CanCon

In the late '90s and early '00s, the music industry fundamentally changed. Within a decade, fans went from buying CDs in a local music store to purchasing $0.99 singles on iTunes. But before iTunes was available in Canada, and before the US giants took over the industry, Canadian startups were at the front of the pack. In this episode, we reminisce on a very strange and transformative time in media--you might remember the first CD you ever bought, but you probably don't remember the last one. We speak to Cam Gordon, author of Track Changes: The Origin Story of Canadian Music on the Internet, about Maple Music and Puretracks. And if you were a Canadian music fan in the early '00s ... you might know what we're talking about.

It's not just a Canadian problem, though it has likely cost some Canadians their lives. Staff answering 911 calls in centres the world over are overworked, stressed and sometimes ... there just aren't enough of them. As a result, callers are sometimes left on hold in the most awful circumstances possible. Money has been spent on recruitment, but talent is tough to come by. Enter Hyper. A Canadian startup that was just acquired by Motorola, Hyper is already helping 911 operators in several cities—but not in the way you might imagine. Not yet, anyway... Award-winning reporter Katherine Laidlaw joing the show to discuss her piece on Hyper, which was written for a brand new Canadian publication called Be Giant, which aims to report on the people, places, ideas and breakthroughs shaping Canada's future.

Would you call Walmart Canada a "Canadian" company? It's a much more complex question than it appears—but I think most of us would agree on the general answer. It's a Canadian subsidiary of a giant US retail behemoth. But when it comes to procurement spending from the federal government, often these are kinds of companies that can meet qualifications to describe themselves as "Canadian" and earn an edge over their competitors. It shouldn't be a surprise that government spending can get complicated, but it does raise a fascinating question: For the past year many of us have learned a lot about what makes a food item or a retail product Canadian—but what about a company? Vass Bednar, managing director of the Canadian Shield Institute, joins Jordan to puzzle through that question, and how our tax dollars are spent because of it.

When the World Happiness Report first began scoring countries on their self-reported levels of happiness in 2012, Canada was consistently in the top 10. It felt right, we were pretty happy. Over the past several years, things have been changing, first slowly and now rapidly. In the recently published edition of the report, Canadians' happiness levels ranked 25th in the world, by far a new low. And that precipitous drop has been driven predominantly by one demographic... UBC Professor Emeritus and co-creator and editor of the World Happiness Report John Helliwell joins us to discuss what's changed, who's unhappy and what we know about how to generate happiness in our own lives from two decades of scientific research.

In any other entertainment medium, a Canadian-made product winning the equivalent of a Best Picture Oscar would be historic, headline-grabbing news. But when Canadian-made games win Game Of The Year—and they have, multiple times—the country barely bats an eye. Games are big business in Canada, and we have some of the world's premier talent, in both massive corporate studios and tiny indie development houses. Yet unless you're really, really into video games, you'd never know. Why? Jonathan Ore of the CBC hops on the show to talk about video games in Canada, how good they are, and why nobody even knows where the games they play are made.