a bit more time at the piano.&lt;/p&gt;&lt;p&gt;🎧 &lt;b&gt;YouTube – Beethoven Literally Used Four Chords to Write Für Elise&lt;/b&gt;&lt;br/&gt;YouTube analysis channels can be a goldmine. Jazz pianist &lt;b&gt;Charles Cornell&lt;/b&gt; – co-founder of &lt;b&gt;Better Piano&lt;/b&gt; and author of &lt;em&gt;Jazz Piano Improv&lt;/em&gt; – has a terrific breakdown of &lt;em&gt;Für Elise&lt;/em&gt;. He looks at the key (A minor), the 3/8 time signature (so it doesn’t feel like a waltz), and the chord movement from A minor–E and then C–G. It’s almost note-by-note, showing how harmony and melody fit together rather than just listing Roman numerals. If you’re learning the piece, it’s a great way to go beyond “just remembering the notes”.&lt;/p&gt;&lt;p&gt;📺 Video:&lt;br/&gt;&lt;a href='https://www.youtube.com/watch?v=C-W8VbPgpkU'&gt;https://www.youtube.com/watch?v=C-W8VbPgpkU&lt;/a&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;&lt;p&gt;📝 &lt;b&gt;Essay – Unexpected Benefits&lt;/b&gt;&lt;br/&gt;You’d think the main benefit of learning piano would simply be &lt;em&gt;playing piano&lt;/em&gt;. In practice, it’s opened far more doors. &lt;/p&gt;&lt;p&gt;Learning has also reconnected me with the &lt;b&gt;Sydney Symphony Orchestra&lt;/b&gt;: spotting names like &lt;b&gt;Daniil Trifonov&lt;/b&gt;, &lt;b&gt;Sir Stephen Hough&lt;/b&gt; and &lt;b&gt;Nobuyuki Tsujii&lt;/b&gt; on the program nudged me into a subscription, pre-concert talks, and a deeper understanding of composers and form. A music episode of &lt;em&gt;The Rest is History&lt;/em&gt; podcast has slipped into my regular listening too.&lt;/p&gt;&lt;p&gt;All of this has brought more concerts, more conversations in foyers and festival tents, and more chances to meet like-minded people than I expected when I first walked into a piano shop.&lt;/p&gt;&lt;p&gt;🎼 &lt;b&gt;Review – Chopin: Complete Preludes, Nocturnes and Waltzes (Schirmer)&lt;/b&gt;&lt;br/&gt;Another “aspirational” purchase: &lt;b&gt;Chopin – Complete Preludes, Nocturnes and Waltzes&lt;/b&gt; (Schirmer Vol. 2056). I can’t yet play most of it, but the A-major Prelude Op. 28 No. 7 is firmly on the “soon” list. The edition is edited by &lt;b&gt;Rafael Joseffy&lt;/b&gt;, a 19th-century Hungarian-born Chopin specialist, who also provides fingering.&lt;/p&gt;&lt;p&gt;The book includes a brief introduction plus 26 Preludes, 21 Nocturnes and 19 Waltzes. The engraving is from older plates but clean and readable; at 248 pages it’s a chunky perfect-bound volume that will stay open with a little encouragement. For 66 pieces, AU$48.95 from Music Junction feels like good value.&lt;/p&gt;&lt;p&gt;Links:&lt;/p&gt;&lt;ul&gt;&lt;li&gt;Music Junction (AU):&lt;br/&gt;https://www.musicjunction.com.au/products/chopin-complete-preludes-nocturnes-and-waltzes?_pos=5&amp;amp;_sid=547dbbf5d&amp;amp;_ss=r&lt;br/&gt;&lt;br/&gt;&lt;/li&gt;&lt;li&gt;Amazon AU:&lt;br/&gt;https://www.amazon.com.au/Frederic-Chopin-Complete-Preludes-Nocturnes/dp/0634099205&lt;br/&gt;&lt;br/&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;🎹 &lt;b&gt;Progress&lt;/b&gt;&lt;br/&gt;Practice continues on Beethoven’s &lt;em&gt;“Moonlight” Sonata&lt;/em&gt; – still not as even as I’d like, but improving – and Wynn-Anne Rossi’s &lt;em&gt;A Wild Chase&lt;/em&gt;, now mostly from memory, with the drum machine back on the piano to rebui&lt;/p&gt;&lt;p&gt;&lt;a target="_blank" href="https://www.buzzsprout.com/twilio/text_messages/2366139/open_sms"&gt;Send me a text message.&lt;/a&gt;&lt;/p&gt;&lt;p&gt;You can contact me:&lt;/p&gt; &lt;ul&gt; &lt;li&gt;via email at david@pianofinally.show; this is probably the best option&lt;/li&gt; &lt;li&gt;the show website, &lt;a href='https://www.pianofinally.show'&gt;www.pianofinally.show&lt;/a&gt; &lt;/li&gt; &lt;li&gt;Instagram and Threads @pianofinally&lt;/li&gt; &lt;li&gt;and on &lt;a href='https://www.youtube.com/@pianofinally'&gt;YouTube&lt;/a&gt; &lt;/li&gt; &lt;li&gt;all the podcast directories - &lt;a href='https://pianofinally.buzzsprout.com/share'&gt;list&lt;/a&gt; &lt;/li&gt; &lt;li&gt;here&amp;apos;s the &lt;a href='https://feeds.buzzsprout.com/2366139.rss'&gt;RSS feed&lt;/a&gt; &lt;/li&gt; &lt;/ul&gt; &lt;p&gt;Some of the links to books and other items mentioned in the podcast may affiliate links for Amazon or other providers. If you use one of these links, a commission may be paid to me at no additional cost to you. Thank you if you use a link. &lt;br/&gt;All reviews of products, websites and services are unpaid, and no sponsorship has been received for any content on this podcast.&lt;/p&gt;</description>

We’re into the last three teaching weeks of the school year; final marking is nearly done, and I’m looking forward to a bit more time at the piano. 🎧 YouTube – Beethoven Literally Used Four Chords to Write Für Elise YouTube analysis channels can be a goldmine. Jazz pianist Charles Cornell – co-founder of Better Piano and author of Jazz Piano Improv – has a terrific breakdown of Für Elise. He looks at the key (A minor), the 3/8 time signature (so it doesn’t feel like a waltz), and the chord mo...

Episode 74 - Unexpected Benefits

G’day, I’m David Reidy. Welcome to Piano, Finally, a podcast by an old bloke who’s getting around to learning the piano, finally.This week was light on practice thanks to Year 9 camp at Lake Macquarie and the start of exam-marking season, but there was still some playing – including at camp – and some reflections on what it means to practise where people can see you.🎧 YouTube – 5 Minutes on… Moonlight Sonata YouTube pointed me to Daniel Barenboim’s 5 minutes on… Beethoven – The “Moonlight” Sonata, part of a 13-video series where he talks about music by Beethoven, Debussy, Mozart, Chopin, Liszt and Brahms, illustrating his ideas at the piano. Barenboim argues that “Moonlight” is often played too dreamily, and links it instead to Mozart’s Don Giovanniand a more funereal, martial character. You may not agree with all his opinions, but they’re thoughtful and well explained. Playlist: <a href='https://www.youtube.com/playlist?list=PLErHuBsy75wzNtI5pjaDqwyM_C_RdipXn'>https://www.youtube.com/playlist?list=PLErHuBsy75wzNtI5pjaDqwyM_C_RdipXn</a> 📝 Essay – Practising in Public Next year I’ll be watching Anna Lapwood teach a masterclass on the Sydney Opera House organ: students practising in public, with an audience. It made me think about my own public practice – playing in junior music classes I’m covering, while students work on written tasks or try keyboards and guitars. Masterclass info: <a href='https://www.sydneysymphony.com/concerts/masterclass-with-anna-lapwood'>https://www.sydneysymphony.com/concerts/masterclass-with-anna-lapwood</a> In science lessons, I’m the expert in the room; at the piano, I’m a learner. Saying “Here’s what I’m working on” gives me permission to make mistakes and gives students permission to be better than me at something. It models lifelong learning and shows that adults are still tackling new skills long after school ends. Learning piano as an adult is low-risk – we’re not after a career change, we’re here because we enjoy both the music and the learning. Practising where others can hear us helps build a culture where everyone keeps thinking, exploring and expanding their world.🎼 Review – The Indispensable Beethoven Collection As well as my aspirational Bärenreiter sonatas, I picked up Schirmer’s The Indispensable Beethoven Collection – 12 Famous Piano Pieces as a more practical working score for Piano Sonata No. 14. It includes Für Elise, four sonatas (Moonlight, Pathétique, Op. 49 Nos. 1 and 2), some variations, two sonatinas, and the attributed Adieu to the Piano. There are editorial notes, suggested fingerings (some amended in consultation with Devi), and the 96-page saddle-stitched book sits open nicely on the stand. The engraving is clearly from an older edition, but still quite readable.<a target="_blank" href="https://www.buzzsprout.com/twilio/text_messages/2366139/open_sms">Send me a text message.</a>You can contact me: <ul> <li>via email at david@pianofinally.show; this is probably the best option</li> <li>the show website, <a href='https://www.pianofinally.show'>www.pianofinally.show</a> </li> <li>Instagram and Threads @pianofinally</li> <li>and on <a href='https://www.youtube.com/@pianofinally'>YouTube</a> </li> <li>all the podcast directories - <a href='https://pianofinally.buzzsprout.com/share'>list</a> </li> <li>here&apos;s the <a href='https://feeds.buzzsprout.com/2366139.rss'>RSS feed</a> </li> </ul> Some of the links to books and other items mentioned in the podcast may affiliate links for Amazon or other providers. If you use one of these links, a commission may be paid to me at no additional cost to you. Thank you if you use a link. All reviews of products, websites and services are unpaid, and no sponsorship has been received for any content on this podcast.

<description>&lt;p&gt;G’day, I’m David Reidy. Welcome to &lt;em&gt;Piano, Finally&lt;/em&gt;, a podcast by an old bloke who’s getting around to learning the piano, finally.&lt;/p&gt;&lt;p&gt;This week was light on practice thanks to Year 9 camp at Lake Macquarie and the start of exam-marking season, but there was still some playing – including at camp – and some reflections on what it means to &lt;em&gt;practise where people can see you&lt;/em&gt;.&lt;/p&gt;&lt;p&gt;🎧 &lt;b&gt;YouTube – 5 Minutes on… Moonlight Sonata&lt;/b&gt;&lt;br/&gt;YouTube pointed me to Daniel Barenboim’s &lt;em&gt;5 minutes on… Beethoven – The “Moonlight” Sonata&lt;/em&gt;, part of a 13-video series where he talks about music by Beethoven, Debussy, Mozart, Chopin, Liszt and Brahms, illustrating his ideas at the piano. Barenboim argues that “Moonlight” is often played too dreamily, and links it instead to Mozart’s &lt;em&gt;Don Giovanni&lt;/em&gt;and a more funereal, martial character. You may not agree with all his opinions, but they’re thoughtful and well explained.&lt;br/&gt;Playlist:&lt;br/&gt;&lt;a href='https://www.youtube.com/playlist?list=PLErHuBsy75wzNtI5pjaDqwyM_C_RdipXn'&gt;https://www.youtube.com/playlist?list=PLErHuBsy75wzNtI5pjaDqwyM_C_RdipXn&lt;/a&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;&lt;p&gt;📝 &lt;b&gt;Essay – Practising in Public&lt;/b&gt;&lt;br/&gt;Next year I’ll be watching Anna Lapwood teach a masterclass on the Sydney Opera House organ: students practising in public, with an audience. It made me think about my own public practice – playing in junior music classes I’m covering, while students work on written tasks or try keyboards and guitars.&lt;br/&gt;Masterclass info:&lt;br/&gt;&lt;a href='https://www.sydneysymphony.com/concerts/masterclass-with-anna-lapwood'&gt;https://www.sydneysymphony.com/concerts/masterclass-with-anna-lapwood&lt;/a&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;&lt;p&gt;In science lessons, I’m the expert in the room; at the piano, I’m a learner. Saying “Here’s what I’m working on” gives me permission to make mistakes and gives students permission to be better than me at something. It models lifelong learning and shows that adults are still tackling new skills long after school ends. Learning piano as an adult is low-risk – we’re not after a career change, we’re here because we enjoy both the music &lt;em&gt;and&lt;/em&gt; the learning. Practising where others can hear us helps build a culture where everyone keeps thinking, exploring and expanding their world.&lt;/p&gt;&lt;p&gt;🎼 &lt;b&gt;Review – The Indispensable Beethoven Collection&lt;/b&gt;&lt;br/&gt;As well as my aspirational Bärenreiter sonatas, I picked up Schirmer’s &lt;em&gt;The Indispensable Beethoven Collection – 12 Famous Piano Pieces&lt;/em&gt; as a more practical working score for &lt;em&gt;Piano Sonata No. 14&lt;/em&gt;. It includes &lt;em&gt;Für Elise&lt;/em&gt;, four sonatas (&lt;em&gt;Moonlight&lt;/em&gt;, &lt;em&gt;Pathétique&lt;/em&gt;, Op. 49 Nos. 1 and 2), some variations, two sonatinas, and the attributed &lt;em&gt;Adieu to the Piano&lt;/em&gt;. There are editorial notes, suggested fingerings (some amended in consultation with Devi), and the 96-page saddle-stitched book sits open nicely on the stand. The engraving is clearly from an older edition, but still quite readable.&lt;/p&gt;&lt;p&gt;&lt;a target="_blank" href="https://www.buzzsprout.com/twilio/text_messages/2366139/open_sms"&gt;Send me a text message.&lt;/a&gt;&lt;/p&gt;&lt;p&gt;You can contact me:&lt;/p&gt; &lt;ul&gt; &lt;li&gt;via email at david@pianofinally.show; this is probably the best option&lt;/li&gt; &lt;li&gt;the show website, &lt;a href='https://www.pianofinally.show'&gt;www.pianofinally.show&lt;/a&gt; &lt;/li&gt; &lt;li&gt;Instagram and Threads @pianofinally&lt;/li&gt; &lt;li&gt;and on &lt;a href='https://www.youtube.com/@pianofinally'&gt;YouTube&lt;/a&gt; &lt;/li&gt; &lt;li&gt;all the podcast directories - &lt;a href='https://pianofinally.buzzsprout.com/share'&gt;list&lt;/a&gt; &lt;/li&gt; &lt;li&gt;here&amp;apos;s the &lt;a href='https://feeds.buzzsprout.com/2366139.rss'&gt;RSS feed&lt;/a&gt; &lt;/li&gt; &lt;/ul&gt; &lt;p&gt;Some of the links to books and other items mentioned in the podcast may affiliate links for Amazon or other providers. If you use one of these links, a commission may be paid to me at no additional cost to you. Thank you if you use a link. &lt;br/&gt;All reviews of products, websites and services are unpaid, and no sponsorship has been received for any content on this podcast.&lt;/p&gt;</description>

G’day, I’m David Reidy. Welcome to Piano, Finally, a podcast by an old bloke who’s getting around to learning the piano, finally. This week was light on practice thanks to Year 9 camp at Lake Macquarie and the start of exam-marking season, but there was still some playing – including at camp – and some reflections on what it means to practise where people can see you. 🎧 YouTube – 5 Minutes on… Moonlight Sonata YouTube pointed me to Daniel Barenboim’s 5 minutes on… Beethoven – The “Moonlight” ...

Episode 73 - Practising in Public

Welcome back to Piano, Finally — the podcast of one bloke who’s learning piano later in life.This week’s episode is all about stepping up to new challenges and enjoying the progress along the way. I’ve been practising more than usual, working on three pieces — including my first “real” classical work: Beethoven’s Moonlight Sonata. It’s tricky, but rewarding, and I’m discovering just how much a single piece can transform practice from routine to exciting.🎧 YouTube – Yuja Wang and Rachmaninov In 2023, Yuja Wang performed all four Rachmaninov Piano Concertos and the Rhapsody on a Theme of Paganini in a single evening at Carnegie Hall — the first time anyone has ever attempted it. Not even Rachmaninov himself did that. The concert was also a scientific study: Yuja, conductor Yannick Nézet-Séguin, members of the orchestra, and the audience wore heart rate monitors throughout.<ul><li>Watch the ToneBase overview: <a href='https://www.youtube.com/watch?v=isuT10uxNZE'>https://www.youtube.com/watch?v=isuT10uxNZE</a> </li><li>See the Carnegie Hall analysis: <a href='https://www.youtube.com/watch?v=SuA9l77ODbs'>https://www.youtube.com/watch?v=SuA9l77ODbs</a> </li></ul>Together, these two videos offer a fascinating look at the physical and emotional energy behind performance — and maybe an excuse to count piano practice as exercise.📝 Essay – A Bit of a Challenge After nearly two years of learning, I’m now tackling pieces around the Grade One level — not perfect, but recognisable! My goal has always been to play “real” music for others, not just eight bars of Ode to Joy. Choosing something like Beethoven’s Moonlight Sonata is ambitious but deeply satisfying. Even a few bars of it sound great, and that joy makes practice fun again.🎼 Review – Easier Classical Piano (Hal Leonard) Found at Mooloolaba Music, this hefty 300-page volume is packed with 174 pieces by 44 composers — from Bach and Beethoven to Tchaikovsky and Burgmüller. It’s beautifully printed, spiral-bound, and a great value for $53. Perfect for players moving toward the intermediate level.<ul><li><a href='https://www.halleonard.com/product/121510/anthology-of-easier-classical-piano'>Hal Leonard</a> </li><li><a href='https://www.musicjunction.com.au/search?type=product&amp;q=9781480352636'>Music Junction</a> </li><li><a href='https://www.amazon.com.au/Anthology-Easier-Classical-Piano-Composers/dp/1480352632/ref=sr_1_1'>Amazon AU</a> </li></ul>🎶 Progress Devi and I are refining three pieces: Wynn-Anne Rossi’s A Wild Chase, Beethoven’s Moonlight Sonata, and Trumpet Tune by Jeremiah Clarke (attributed to Henry Purcell). All recorded on the Kawai NV10 using Cubase 15 and Pianoteq 9 with a Shigeru Kawai SK-<a target="_blank" href="https://www.buzzsprout.com/twilio/text_messages/2366139/open_sms">Send me a text message.</a>You can contact me: <ul> <li>via email at david@pianofinally.show; this is probably the best option</li> <li>the show website, <a href='https://www.pianofinally.show'>www.pianofinally.show</a> </li> <li>Instagram and Threads @pianofinally</li> <li>and on <a href='https://www.youtube.com/@pianofinally'>YouTube</a> </li> <li>all the podcast directories - <a href='https://pianofinally.buzzsprout.com/share'>list</a> </li> <li>here&apos;s the <a href='https://feeds.buzzsprout.com/2366139.rss'>RSS feed</a> </li> </ul> Some of the links to books and other items mentioned in the podcast may affiliate links for Amazon or other providers. If you use one of these links, a commission may be paid to me at no additional cost to you. Thank you if you use a link. All reviews of products, websites and services are unpaid, and no sponsorship has been received for any content on this podcast.

<description>&lt;p&gt;Welcome back to &lt;em&gt;Piano, Finally&lt;/em&gt; — the podcast of one bloke who’s learning piano later in life.&lt;/p&gt;&lt;p&gt;This week’s episode is all about stepping up to new challenges and enjoying the progress along the way. I’ve been practising more than usual, working on three pieces — including my first “real” classical work: Beethoven’s &lt;em&gt;Moonlight Sonata&lt;/em&gt;. It’s tricky, but rewarding, and I’m discovering just how much a single piece can transform practice from routine to exciting.&lt;/p&gt;&lt;p&gt;🎧 &lt;b&gt;YouTube – Yuja Wang and Rachmaninov&lt;/b&gt;&lt;br/&gt;In 2023, &lt;b&gt;Yuja Wang&lt;/b&gt; performed all four Rachmaninov Piano Concertos &lt;em&gt;and&lt;/em&gt; the &lt;em&gt;Rhapsody on a Theme of Paganini&lt;/em&gt; in a single evening at Carnegie Hall — the first time anyone has ever attempted it. Not even Rachmaninov himself did that. The concert was also a scientific study: Yuja, conductor &lt;b&gt;Yannick Nézet-Séguin&lt;/b&gt;, members of the orchestra, and the audience wore heart rate monitors throughout.&lt;/p&gt;&lt;ul&gt;&lt;li&gt;Watch the &lt;b&gt;ToneBase overview&lt;/b&gt;: &lt;a href='https://www.youtube.com/watch?v=isuT10uxNZE'&gt;https://www.youtube.com/watch?v=isuT10uxNZE&lt;/a&gt;&lt;br/&gt;&lt;br/&gt;&lt;/li&gt;&lt;li&gt;See the &lt;b&gt;Carnegie Hall analysis&lt;/b&gt;: &lt;a href='https://www.youtube.com/watch?v=SuA9l77ODbs'&gt;https://www.youtube.com/watch?v=SuA9l77ODbs&lt;/a&gt;&lt;br/&gt;&lt;br/&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;Together, these two videos offer a fascinating look at the physical and emotional energy behind performance — and maybe an excuse to count piano practice as exercise.&lt;/p&gt;&lt;p&gt;📝 &lt;b&gt;Essay – A Bit of a Challenge&lt;/b&gt;&lt;br/&gt;After nearly two years of learning, I’m now tackling pieces around the Grade One level — not perfect, but recognisable! My goal has always been to play “real” music for others, not just eight bars of &lt;em&gt;Ode to Joy&lt;/em&gt;. Choosing something like Beethoven’s &lt;em&gt;Moonlight Sonata&lt;/em&gt; is ambitious but deeply satisfying. Even a few bars of it sound great, and that joy makes practice fun again.&lt;/p&gt;&lt;p&gt;🎼 &lt;b&gt;Review – Easier Classical Piano (Hal Leonard)&lt;/b&gt;&lt;br/&gt;Found at &lt;b&gt;Mooloolaba Music&lt;/b&gt;, this hefty 300-page volume is packed with 174 pieces by 44 composers — from Bach and Beethoven to Tchaikovsky and Burgmüller. It’s beautifully printed, spiral-bound, and a great value for $53. Perfect for players moving toward the intermediate level.&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;a href='https://www.halleonard.com/product/121510/anthology-of-easier-classical-piano'&gt;Hal Leonard&lt;/a&gt;&lt;br/&gt;&lt;br/&gt;&lt;/li&gt;&lt;li&gt;&lt;a href='https://www.musicjunction.com.au/search?type=product&amp;amp;q=9781480352636'&gt;Music Junction&lt;/a&gt;&lt;br/&gt;&lt;br/&gt;&lt;/li&gt;&lt;li&gt;&lt;a href='https://www.amazon.com.au/Anthology-Easier-Classical-Piano-Composers/dp/1480352632/ref=sr_1_1'&gt;Amazon AU&lt;/a&gt;&lt;br/&gt;&lt;br/&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;🎶 &lt;b&gt;Progress&lt;/b&gt;&lt;br/&gt;Devi and I are refining three pieces: Wynn-Anne Rossi’s &lt;em&gt;A Wild Chase&lt;/em&gt;, Beethoven’s &lt;em&gt;Moonlight Sonata&lt;/em&gt;, and &lt;em&gt;Trumpet &lt;/em&gt;Tune by Jeremiah Clarke (attributed to Henry Purcell). All recorded on the &lt;b&gt;Kawai NV10&lt;/b&gt; using &lt;b&gt;Cubase 15&lt;/b&gt; and &lt;b&gt;Pianoteq 9&lt;/b&gt; with a &lt;em&gt;Shigeru Kawai SK-&lt;/em&gt;&lt;/p&gt;&lt;p&gt;&lt;a target="_blank" href="https://www.buzzsprout.com/twilio/text_messages/2366139/open_sms"&gt;Send me a text message.&lt;/a&gt;&lt;/p&gt;&lt;p&gt;You can contact me:&lt;/p&gt; &lt;ul&gt; &lt;li&gt;via email at david@pianofinally.show; this is probably the best option&lt;/li&gt; &lt;li&gt;the show website, &lt;a href='https://www.pianofinally.show'&gt;www.pianofinally.show&lt;/a&gt; &lt;/li&gt; &lt;li&gt;Instagram and Threads @pianofinally&lt;/li&gt; &lt;li&gt;and on &lt;a href='https://www.youtube.com/@pianofinally'&gt;YouTube&lt;/a&gt; &lt;/li&gt; &lt;li&gt;all the podcast directories - &lt;a href='https://pianofinally.buzzsprout.com/share'&gt;list&lt;/a&gt; &lt;/li&gt; &lt;li&gt;here&amp;apos;s the &lt;a href='https://feeds.buzzsprout.com/2366139.rss'&gt;RSS feed&lt;/a&gt; &lt;/li&gt; &lt;/ul&gt; &lt;p&gt;Some of the links to books and other items mentioned in the podcast may affiliate links for Amazon or other providers. If you use one of these links, a commission may be paid to me at no additional cost to you. Thank you if you use a link. &lt;br/&gt;All reviews of products, websites and services are unpaid, and no sponsorship has been received for any content on this podcast.&lt;/p&gt;</description>

Welcome back to Piano, Finally — the podcast of one bloke who’s learning piano later in life. This week’s episode is all about stepping up to new challenges and enjoying the progress along the way. I’ve been practising more than usual, working on three pieces — including my first “real” classical work: Beethoven’s Moonlight Sonata. It’s tricky, but rewarding, and I’m discovering just how much a single piece can transform practice from routine to exciting. 🎧 YouTube – Yuja Wang and Rachmaninov...

Episode 72 - A Bit of a Challenge

Piano Finally is a podcast by an old bloke who is learning the piano, finally. I cover the process of learning the piano and music theory as an adult learner. I also review piano books, hardware and other materials from an adult learner's perspective.

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