Cassette Culture

Underneath the safety pins, television expletives and bondage trousers that came with Punk in 1977, there was a coded message for those ready to hear it. Resolutely independent, the Instant Automatons and their label Deleted Records tuned in from the North of England and got that message of DIY independence, creativity and confidence that followed "Here's Three Chords, Now Form A Band".

We trace the birth of the UK cassette underground - from isolated  bedrooms to West London squats, from hand-dubbed tapes to Rough Trade shelves. It’s the story of how a handful of young people, with almost no resources, built a national community through shared idealism, cheap technology, and an unstoppable desire to create.

Finding their tribe with the Labroke Grove hippie-punks circulating around the Here & Now/Frestonia/free festival scene and building their community under the Westway. 

Here & Now drummer, Kif Kif Le Batteur made his sentiment about the established record industry clear when he named his cassette label F.O. Records. Recognising that the Instant Automatons and their label Deleted Records got it too, they connected to collaborate on cassette and vinyl releases, gigs and tours. And in doing, forged a template that was adopted and amplified from there on.

Hosted by Martin Franklin.
Theme music “This Is Concrete” by The Happy Citizen/"Hesatative" Jack Hertz

The artists who made the template - In Season 2 we’re delving into the very origins of the underground cassette music scene from the late 70s and early 80s, featuring insights from key musicians who revolutionised independent music production.

"We didn't think much of the establishment and capitalism, instead of demonstrating against it, we thought we'd create another world which existed outside of it." Jonathan Barnett of Fuck Off Records encapsulates the revolutionary mindset of the post-Punk movement.

Mark Lancaster, Phillip Sanderson, Jonathan Barnett, Colin Potter and others share their experiences of challenging the mainstream music industry through a low key yet radical DIY approach. Snatch Tapes, Fuck Off Records, Deleted Records, Integrated Circuit Records were all part of the wave that shaped a template for what was to come. 

The narrative explores how musicians rejected traditional music production methods, creating an alternative world of sound and creativity. Cassettes emerged as a powerful medium of expression, offering an affordable and accessible way for artists to record and distribute their music. The episode highlights the punk-inspired ethos of independent music creation, emphasising a spirit of rebellion against established structures and the building of a community.

Listeners will discover a fascinating network of musicians who connected through fanzines, music papers, and tape exchanges. The collaborative culture transcended traditional genre boundaries, with artists supporting each other's experimental sounds and independent productions. Phillip Sanderson's innovative approach of dismantling radios to create electronic noises exemplifies the creative spirit of the cassette culture.

The documentary provides a deep dive into a pivotal moment in music history, showcasing how independent artists used technology and collaboration to challenge the traditional music industry. It's a testament to creativity, DIY spirit, and the power of grassroots music production.

Technical Details:
Format: Audio documentary
Focus: Independent music scene, DIY music production
Era: Late 1970s to early 1980s

From vinyl to cassettes and the occasional... flexi-postcard! Geert-Jan Hobijn reflects on Staalplaat’s origins as a cassette label, and some current releases.

In this special interim episode of Cassette Culture, Martin Franklin and Jerry Kranitz speak with Geert-Jan Hobijn, the legendary founder of Staalplaat - the experimental music label that began in an Amsterdam squat in 1982 and went on to define an era of radical sound and design.

We focus on some current activities publishing unreleased Muslimgauze recordings, reissuing classics from the Korm Plastics label - and dreaming up outlandish packaging ideas (including a cassette release that came with a pair of custom-designed socks).

The conversation also touches on the challenges and joys of running a label across decades, the crossover between Staalplaat’s releases and Geert-Jan’s own Staalplaat Sound System installation work, and the philosophy of making music and art available in ways that resist the digital mainstream.

Hosted by Martin Franklin & Jerry Kranitz.
Theme music “This Is Concrete” by The Happy Citizen/"Hesatative" Jack Hertz

Music mix by Joshua James Amberson drawing on cassette releases reviewed in issue #3 of the Copy This Cassette zine.

Joshua is publisher of the Basic Paper Airplane zine, and curator of the Antiquated Future store/distro and label. He is based in Portland, Oregon, USA.

Theme music "Hesatative" Jack Hertz

From the worlds of mini-comix to independent music, D. Blake Werts is the creative force behind the fanzine, Copy This Cassette.

Martin Franklin and co-host Jerry Kranitz sit down with Blake to share the surprising story of how he discovered cassette culture only a few years ago, and how that discovery inspired him to launch a new publication devoted entirely to underground cassette releases.

He explains the philosophy behind Copy This Cassette, including its tactile, analogue-first ethos and the importance of short, descriptive "snapshot reviews."

We also learn about Blake's deep roots in the world of mini comics, how he taps into regional cassette scenes from the Pacific Northwest to Europe, and the editorial decisions that keep the zine focused and accessible.