Art historian Verity Platt joins me in the Lesche to discuss her much-anticipated new book Epistemic Impressions: Making and Mediating Classical Art and Text (Oxford 2026).On May 11, the Queen Mary University of London Imagination Research Network will be hosting a &quot;launch symposium&quot; to celebrate the book&apos;s publication. Information and tickets are available <a href='https://www.eventbrite.co.uk/e/third-annual-meeting-of-the-imagination-research-network-tickets-1977029820413?aff=oddtdtcreator'>here</a>.The novel that Verity recommends at the end of the podcast is When the Museum is Closed, by Emi Yagi. <a href='https://lithub.com/when-the-museum-is-closed/'>Read an excerpt here</a>, in Yuki Tejima&apos;s translation.Ancient sources<ul><li>Dionysius of Halicarnassus, various treatises (see Verity&apos;s Ch. 5) for the term archetypon (and &apos;style&apos; as charaktēr)</li><li>Herodotus 3.40-43, on the &quot;seal&quot; of Polycrates</li><li>Mesomedes 9, &quot;Ekphrasis of a sponge&quot; (<a href='https://content.e-bookshelf.de/media/reading/L-26234509-9432a35fba.pdf'>see here on Mesomedes</a>, a Hadrianic-era poet)</li><li>Philostratus, for using languge relating to &quot;impressions&quot; and typoi</li><li>Plato&apos;s, esp. Republic, Phaedrus, Timaeus and on mimesis</li><li>Pliny the Elder, Natural History book 35 (103 on the story of Protogenes and the sponge)</li><li>Posidippus, various epigrams, esp. AB 13-15 (Verity reads AB 14)</li><li>Theophrastus, On Stones</li></ul>Modern bibliography/references<ul><li>The work of Charles Sanders Peirce (American scientist, mathematician and semiotician) on the &quot;index&quot; and &quot;indexical reference&quot;</li><li>Platt, V. J.  2016. ‘The Artist as Anecdote: Creating Creators in Ancient Texts and Modern Art History’. In J. Hanink and R. Fletcher, (eds). 2016. Creative Lives in Classical Antiquity: Poets, Artists, and Biography. Cambridge: Cambridge University Press: 274–304.</li><li>Pollitt, J. J.  1974. The Ancient View of Greek Art: Criticism, History, and Terminology. New Haven: Yale University Press.</li><li>Stoichita, V. I. 1997. A Short History of the Shadow. London: Reaktion Books.</li><li>Image: Joseph Wright&apos;s &quot;<a href='https://www.nga.gov/artworks/61396-corinthian-maid'>The Corinthian Maid</a>&quot; (oil on canvas, 1782-84), in the National Gallery of Art (Washington, D.C.).</li></ul>About our guestVerity Platt is a professor of Classics and History of Art at Cornell University, where she is also co-curator of the plaster cast collection and directs the Humanities Scholar Program for undergraduates. She is the author of Facing the Gods: Epiphany and Representation in Graeco-Roman Art, Literature, and Religion (Oxford 2011), and the newly published Epistemic Impressions: Making and Mediating Classical Art and Text (Oxford 2026). She is also an editor of the Classical Receptions Journal.________________________________ Thanks for joining us in the Lesche! Podcast art: Daniel Blanco Theme music: &quot;<a href='https://en.wikipedia.org/wiki/Seikilos_epitaph'>The Song of Seikilos</a>,&quot; recomposed by Eftychia Christodoulou using Sibelius This podcast is made possible with the generous support of Brown University’s <a href='https://www.brown.edu/academics/classics/classical-studies-%C2%A0brown-university'>Department of Classical Studies</a> and the <a href='https://jnbc.brown.edu/'>John Nicholas Brown Center for Advanced Study</a>. <a href='https://jnbc.brown.edu/'> </a> Instagram: <a href='http://instagram.com/leschepodcast'>@leschepodcast</a> Email: <a href='mailto:leschepodcast@gmail.com'>leschepodcast@gmail.com</a> Suggest a book <a href='https://forms.gle/1HS3GeJAcUXcL2ok7'>using this form</a>

<description>&lt;p&gt;Art historian Verity Platt joins me in the Lesche to discuss her much-anticipated new book &lt;em&gt;Epistemic Impressions: Making and Mediating Classical Art and Text &lt;/em&gt;(Oxford 2026).&lt;/p&gt;&lt;p&gt;On May 11, the Queen Mary University of London Imagination Research Network will be hosting a &amp;quot;launch symposium&amp;quot; to celebrate the book&amp;apos;s publication. Information and tickets are available &lt;a href='https://www.eventbrite.co.uk/e/third-annual-meeting-of-the-imagination-research-network-tickets-1977029820413?aff=oddtdtcreator'&gt;here&lt;/a&gt;.&lt;/p&gt;&lt;p&gt;The novel that Verity recommends at the end of the podcast is &lt;em&gt;When the Museum is Closed&lt;/em&gt;, by Emi Yagi. &lt;a href='https://lithub.com/when-the-museum-is-closed/'&gt;Read an excerpt here&lt;/a&gt;, in Yuki Tejima&amp;apos;s translation.&lt;/p&gt;&lt;p&gt;&lt;b&gt;Ancient sources&lt;/b&gt;&lt;/p&gt;&lt;ul&gt;&lt;li&gt;Dionysius of Halicarnassus, various treatises (see Verity&amp;apos;s Ch. 5) for the term &lt;em&gt;archetypon &lt;/em&gt;(and &amp;apos;style&amp;apos; as &lt;em&gt;charaktēr&lt;/em&gt;)&lt;/li&gt;&lt;li&gt;Herodotus 3.40-43, on the &amp;quot;seal&amp;quot; of Polycrates&lt;/li&gt;&lt;li&gt;Mesomedes 9, &amp;quot;Ekphrasis of a sponge&amp;quot; (&lt;a href='https://content.e-bookshelf.de/media/reading/L-26234509-9432a35fba.pdf'&gt;see here on Mesomedes&lt;/a&gt;, a Hadrianic-era poet)&lt;/li&gt;&lt;li&gt;Philostratus, for using languge relating to &amp;quot;impressions&amp;quot; and &lt;em&gt;typoi&lt;/em&gt;&lt;/li&gt;&lt;li&gt;Plato&amp;apos;s, esp. &lt;em&gt;Republic&lt;/em&gt;, &lt;em&gt;Phaedrus&lt;/em&gt;, &lt;em&gt;Timaeus &lt;/em&gt;and on &lt;em&gt;mimesis&lt;/em&gt;&lt;/li&gt;&lt;li&gt;Pliny the Elder, &lt;em&gt;Natural History&lt;/em&gt; book 35 (103 on the story of Protogenes and the sponge)&lt;/li&gt;&lt;li&gt;Posidippus, various epigrams, esp. AB 13-15 (Verity reads AB 14)&lt;/li&gt;&lt;li&gt;Theophrastus, &lt;em&gt;On Stones&lt;/em&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;b&gt;Modern bibliography/references&lt;/b&gt;&lt;/p&gt;&lt;ul&gt;&lt;li&gt;The work of Charles Sanders Peirce (American scientist, mathematician and semiotician) on the &amp;quot;index&amp;quot; and &amp;quot;indexical reference&amp;quot;&lt;/li&gt;&lt;li&gt;Platt, V. J.  2016. ‘The Artist as Anecdote: Creating Creators in Ancient Texts and Modern Art History’. In J. Hanink and R. Fletcher, (eds). 2016. &lt;em&gt;Creative Lives in Classical Antiquity: Poets, Artists, and Biography&lt;/em&gt;. Cambridge: Cambridge University Press: 274–304.&lt;/li&gt;&lt;li&gt;Pollitt, J. J.  1974. &lt;em&gt;The Ancient View of Greek Art: Criticism, History, and Terminology&lt;/em&gt;. New Haven: Yale University Press.&lt;/li&gt;&lt;li&gt;Stoichita, V. I. 1997. &lt;em&gt;A Short History of the Shadow&lt;/em&gt;. London: Reaktion Books.&lt;/li&gt;&lt;li&gt;Image: Joseph Wright&amp;apos;s &amp;quot;&lt;a href='https://www.nga.gov/artworks/61396-corinthian-maid'&gt;The Corinthian Maid&lt;/a&gt;&amp;quot; (oil on canvas, 1782-84), in the National Gallery of Art (Washington, D.C.).&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;b&gt;About our guest&lt;/b&gt;&lt;/p&gt;&lt;p&gt;Verity Platt is a professor of Classics and History of Art at Cornell University, where she is also co-curator of the plaster cast collection and directs the Humanities Scholar Program for undergraduates. She is the author of &lt;em&gt;Facing the Gods: Epiphany and Representation in Graeco-Roman Art, Literature, and Religion &lt;/em&gt;(Oxford 2011), and the newly published &lt;em&gt;Epistemic Impressions: Making and Mediating Classical Art and Text&lt;/em&gt; (Oxford 2026). She is also an editor of the &lt;em&gt;Classical Receptions Journal&lt;/em&gt;.&lt;/p&gt;&lt;p&gt;________________________________&lt;br/&gt;&lt;br/&gt;Thanks for joining us in the Lesche!&lt;br/&gt;&lt;br/&gt;Podcast art: Daniel Blanco&lt;br/&gt;Theme music: &amp;quot;&lt;a href='https://en.wikipedia.org/wiki/Seikilos_epitaph'&gt;The Song of Seikilos&lt;/a&gt;,&amp;quot; recomposed by Eftychia Christodoulou using Sibelius&lt;br/&gt;&lt;br/&gt;This podcast is made possible with the generous support of Brown University’s &lt;a href='https://www.brown.edu/academics/classics/classical-studies-%C2%A0brown-university'&gt;Department of Classical Studies&lt;/a&gt; and the &lt;a href='https://jnbc.brown.edu/'&gt;John Nicholas Brown Center for Advanced Study&lt;/a&gt;. &lt;a href='https://jnbc.brown.edu/'&gt;&lt;br/&gt;&lt;/a&gt;&lt;br/&gt;&lt;b&gt;Instagram: &lt;/b&gt;&lt;a href='http://instagram.com/leschepodcast'&gt;@leschepodcast&lt;/a&gt;&lt;br/&gt;&lt;b&gt;Email: &lt;/b&gt;&lt;a href='mailto:leschepodcast@gmail.com'&gt;leschepodcast@gmail.com&lt;/a&gt;&lt;br/&gt;&lt;b&gt;Suggest &lt;/b&gt;a book &lt;a href='https://forms.gle/1HS3GeJAcUXcL2ok7'&gt;using this form&lt;/a&gt;&lt;/p&gt;</description>

Art historian Verity Platt joins me in the Lesche to discuss her much-anticipated new book Epistemic Impressions: Making and Mediating Classical Art and Text (Oxford 2026). On May 11, the Queen Mary University of London Imagination Research Network will be hosting a "launch symposium" to celebrate the book's publication. Information and tickets are available here. The novel that Verity recommends at the end of the podcast is When the Museum is Closed, by Emi Yagi. Read an excerpt here, in Yuk...

Seal-Impressions (typoi) and Ancient Image Making

Marie-Louise Nosch, former director of the <a href='https://ctr.hum.ku.dk/'>Centre for Textile Research</a> at the Saxo Institute of the University of Copenhagen, joins me in the Lesche to discuss her new book Time of Textiles in Ancient Greece (DeGruyter 2025).If you like this episode, you might also enjoy Lesche episode 1.10, <a href='https://www.leschepodcast.com/2388571/episodes/16423965-wedding-poetics-in-early-greek-literature'>&quot;Wedding Poetics in Ancient Greek Literature,&quot;</a> with Andromache Karanika.Ancient texts<ul><li>Homer, Iliad and Odyssey (lots of weaving scenes)</li><li>Hesiod, on the creation of Pandora (Theogony and Works and Days)</li><li>Aeschylus, Libation Bearers (the &quot;recognition scene&quot; also parodied in Euripides&apos; Electra)</li><li>Euripides, Ion (on Creusa&apos;s &quot;sampler&quot; as recognition token)</li><li>Thucydides 1.6 (on ancient Ionian dress)</li><li>The &quot;Old Oligarch&quot;/[Xenophon] Constitution of the Athenians 1.10 (on the indistinguishability of free and enslaved persons on the basis of dress in Athens)</li></ul>Modern bibliography<ul><li>Andersson Strand, Eva and Mannering, Ulla. 2021. “Sailmaking. A Gigantic Collective Undertaking”, in Jeanette Varberg and Peter Pentz (eds.), The Raid. Join the Vikings, 29 – 44. Copenhagen: National Museum of Denmark.</li><li>Brøns, Cecilie. 2016. Gods and Garments: Textiles in Greek Sanctuaries in the 7th to the 1st Centuries BC. Oxbow.</li><li>Bücher, Karl. 1896. Arbeit und Rhythmus. Leipzig: Teubner.</li><li>Karanika, Andromache. 2014. Voices at Work: Women, Performance, and Labor in Ancient Greece. Baltimore: Johns Hopkins University Press.</li><li>Pantelia, Maria C. 1993. “Spinning and Weaving. Ideas of Domestic Order in Homer”, The American Journal of Philology 114 no. 4, 493 – 501.</li></ul>About our guestMarie Louise Nosch studied Ancient Greek History in Nancy and Naples and completed her doctoral thesis at the University of Salzburg. Her special field of research is Aegean epigraphy and Mycenaean Linear B inscriptions, as well as ancient textile production. She was the Director of the Danish National Research Foundation’s Centre for Textile Research (2005-2016) at the University of Copenhagen and has been Professor of Ancient Greek History at the University of Copenhagen since 2011. She was elected to the Royal Danish Academy of Sciences and Letters in 2017 and served as President from 2020-2024.________________________________ Thanks for joining us in the Lesche! Podcast art: Daniel Blanco Theme music: &quot;<a href='https://en.wikipedia.org/wiki/Seikilos_epitaph'>The Song of Seikilos</a>,&quot; recomposed by Eftychia Christodoulou using Sibelius This podcast is made possible with the generous support of Brown University’s <a href='https://www.brown.edu/academics/classics/classical-studies-%C2%A0brown-university'>Department of Classical Studies</a> and the <a href='https://jnbc.brown.edu/'>John Nicholas Brown Center for Advanced Study</a>. <a href='https://jnbc.brown.edu/'> </a> Instagram: <a href='http://instagram.com/leschepodcast'>@leschepodcast</a> Email: <a href='mailto:leschepodcast@gmail.com'>leschepodcast@gmail.com</a> Suggest a book <a href='https://forms.gle/1HS3GeJAcUXcL2ok7'>using this form</a>

<description>&lt;p&gt;Marie-Louise Nosch, former director of the &lt;a href='https://ctr.hum.ku.dk/'&gt;Centre for Textile Research&lt;/a&gt; at the Saxo Institute of the University of Copenhagen, joins me in the Lesche to discuss her new book &lt;em&gt;Time of Textiles in Ancient Greece&lt;/em&gt; (DeGruyter 2025).&lt;/p&gt;&lt;p&gt;If you like this episode, you might also enjoy Lesche episode 1.10, &lt;a href='https://www.leschepodcast.com/2388571/episodes/16423965-wedding-poetics-in-early-greek-literature'&gt;&amp;quot;Wedding Poetics in Ancient Greek Literature,&amp;quot;&lt;/a&gt; with Andromache Karanika.&lt;/p&gt;&lt;p&gt;&lt;b&gt;Ancient texts&lt;/b&gt;&lt;/p&gt;&lt;ul&gt;&lt;li&gt;Homer, &lt;em&gt;Iliad&lt;/em&gt; and &lt;em&gt;Odyssey &lt;/em&gt;(lots of weaving scenes)&lt;/li&gt;&lt;li&gt;Hesiod, on the creation of Pandora (&lt;em&gt;Theogony&lt;/em&gt; and &lt;em&gt;Works and Days&lt;/em&gt;)&lt;/li&gt;&lt;li&gt;Aeschylus, &lt;em&gt;Libation Bearers&lt;/em&gt; (the &amp;quot;recognition scene&amp;quot; also parodied in Euripides&amp;apos; &lt;em&gt;Electra&lt;/em&gt;)&lt;/li&gt;&lt;li&gt;Euripides, &lt;em&gt;Ion &lt;/em&gt;(on Creusa&amp;apos;s &amp;quot;sampler&amp;quot; as recognition token)&lt;/li&gt;&lt;li&gt;Thucydides 1.6 (on ancient Ionian dress)&lt;/li&gt;&lt;li&gt;The &amp;quot;Old Oligarch&amp;quot;/[Xenophon] &lt;em&gt;Constitution of the Athenians&lt;/em&gt; 1.10 (on the indistinguishability of free and enslaved persons on the basis of dress in Athens)&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;b&gt;Modern bibliography&lt;/b&gt;&lt;/p&gt;&lt;ul&gt;&lt;li&gt;Andersson Strand, Eva and Mannering, Ulla. 2021. “Sailmaking. A Gigantic Collective Undertaking”, in Jeanette Varberg and Peter Pentz (eds.), The Raid. Join the Vikings, 29 – 44. Copenhagen: National Museum of Denmark.&lt;/li&gt;&lt;li&gt;Brøns, Cecilie. 2016. &lt;em&gt;Gods and Garments: Textiles in Greek Sanctuaries in the 7th to the 1st Centuries BC&lt;/em&gt;. Oxbow.&lt;/li&gt;&lt;li&gt;Bücher, Karl. 1896. &lt;em&gt;Arbeit und Rhythmus&lt;/em&gt;. Leipzig: Teubner.&lt;/li&gt;&lt;li&gt;Karanika, Andromache. 2014. &lt;em&gt;Voices at Work: Women, Performance, and Labor in Ancient Greece&lt;/em&gt;. Baltimore: Johns Hopkins University Press.&lt;/li&gt;&lt;li&gt;Pantelia, Maria C. 1993. “Spinning and Weaving. Ideas of Domestic Order in Homer”, The American Journal of Philology 114 no. 4, 493 – 501.&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;b&gt;About our guest&lt;/b&gt;&lt;/p&gt;&lt;p&gt;Marie Louise Nosch studied Ancient Greek History in Nancy and Naples and completed her doctoral thesis at the University of Salzburg. Her special field of research is Aegean epigraphy and Mycenaean Linear B inscriptions, as well as ancient textile production. She was the Director of the Danish National Research Foundation’s Centre for Textile Research (2005-2016) at the University of Copenhagen and has been Professor of Ancient Greek History at the University of Copenhagen since 2011. She was elected to the Royal Danish Academy of Sciences and Letters in 2017 and served as President from 2020-2024.&lt;/p&gt;&lt;p&gt;________________________________&lt;br/&gt;&lt;br/&gt;Thanks for joining us in the Lesche!&lt;br/&gt;&lt;br/&gt;Podcast art: Daniel Blanco&lt;br/&gt;Theme music: &amp;quot;&lt;a href='https://en.wikipedia.org/wiki/Seikilos_epitaph'&gt;The Song of Seikilos&lt;/a&gt;,&amp;quot; recomposed by Eftychia Christodoulou using Sibelius&lt;br/&gt;&lt;br/&gt;This podcast is made possible with the generous support of Brown University’s &lt;a href='https://www.brown.edu/academics/classics/classical-studies-%C2%A0brown-university'&gt;Department of Classical Studies&lt;/a&gt; and the &lt;a href='https://jnbc.brown.edu/'&gt;John Nicholas Brown Center for Advanced Study&lt;/a&gt;. &lt;a href='https://jnbc.brown.edu/'&gt;&lt;br/&gt;&lt;/a&gt;&lt;br/&gt;&lt;b&gt;Instagram: &lt;/b&gt;&lt;a href='http://instagram.com/leschepodcast'&gt;@leschepodcast&lt;/a&gt;&lt;br/&gt;&lt;b&gt;Email: &lt;/b&gt;&lt;a href='mailto:leschepodcast@gmail.com'&gt;leschepodcast@gmail.com&lt;/a&gt;&lt;br/&gt;&lt;b&gt;Suggest &lt;/b&gt;a book &lt;a href='https://forms.gle/1HS3GeJAcUXcL2ok7'&gt;using this form&lt;/a&gt;&lt;/p&gt;</description>

Marie-Louise Nosch, former director of the Centre for Textile Research at the Saxo Institute of the University of Copenhagen, joins me in the Lesche to discuss her new book Time of Textiles in Ancient Greece (DeGruyter 2025). If you like this episode, you might also enjoy Lesche episode 1.10, "Wedding Poetics in Ancient Greek Literature," with Andromache Karanika. Ancient texts Homer, Iliad and Odyssey (lots of weaving scenes)Hesiod, on the creation of Pandora (Theogony and Works and Days)Aes...

Time and Ancient Textiles

Christos C. Tsagalis joins me in the Lesche to discuss the Doloneia, i.e., Iliad 10, which is the topic of both Christos&apos; monograph The Homeric Doloneia: Evolution and Shaping of Iliad 10 (Oxford 2024) and his chapter in Jonathan Ready&apos;s recent edited volume, the Oxford Critical Guide to Homer&apos;s Iliad (Oxford 2024).The Doloneia/Iliad 10 is traditionally divided into two sections: the Nyktegersia (the &apos;night watch&apos; or nocturnal council scene, lines 1-179) and the spy-mission itself. BibliographyDanek, Georg. (1988) Studien zur Dolonie. Vienna.Dué, Casey and Mary Ebbott (2010. Iliad 10 and the Poetics of Ambush: a Multitext Edition with Essays and Commentary. Hellenic Studies 39. Washington, DC: Center for Hellenic Studies, Harvard University Press.Also mentionedHomeric scholarship by Gregory Nagy and his pupilsThe Parry-Lord Hypothesis (of oral composition)About our guestChristos C. Tsagalis is Professor of Ancient Greek Literature at the Aristotle University of Thessaloniki, Ordinal Member of the Academia Europaea, Corresponding Member of the Cypriot Academy of Sciences, Letters, and Arts, Member of the Governing Board of the Center for the Greek Language in Thessaloniki. He is the Co-Editor of the Yearbook of Ancient Greek Epic (Brill), the series of monographs Key Perspectives on Classical Research (Walter de Gruyter), Assistant Editor of the series Trends in Classics Supplementary Volumes (Walter de Gruyter), and Member of the scientific board of the series of classical commentaries Aris and Philips. Ηe specializes in Early Greek Epic Poetry.  ________________________________ Thanks for joining us in the Lesche! Podcast art: Daniel Blanco Theme music: &quot;<a href='https://en.wikipedia.org/wiki/Seikilos_epitaph'>The Song of Seikilos</a>,&quot; recomposed by Eftychia Christodoulou using Sibelius This podcast is made possible with the generous support of Brown University’s <a href='https://www.brown.edu/academics/classics/classical-studies-%C2%A0brown-university'>Department of Classical Studies</a> and the <a href='https://jnbc.brown.edu/'>John Nicholas Brown Center for Advanced Study</a>. <a href='https://jnbc.brown.edu/'> </a> Instagram: <a href='http://instagram.com/leschepodcast'>@leschepodcast</a> Email: <a href='mailto:leschepodcast@gmail.com'>leschepodcast@gmail.com</a> Suggest a book <a href='https://forms.gle/1HS3GeJAcUXcL2ok7'>using this form</a>

<description>&lt;p&gt;Christos C. Tsagalis joins me in the Lesche to discuss the Doloneia, i.e., Iliad 10, which is the topic of both Christos&amp;apos; monograph &lt;em&gt;The Homeric Doloneia: Evolution and Shaping of Iliad 10&lt;/em&gt; (Oxford 2024) and his chapter in Jonathan Ready&amp;apos;s recent edited volume, the &lt;em&gt;Oxford Critical Guide to Homer&amp;apos;s Iliad&lt;/em&gt; (Oxford 2024).&lt;/p&gt;&lt;p&gt;The Doloneia/Iliad 10 is traditionally divided into two sections: the &lt;em&gt;Nyktegersia&lt;/em&gt; (the &amp;apos;night watch&amp;apos; or nocturnal council scene, lines 1-179) and the spy-mission itself. &lt;/p&gt;&lt;p&gt;&lt;b&gt;Bibliography&lt;/b&gt;&lt;/p&gt;&lt;p&gt;Danek, Georg. (1988) &lt;em&gt;Studien zur Dolonie&lt;/em&gt;. Vienna.&lt;/p&gt;&lt;p&gt;Dué, Casey and Mary Ebbott (2010. &lt;em&gt;Iliad 10 and the Poetics of Ambush: a Multitext Edition with Essays and Commentary. Hellenic Studies 39&lt;/em&gt;. Washington, DC: Center for Hellenic Studies, Harvard University Press.&lt;/p&gt;&lt;p&gt;&lt;b&gt;Also mentioned&lt;/b&gt;&lt;/p&gt;&lt;p&gt;Homeric scholarship by Gregory Nagy and his pupils&lt;/p&gt;&lt;p&gt;The Parry-Lord Hypothesis (of oral composition)&lt;/p&gt;&lt;p&gt;&lt;b&gt;About our guest&lt;/b&gt;&lt;/p&gt;&lt;p&gt;Christos C. Tsagalis is Professor of Ancient Greek Literature at the Aristotle University of Thessaloniki, Ordinal Member of the Academia Europaea, Corresponding Member of the Cypriot Academy of Sciences, Letters, and Arts, Member of the Governing Board of the Center for the Greek Language in Thessaloniki. He is the Co-Editor of the Yearbook of Ancient Greek Epic (Brill), the series of monographs Key Perspectives on Classical Research (Walter de Gruyter), Assistant Editor of the series Trends in Classics Supplementary Volumes (Walter de Gruyter), and Member of the scientific board of the series of classical commentaries Aris and Philips. Ηe specializes in Early Greek Epic Poetry. &lt;br/&gt;&lt;br/&gt;&lt;/p&gt;&lt;p&gt;________________________________&lt;br/&gt;&lt;br/&gt;Thanks for joining us in the Lesche!&lt;br/&gt;&lt;br/&gt;Podcast art: Daniel Blanco&lt;br/&gt;Theme music: &amp;quot;&lt;a href='https://en.wikipedia.org/wiki/Seikilos_epitaph'&gt;The Song of Seikilos&lt;/a&gt;,&amp;quot; recomposed by Eftychia Christodoulou using Sibelius&lt;br/&gt;&lt;br/&gt;This podcast is made possible with the generous support of Brown University’s &lt;a href='https://www.brown.edu/academics/classics/classical-studies-%C2%A0brown-university'&gt;Department of Classical Studies&lt;/a&gt; and the &lt;a href='https://jnbc.brown.edu/'&gt;John Nicholas Brown Center for Advanced Study&lt;/a&gt;. &lt;a href='https://jnbc.brown.edu/'&gt;&lt;br/&gt;&lt;/a&gt;&lt;br/&gt;&lt;b&gt;Instagram: &lt;/b&gt;&lt;a href='http://instagram.com/leschepodcast'&gt;@leschepodcast&lt;/a&gt;&lt;br/&gt;&lt;b&gt;Email: &lt;/b&gt;&lt;a href='mailto:leschepodcast@gmail.com'&gt;leschepodcast@gmail.com&lt;/a&gt;&lt;br/&gt;&lt;b&gt;Suggest &lt;/b&gt;a book &lt;a href='https://forms.gle/1HS3GeJAcUXcL2ok7'&gt;using this form&lt;/a&gt;&lt;/p&gt;</description>

Christos C. Tsagalis joins me in the Lesche to discuss the Doloneia, i.e., Iliad 10, which is the topic of both Christos' monograph The Homeric Doloneia: Evolution and Shaping of Iliad 10 (Oxford 2024) and his chapter in Jonathan Ready's recent edited volume, the Oxford Critical Guide to Homer's Iliad (Oxford 2024). The Doloneia/Iliad 10 is traditionally divided into two sections: the Nyktegersia (the 'night watch' or nocturnal council scene, lines 1-179) and the spy-mission itself.  Bib...

The Doloneia (Iliad Book 10)

Rosa Andújar joins me in the Lesche to discuss her new book, Playing the Chorus in Greek Tragedy (Cambridge, 2025).Tragedies mentionedAeschylus<ul><li>Agamemnon (chorus fragmentation)</li><li>Seven Against Thebes (use of semi-choruses)</li><li>Suppliant Women (&quot;choral swarm&quot; with multiple groups)</li></ul>Sophocles<ul><li>Oedipus Rex (actor-chorus interaction)</li></ul>Euripides<ul><li>Phaethon ( &quot;augmentation&quot; and secondary choruses)</li><li>Trojan Women (chorus entering in fragmented small groups)</li><li>Hippolytus ( subsidiary chorus appears before the main chorus)</li><li>Orestes (unusual choral divisions)</li><li>Suppliant Women (exceptional choral activity)</li></ul>Other ancient texts<ul><li>Aristotle, Poetics (mentioned for lack of interest in the chorus)</li><li>Aristophanes, Birds (for having a &apos;differentiated&apos; chorus)</li><li>Plutarch, On Listening (de Audiendo) 45e-f (Euripides training a chorus; a chorus member bursts out laughing)</li><li>Antiphon 6 (On the Chorus Boy: I don&apos;t mention it by name, but this is the speech regarding the death of a choreute by performance enhancing drugs)</li></ul>Modern works<ul><li>Azoulay, Vincent and Paulin Ismard. 2020. Athènes 403: une histoire chorale. Paris / 2025. Athenes 403 BC: A Democracy in Crisis, trans. Lorna Coing. Cambridge.</li><li>Carlson, Marvin. 2003. The Haunted Stage: The Theatre as Memory Machine. Ann Arbor.</li><li>Diggle, James. 1970. Euripides: Phaethon. Cambridge.</li><li>duBois, Page. 2022. Democratic Swarms: Ancient Comedy and the Politics of the People. Chicago. </li><li>Hegel, Phenomenology of Spirit (on choral powerlessness/inertness)</li><li>Halliwell, Stephen. 1998. Aristotle&apos;s Poetics. Bristol/Chicago.</li><li>Jackson, Lucy. 2019. The Chorus of Drama in the Fourth Century BCE. Cambridge.</li><li>Sansone, David. 2016. &quot;<a href='https://www.jstor.org/stable/10.7834/phoenix.70.3-4.0233'>The Size of the Tragic Chorus</a>,&quot; Phoenix 70: 233-54.</li><li>Uhlig, Anna. 2019. Theatrical Reenactment in Pindar and Aeschylus. 2019.</li></ul>About our guestRosa Andújar is Associate Professor of Classics and Ancient Studies at Barnard College, Columbia University. She has published widely on Greek drama in its fifth-century Athenian context as well as on its modern global reception, particularly across the Americas. She is the author of Playing the Chorus in Greek Tragedy (Cambridge, 2025) and the editor of The Greek Trilogy of Luis Alfaro (Methuen Drama, 2020), which won the 2020 London Hellenic Prize. ________________________________ Thanks for joining us in the Lesche! Podcast art: Daniel Blanco Theme music: &quot;<a href='https://en.wikipedia.org/wiki/Seikilos_epitaph'>The Song of Seikilos</a>,&quot; recomposed by Eftychia Christodoulou using Sibelius This podcast is made possible with the generous support of Brown University’s <a href='https://www.brown.edu/academics/classics/classical-studies-%C2%A0brown-university'>Department of Classical Studies</a> and the <a href='https://jnbc.brown.edu/'>John Nicholas Brown Center for Advanced Study</a>. <a href='https://jnbc.brown.edu/'> </a> Instagram: <a href='http://instagram.com/leschepodcast'>@leschepodcast</a> Email: <a href='mailto:leschepodcast@gmail.com'>leschepodcast@gmail.com</a> Suggest a book <a href='https://forms.gle/1HS3GeJAcUXcL2ok7'>using this form</a>

<description>&lt;p&gt;Rosa Andújar joins me in the Lesche to discuss her new book, &lt;em&gt;Playing the Chorus in Greek Tragedy&lt;/em&gt; (Cambridge, 2025).&lt;/p&gt;&lt;p&gt;&lt;b&gt;Tragedies mentioned&lt;/b&gt;&lt;/p&gt;&lt;p&gt;Aeschylus&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;em&gt;Agamemnon&lt;/em&gt; (chorus fragmentation)&lt;/li&gt;&lt;li&gt;&lt;em&gt;Seven Against Thebes&lt;/em&gt; (use of semi-choruses)&lt;/li&gt;&lt;li&gt;&lt;em&gt;Suppliant Women&lt;/em&gt; (&amp;quot;choral swarm&amp;quot; with multiple groups)&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;Sophocles&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;em&gt;Oedipus Rex&lt;/em&gt; (actor-chorus interaction)&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;Euripides&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;em&gt;Phaethon&lt;/em&gt; ( &amp;quot;augmentation&amp;quot; and secondary choruses)&lt;/li&gt;&lt;li&gt;&lt;em&gt;Trojan Women&lt;/em&gt; (chorus entering in fragmented small groups)&lt;/li&gt;&lt;li&gt;&lt;em&gt;Hippolytus&lt;/em&gt; ( subsidiary chorus appears before the main chorus)&lt;/li&gt;&lt;li&gt;&lt;em&gt;Orestes&lt;/em&gt; (unusual choral divisions)&lt;/li&gt;&lt;li&gt;&lt;em&gt;Suppliant Women&lt;/em&gt; (exceptional choral activity)&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;b&gt;Other ancient texts&lt;/b&gt;&lt;/p&gt;&lt;ul&gt;&lt;li&gt;Aristotle, &lt;em&gt;Poetics &lt;/em&gt;(mentioned for lack of interest in the chorus)&lt;/li&gt;&lt;li&gt;Aristophanes, &lt;em&gt;Birds&lt;/em&gt; (for having a &amp;apos;differentiated&amp;apos; chorus)&lt;/li&gt;&lt;li&gt;Plutarch, &lt;em&gt;On Listening &lt;/em&gt;(&lt;em&gt;de Audiendo&lt;/em&gt;) 45e-f (Euripides training a chorus; a chorus member bursts out laughing)&lt;/li&gt;&lt;li&gt;Antiphon 6 (&lt;em&gt;On the Chorus Boy&lt;/em&gt;: I don&amp;apos;t mention it by name, but this is the speech regarding the death of a choreute by performance enhancing drugs)&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;b&gt;Modern works&lt;/b&gt;&lt;/p&gt;&lt;ul&gt;&lt;li&gt;Azoulay, Vincent and Paulin Ismard. 2020. &lt;em&gt;Athènes 403: une histoire chorale. &lt;/em&gt;Paris / 2025. &lt;em&gt;Athenes 403 BC: A Democracy in Crisis&lt;/em&gt;, trans. Lorna Coing. Cambridge.&lt;/li&gt;&lt;li&gt;Carlson, Marvin. 2003. &lt;em&gt;The Haunted Stage: The Theatre as Memory Machine&lt;/em&gt;. Ann Arbor.&lt;/li&gt;&lt;li&gt;Diggle, James. 1970. &lt;em&gt;Euripides: Phaethon&lt;/em&gt;. Cambridge.&lt;/li&gt;&lt;li&gt;duBois, Page. 2022. &lt;em&gt;Democratic Swarms: Ancient Comedy and the Politics of the People&lt;/em&gt;. Chicago. &lt;/li&gt;&lt;li&gt;Hegel, &lt;em&gt;Phenomenology of Spirit&lt;/em&gt; (on choral powerlessness/inertness)&lt;/li&gt;&lt;li&gt;Halliwell, Stephen. 1998. &lt;em&gt;Aristotle&amp;apos;s &lt;/em&gt;Poetics&lt;em&gt;. &lt;/em&gt;Bristol/Chicago.&lt;/li&gt;&lt;li&gt;Jackson, Lucy. 2019. &lt;em&gt;The Chorus of Drama in the Fourth Century BCE&lt;/em&gt;. Cambridge.&lt;/li&gt;&lt;li&gt;Sansone, David. 2016. &amp;quot;&lt;a href='https://www.jstor.org/stable/10.7834/phoenix.70.3-4.0233'&gt;The Size of the Tragic Chorus&lt;/a&gt;,&amp;quot; &lt;em&gt;Phoenix&lt;/em&gt; 70: 233-54.&lt;/li&gt;&lt;li&gt;Uhlig, Anna. 2019. &lt;em&gt;Theatrical Reenactment in Pindar and Aeschylus&lt;/em&gt;. 2019.&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;b&gt;About our guest&lt;/b&gt;&lt;/p&gt;&lt;p&gt;Rosa Andújar is Associate Professor of Classics and Ancient Studies at Barnard College, Columbia University. She has published widely on Greek drama in its fifth-century Athenian context as well as on its modern global reception, particularly across the Americas. She is the author of &lt;em&gt;Playing the Chorus in Greek Tragedy&lt;/em&gt; (Cambridge, 2025) and the editor of &lt;em&gt;The Greek Trilogy of Luis Alfaro&lt;/em&gt; (Methuen Drama, 2020), which won the 2020 London Hellenic Prize. &lt;/p&gt;&lt;p&gt;________________________________&lt;br/&gt;&lt;br/&gt;Thanks for joining us in the Lesche!&lt;br/&gt;&lt;br/&gt;Podcast art: Daniel Blanco&lt;br/&gt;Theme music: &amp;quot;&lt;a href='https://en.wikipedia.org/wiki/Seikilos_epitaph'&gt;The Song of Seikilos&lt;/a&gt;,&amp;quot; recomposed by Eftychia Christodoulou using Sibelius&lt;br/&gt;&lt;br/&gt;This podcast is made possible with the generous support of Brown University’s &lt;a href='https://www.brown.edu/academics/classics/classical-studies-%C2%A0brown-university'&gt;Department of Classical Studies&lt;/a&gt; and the &lt;a href='https://jnbc.brown.edu/'&gt;John Nicholas Brown Center for Advanced Study&lt;/a&gt;. &lt;a href='https://jnbc.brown.edu/'&gt;&lt;br/&gt;&lt;/a&gt;&lt;br/&gt;&lt;b&gt;Instagram: &lt;/b&gt;&lt;a href='http://instagram.com/leschepodcast'&gt;@leschepodcast&lt;/a&gt;&lt;br/&gt;&lt;b&gt;Email: &lt;/b&gt;&lt;a href='mailto:leschepodcast@gmail.com'&gt;leschepodcast@gmail.com&lt;/a&gt;&lt;br/&gt;&lt;b&gt;Suggest &lt;/b&gt;a book &lt;a href='https://forms.gle/1HS3GeJAcUXcL2ok7'&gt;using this form&lt;/a&gt;&lt;/p&gt;</description>

Rosa Andújar joins me in the Lesche to discuss her new book, Playing the Chorus in Greek Tragedy (Cambridge, 2025). Tragedies mentioned Aeschylus Agamemnon (chorus fragmentation)Seven Against Thebes (use of semi-choruses)Suppliant Women ("choral swarm" with multiple groups)Sophocles Oedipus Rex (actor-chorus interaction)Euripides Phaethon ( "augmentation" and secondary choruses)Trojan Women (chorus entering in fragmented small groups)Hippolytus ( subsidiary chorus appears before the main chor...

Reappraising the Choruses of Greek Tragedy

Michael Satlow joins me in the Lesche to discuss his new book An Enchanted World: The Shared Religious Landscape of Late Antiquity, which will be published on February 3 by Princeton University Press. Resources<a href='https://www.uni-erfurt.de/en/research/researching/research-projects/lived-ancient-religion-questioning-cults-and-polis-religion#:~:text=The%20project%20of%20%22Lived%20Ancient,experiences%20as%20religious%20on%20a'>&quot;Lived Religion Project&quot;</a> at the University of Erfurt&apos;s Max Weber Institute If you&apos;re new to Late Antiquity, the foundational work is Peter Brown&apos;s 1971 The World of Late Antiquity: AD 150-750. It&apos;s been reissued in various editions, including a <a href='https://www.thamesandhudson.com/products/the-world-of-late-antiquity-world-of-art?_pos=1&amp;_sid=08c81b26c&amp;_ss=r'>2024 illustrated one from Thames &amp; Hudson</a> (relatively affordable!).I mention <a href='https://www.mori.bz.it/Umorismo/Philogelos.pdf'>Philogelos joke 203</a> in the episode introduction. About our guestMichael Satlow is Professor of Judaic Studies and Religious Studies at Brown University. A historian of religion in antiquity, his work explores how Jews, Christians, and others experienced the sacred in everyday life. His new book, An Enchanted World, draws on inscriptions and material culture to reveal a shared religious landscape in Late Antiquity, one filled with gods, angels, demons, and divine presence. ________________________________ Thanks for joining us in the Lesche! Podcast art: Daniel Blanco Theme music: &quot;<a href='https://en.wikipedia.org/wiki/Seikilos_epitaph'>The Song of Seikilos</a>,&quot; recomposed by Eftychia Christodoulou using Sibelius This podcast is made possible with the generous support of Brown University’s <a href='https://www.brown.edu/academics/classics/classical-studies-%C2%A0brown-university'>Department of Classical Studies</a> and the <a href='https://jnbc.brown.edu/'>John Nicholas Brown Center for Advanced Study</a>. <a href='https://jnbc.brown.edu/'> </a> Instagram: <a href='http://instagram.com/leschepodcast'>@leschepodcast</a> Email: <a href='mailto:leschepodcast@gmail.com'>leschepodcast@gmail.com</a> Suggest a book <a href='https://forms.gle/1HS3GeJAcUXcL2ok7'>using this form</a>

<description>&lt;p&gt;Michael Satlow joins me in the Lesche to discuss his new book &lt;em&gt;An Enchanted World: The Shared Religious Landscape of Late Antiquity&lt;/em&gt;, which will be published on February 3 by Princeton University Press. &lt;/p&gt;&lt;p&gt;&lt;b&gt;Resources&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;a href='https://www.uni-erfurt.de/en/research/researching/research-projects/lived-ancient-religion-questioning-cults-and-polis-religion#:~:text=The%20project%20of%20%22Lived%20Ancient,experiences%20as%20religious%20on%20a'&gt;&amp;quot;Lived Religion Project&amp;quot;&lt;/a&gt; at the University of Erfurt&amp;apos;s Max Weber Institute &lt;/p&gt;&lt;p&gt;If you&amp;apos;re new to Late Antiquity, the foundational work is Peter Brown&amp;apos;s 1971 &lt;em&gt;The World of Late Antiquity: AD 150-750&lt;/em&gt;. It&amp;apos;s been reissued in various editions, including a &lt;a href='https://www.thamesandhudson.com/products/the-world-of-late-antiquity-world-of-art?_pos=1&amp;amp;_sid=08c81b26c&amp;amp;_ss=r'&gt;2024 illustrated one from Thames &amp;amp; Hudson&lt;/a&gt; (relatively affordable!).&lt;/p&gt;&lt;p&gt;I mention &lt;a href='https://www.mori.bz.it/Umorismo/Philogelos.pdf'&gt;&lt;em&gt;Philogelos &lt;/em&gt;joke 203&lt;/a&gt; in the episode introduction. &lt;/p&gt;&lt;p&gt;&lt;b&gt;About our guest&lt;/b&gt;&lt;/p&gt;&lt;p&gt;Michael Satlow is Professor of Judaic Studies and Religious Studies at Brown University. A historian of religion in antiquity, his work explores how Jews, Christians, and others experienced the sacred in everyday life. His new book, &lt;em&gt;An Enchanted World&lt;/em&gt;, draws on inscriptions and material culture to reveal a shared religious landscape in Late Antiquity, one filled with gods, angels, demons, and divine presence. &lt;/p&gt;&lt;p&gt;________________________________&lt;br/&gt;&lt;br/&gt;Thanks for joining us in the Lesche!&lt;br/&gt;&lt;br/&gt;Podcast art: Daniel Blanco&lt;br/&gt;Theme music: &amp;quot;&lt;a href='https://en.wikipedia.org/wiki/Seikilos_epitaph'&gt;The Song of Seikilos&lt;/a&gt;,&amp;quot; recomposed by Eftychia Christodoulou using Sibelius&lt;br/&gt;&lt;br/&gt;This podcast is made possible with the generous support of Brown University’s &lt;a href='https://www.brown.edu/academics/classics/classical-studies-%C2%A0brown-university'&gt;Department of Classical Studies&lt;/a&gt; and the &lt;a href='https://jnbc.brown.edu/'&gt;John Nicholas Brown Center for Advanced Study&lt;/a&gt;. &lt;a href='https://jnbc.brown.edu/'&gt;&lt;br/&gt;&lt;/a&gt;&lt;br/&gt;&lt;b&gt;Instagram: &lt;/b&gt;&lt;a href='http://instagram.com/leschepodcast'&gt;@leschepodcast&lt;/a&gt;&lt;br/&gt;&lt;b&gt;Email: &lt;/b&gt;&lt;a href='mailto:leschepodcast@gmail.com'&gt;leschepodcast@gmail.com&lt;/a&gt;&lt;br/&gt;&lt;b&gt;Suggest &lt;/b&gt;a book &lt;a href='https://forms.gle/1HS3GeJAcUXcL2ok7'&gt;using this form&lt;/a&gt;&lt;/p&gt;</description>

Michael Satlow joins me in the Lesche to discuss his new book An Enchanted World: The Shared Religious Landscape of Late Antiquity, which will be published on February 3 by Princeton University Press.  Resources "Lived Religion Project" at the University of Erfurt's Max Weber Institute  If you're new to Late Antiquity, the foundational work is Peter Brown's 1971 The World of Late Antiquity: AD 150-750. It's been reissued in various editions, including a 2024 illustrated one from Tha...

The Enchanted World of Late Antiquity

In Greek antiquity a lesche (λέσχη) was a spot to hang out and chat. Here Brown University professor Johanna Hanink hosts conversations with fellow Hellenists about their latest work in the field.

Lesche: Ancient Greece, New Ideas

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