<description>&lt;p&gt;As Tony Wilson once told Newsweek Magazine in 1990 - "If there is any idea at all, it is about community and collective strength. There is power in people being lovely to each other."&lt;/p&gt;&lt;p&gt;It might be more than 30 years ago but today, Madchester both made its mark and left its mark. Madchester did more than just transform the music of its own city – it rewrote the rule book on how a movement could emerge, free of music industry controls, and produce the sort of bands, DJs and records that labels could never create. It brought dance culture to the masses and laid the foundation for Britpop. &lt;/p&gt;&lt;p&gt;In this final episode of the The Rise and Fall of Madchester, presenters Steve Lamacq and Alison Bell share their take on what it stood for, who it influenced, the changes it brought about and the legacy that still lives on, featuring archive interviews with Tony Wilson, Mani, Shaun Ryder and Noel Gallagher.&lt;/p&gt;&lt;p&gt;“The Rise &amp;amp; Fall of Madchester’ is a BBC Audio Production for BBC Sounds. 
It was presented by Steve Lamacq and Alison Bell. 
It was produced in Salford by Catherine Earlam. 
The Editor for BBC Audio was Helen Hobday. 
It written by Philip Smith, Catherine Earlam and Steve Lamacq.
Technical Production by Philip Smith.
The Commissioner was Will Wilkin, and the Commissioning Producer was Hannah Clapham. &lt;/p&gt;&lt;p&gt;The producers wish to thank all the contributors and archive interviewers and interviewees.&lt;/p&gt;</description>

Steve Lamacq and Alison Bell discuss what Madchester stood for and it's ongoing legacy.

As Tony Wilson once told Newsweek Magazine in 1990 - "If there is any idea at all, it is about community and collective strength. There is power in people being lovely to each other."It might be more than 30 years ago but today, Madchester both made its mark and left its mark. Madchester did more than just transform the music of its own city – it rewrote the rule book on how a movement could emerge, free of music industry controls, and produce the sort of bands, DJs and records that labels could never create. It brought dance culture to the masses and laid the foundation for Britpop. In this final episode of the The Rise and Fall of Madchester, presenters Steve Lamacq and Alison Bell share their take on what it stood for, who it influenced, the changes it brought about and the legacy that still lives on, featuring archive interviews with Tony Wilson, Mani, Shaun Ryder and Noel Gallagher.“The Rise &amp; Fall of Madchester’ is a BBC Audio Production for BBC Sounds. 
It was presented by Steve Lamacq and Alison Bell. 
It was produced in Salford by Catherine Earlam. 
The Editor for BBC Audio was Helen Hobday. 
It written by Philip Smith, Catherine Earlam and Steve Lamacq.
Technical Production by Philip Smith.
The Commissioner was Will Wilkin, and the Commissioning Producer was Hannah Clapham. The producers wish to thank all the contributors and archive interviewers and interviewees.

8. What the World is Waiting For

<description>&lt;p&gt;In 1995, after five years of court cases, silence and mounting expectation, The Stone Roses are finally back. The Second Coming has been released, and a Glastonbury headline slot awaits. Then on a rare day off in America, guitarist John Squire falls from his bike and breaks his collarbone. The momentum snaps.&lt;/p&gt;&lt;p&gt;Meanwhile, Britpop storms the charts. Blur and Suede set the tone and Oasis inherit Manchester’s swagger and carry it into a different decade. Then, on 15 June 1996, a bomb detonates in Manchester city centre. The physical damage is vast. The city rebuilds quickly, shinier and safer, the rough edges that once nurtured experimentation begin to disappear.&lt;/p&gt;&lt;p&gt;By the time The Stone Roses limp onto the stage at Reading Festival in August 1996, expectation outweighs belief and the performance falters. 
Within months, the band are finished. The Happy Mondays have already collapsed under the weight of addiction and excess. Factory Records is gone. The Hacienda is fading. The party is over.&lt;/p&gt;&lt;p&gt;Episode 7 of The Rise and Fall of Madchester charts the slow unravelling of a movement that once felt unstoppable. This is the story of how Madchester dissolved and how the city it transformed, moved on without it.&lt;/p&gt;&lt;p&gt;A BBC Audio Production.&lt;/p&gt;</description>

Madchester dissolved. The Hacienda is fading. Is the party over?

In 1995, after five years of court cases, silence and mounting expectation, The Stone Roses are finally back. The Second Coming has been released, and a Glastonbury headline slot awaits. Then on a rare day off in America, guitarist John Squire falls from his bike and breaks his collarbone. The momentum snaps.Meanwhile, Britpop storms the charts. Blur and Suede set the tone and Oasis inherit Manchester’s swagger and carry it into a different decade. Then, on 15 June 1996, a bomb detonates in Manchester city centre. The physical damage is vast. The city rebuilds quickly, shinier and safer, the rough edges that once nurtured experimentation begin to disappear.By the time The Stone Roses limp onto the stage at Reading Festival in August 1996, expectation outweighs belief and the performance falters. 
Within months, the band are finished. The Happy Mondays have already collapsed under the weight of addiction and excess. Factory Records is gone. The Hacienda is fading. The party is over.Episode 7 of The Rise and Fall of Madchester charts the slow unravelling of a movement that once felt unstoppable. This is the story of how Madchester dissolved and how the city it transformed, moved on without it.A BBC Audio Production.

7. Regret

<description>&lt;p&gt;Barbados was supposed to save them. In early 1992, The Happy Mondays are flown to the Caribbean to record their next album. Fresh from the success of Pills ’n’ Thrills and Bellyaches, this should be consolidation. Instead, Shaun Ryder drops his methadone at Manchester airport, the studio fills with smoke rather than songs and the budget disappears pound by pound. A sun lounger is sold for drugs. Back home, the gold rush continues. James score a number two single with Sit Down and a wave of new bands flood the charts. A&amp;amp;Rs circle the city nightly, desperate for the next Madchester success.&lt;/p&gt;&lt;p&gt;But at The Hacienda, the mood has changed. Security tightens as gangs move in. Tony Wilson announces the club’s temporary closure. When it reopens, it does so under suspicion and noise complaints from new city centre flats rising around it. Meanwhile, the Stone Roses vanish into courtrooms and contracts. By 1992, Factory Records is running on fumes. The Hacienda is bleeding money. And in a final, almost absurd twist, Shaun Ryder sells the master tapes of Yes Please! for £50, a moment that tips the label into bankruptcy.&lt;/p&gt;&lt;p&gt;Episode 6 of The Rise and Fall of Madchester is the story of the comedown and how the movement that once felt unstoppable begins to fracture under its own weight.&lt;/p&gt;&lt;p&gt;A BBC Audio Production.&lt;/p&gt;</description>

Madchester... once felt unstoppable begins to fracture under its own weight.

Barbados was supposed to save them. In early 1992, The Happy Mondays are flown to the Caribbean to record their next album. Fresh from the success of Pills ’n’ Thrills and Bellyaches, this should be consolidation. Instead, Shaun Ryder drops his methadone at Manchester airport, the studio fills with smoke rather than songs and the budget disappears pound by pound. A sun lounger is sold for drugs. Back home, the gold rush continues. James score a number two single with Sit Down and a wave of new bands flood the charts. A&amp;Rs circle the city nightly, desperate for the next Madchester success.But at The Hacienda, the mood has changed. Security tightens as gangs move in. Tony Wilson announces the club’s temporary closure. When it reopens, it does so under suspicion and noise complaints from new city centre flats rising around it. Meanwhile, the Stone Roses vanish into courtrooms and contracts. By 1992, Factory Records is running on fumes. The Hacienda is bleeding money. And in a final, almost absurd twist, Shaun Ryder sells the master tapes of Yes Please! for £50, a moment that tips the label into bankruptcy.Episode 6 of The Rise and Fall of Madchester is the story of the comedown and how the movement that once felt unstoppable begins to fracture under its own weight.A BBC Audio Production.

6. Shoot You Down

<description>&lt;p&gt;1990 does not begin quietly. London burns during the Poll Tax riots. Strangeways prison erupts in Manchester. Margaret Thatcher stands outside Downing Street for the last time. Britain is shifting politically, socially and culturally. At the very same moment, Madchester explodes into the mainstream. The Happy Mondays release Step On as smoke rises over the city. Ecstasy fuels a new chemical confidence. Indie and rave collide. What began in dark rooms is now national news.&lt;/p&gt;&lt;p&gt;Then comes an unlikely coronation. The Football Association asks New Order to write England’s 1990 World Cup anthem. World in Motion goes to number one and Manchester owns the summer. At Glastonbury, The Happy Mondays arrive with a thousand mates and a bootleg pass printer. In the charts, The Inspiral Carpets and The Charlatans surge forward. And in Widnes, on a former chemical works surrounded by factories and wind, tens of thousands gather for Spike Island. The Stone Roses take the stage as fireworks burst overhead. The sound system falters. The crew threaten to strike. The wind shifts…. but it barely matters.&lt;/p&gt;&lt;p&gt;This is the peak. The moment Madchester becomes too big to contain.&lt;/p&gt;&lt;p&gt;Episode 5 of The Rise and Fall of Madchester tells the story of the year politics, football, rave and pop culture collided.&lt;/p&gt;&lt;p&gt;A BBC Audio Production.&lt;/p&gt;</description>

Madchester becomes too big to contain!

1990 does not begin quietly. London burns during the Poll Tax riots. Strangeways prison erupts in Manchester. Margaret Thatcher stands outside Downing Street for the last time. Britain is shifting politically, socially and culturally. At the very same moment, Madchester explodes into the mainstream. The Happy Mondays release Step On as smoke rises over the city. Ecstasy fuels a new chemical confidence. Indie and rave collide. What began in dark rooms is now national news.Then comes an unlikely coronation. The Football Association asks New Order to write England’s 1990 World Cup anthem. World in Motion goes to number one and Manchester owns the summer. At Glastonbury, The Happy Mondays arrive with a thousand mates and a bootleg pass printer. In the charts, The Inspiral Carpets and The Charlatans surge forward. And in Widnes, on a former chemical works surrounded by factories and wind, tens of thousands gather for Spike Island. The Stone Roses take the stage as fireworks burst overhead. The sound system falters. The crew threaten to strike. The wind shifts…. but it barely matters.This is the peak. The moment Madchester becomes too big to contain.Episode 5 of The Rise and Fall of Madchester tells the story of the year politics, football, rave and pop culture collided.A BBC Audio Production.

5. World in Motion

<description>&lt;p&gt;By 1989, Manchester is no longer underground, it is now unavoidable. Baggy jeans, bucket hats and loose jumpers become a uniform. Market stalls and record shops replace boutiques and fashion houses. The look travels as fast as the music and the city has found its silhouette. The Happy Mondays record Bummed in a blur of ecstasy and mischief, then quietly redraw the indie rulebook by handing a track to a club DJ for remixing. The Stone Roses release their debut album to modest chart impact, but something else is happening beneath the numbers.&lt;/p&gt;&lt;p&gt;Coaches roll out of Manchester bound for Blackpool. Inside the Empress Ballroom, chandeliers shake as a crowd bounce before the band even appear. Within weeks, Madchester is on prime time television. The Late Show. Top of the Pops. Living rooms across Britain are introduced to a city no longer asking for permission.&lt;/p&gt;&lt;p&gt;Episode 4 of The Rise and Fall of Madchester captures the moment the movement breaks through. When fashion becomes identity, when dance becomes pilgrimage and when Manchester steps from dark rooms into the national spotlight.&lt;/p&gt;&lt;p&gt;Featuring archive interviews from Mani, Clint Boon, Shaun Ryder, Ian Brown, John Robb, alongside new interviews with Leo Stanley, Mike Pickering, Tim Booth from James and Steve Atherton.&lt;/p&gt;&lt;p&gt;A BBC Audio Production.&lt;/p&gt;</description>

Baggy jeans, bucket hats and loose jumpers become the Madchester Uniform.

By 1989, Manchester is no longer underground, it is now unavoidable. Baggy jeans, bucket hats and loose jumpers become a uniform. Market stalls and record shops replace boutiques and fashion houses. The look travels as fast as the music and the city has found its silhouette. The Happy Mondays record Bummed in a blur of ecstasy and mischief, then quietly redraw the indie rulebook by handing a track to a club DJ for remixing. The Stone Roses release their debut album to modest chart impact, but something else is happening beneath the numbers.Coaches roll out of Manchester bound for Blackpool. Inside the Empress Ballroom, chandeliers shake as a crowd bounce before the band even appear. Within weeks, Madchester is on prime time television. The Late Show. Top of the Pops. Living rooms across Britain are introduced to a city no longer asking for permission.Episode 4 of The Rise and Fall of Madchester captures the moment the movement breaks through. When fashion becomes identity, when dance becomes pilgrimage and when Manchester steps from dark rooms into the national spotlight.Featuring archive interviews from Mani, Clint Boon, Shaun Ryder, Ian Brown, John Robb, alongside new interviews with Leo Stanley, Mike Pickering, Tim Booth from James and Steve Atherton.A BBC Audio Production.

4. Loose Fit

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