<description>&lt;p&gt;When the artist Louise Nevelson immigrated to&amp;nbsp;America as a child, she was told that ‘the streets... would be paved in gold’.&amp;nbsp;Obviously, they&amp;nbsp;weren’t, but that&amp;nbsp;hasn’t&amp;nbsp;stopped modern artists&amp;nbsp;turning&amp;nbsp;pretty much everything&amp;nbsp;else golden. Even a toilet.&amp;nbsp;&lt;/p&gt;&lt;p&gt;Join National Gallery Courses and Events Programmer Caroline Miller,&amp;nbsp;Associate Curator&amp;nbsp;of&amp;nbsp;Contemporary and Modern&amp;nbsp;Priyesh Mistry&amp;nbsp;and host Beks&amp;nbsp;in the final episode of our sparkling miniseries, where we look to uses of gold in modern and contemporary art. From&amp;nbsp;glistening gold in Gustav Klimt’s ‘The&amp;nbsp;Kiss’&amp;nbsp;to an&amp;nbsp;artwork so valuable&amp;nbsp;it has&amp;nbsp;hardly ever been displayed.&amp;nbsp;We&amp;nbsp;explore what gold has meant for contemporary artists&amp;nbsp;and how they have tested the limits of this&amp;nbsp;sparkling&amp;nbsp;colour and&amp;nbsp;material.&amp;nbsp;&lt;/p&gt;&lt;p&gt;Caroline is the Courses and Events Programmer at the Gallery. She develops online and in-person courses that expand access and engagement for the National Gallery’s audiences&amp;nbsp;worldwide.&amp;nbsp;&lt;/p&gt;&lt;p&gt;Priyesh is Associate Curator, Contemporary and Modern at the National Gallery&amp;nbsp;where he works towards an ambitious programme to integrate contemporary art within the context of the museum and its historic collections.&amp;nbsp;&lt;/p&gt;&lt;p&gt;_______&lt;/p&gt;&lt;p&gt;Watch the full episode on our YouTube channel: &lt;a href="https://www.youtube.com/watch?v=Z3I4VzE_QPI" rel="noopener noreferrer" target="_blank"&gt;https://www.youtube.com/watch?v=Z3I4VzE_QPI&lt;/a&gt; &lt;/p&gt;&lt;p&gt;You can email us with any questions via&amp;nbsp;&lt;a href="https://www.youtube.com/playlist" rel="noopener noreferrer" target="_blank"&gt;podcast@nationalgallery.org.uk&lt;/a&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;Find out more about the podcast on our website:&amp;nbsp;&lt;a href="https://www.nationalgallery.org.uk/podcast" rel="noopener noreferrer" target="_blank"&gt;www.nationalgallery.org.uk/podcast&lt;/a&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;_______&lt;/p&gt;&lt;p&gt;&lt;strong class="ql-size-small"&gt;Paintings mentioned:&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;span class="ql-size-small"&gt;Joseph Beuys,&amp;nbsp;‘How&amp;nbsp;to&amp;nbsp;Explain&amp;nbsp;Pictures to a&amp;nbsp;Dead&amp;nbsp;Hare’,&amp;nbsp;1965. Galerie&amp;nbsp;Schmela, Düsseldorf&amp;nbsp;[Performance&amp;nbsp;art]&amp;nbsp;&lt;/span&gt;&lt;a href="https://www.artgallery.nsw.gov.au/collection/works/434.1997.9/" rel="noopener noreferrer" target="_blank" class="ql-size-small"&gt;https://www.artgallery.nsw.gov.au/collection/works/434.1997.9/&lt;/a&gt;&lt;span class="ql-size-small"&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span class="ql-size-small"&gt;Anselm&amp;nbsp;Kiefer, 'Mein&amp;nbsp;Rhine',&amp;nbsp;2024. Thaddaeus Ropac, Salzburg Villa Kast [Exhibition]&amp;nbsp;&lt;/span&gt;&lt;a href="https://ropac.net/online-exhibitions/171-anselm-kiefer-mein-rhein/" rel="noopener noreferrer" target="_blank" class="ql-size-small"&gt;https://ropac.net/online-exhibitions/171-anselm-kiefer-mein-rhein/&lt;/a&gt;&lt;span class="ql-size-small"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span class="ql-size-small"&gt;Jan van Eyck, ‘The Arnolfini Portrait’,&amp;nbsp;1434. The National Gallery, London&amp;nbsp;&lt;/span&gt;&lt;a href="https://www.nationalgallery.org.uk/paintings/jan-van-eyck-the-arnolfini-portrait" rel="noopener noreferrer" target="_blank" class="ql-size-small"&gt;https://www.nationalgallery.org.uk/paintings/jan-van-eyck-the-arnolfini-portrait&lt;/a&gt;&lt;span class="ql-size-small"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span class="ql-size-small"&gt;Anselm Kiefer, 'Field of the Cloth of Gold', 2021. Gagosian, Le Bourget [Exhibition]&amp;nbsp;&lt;/span&gt;&lt;a href="https://gagosian.com/exhibitions/2021/anselm-kiefer-field-of-the-cloth-of-gold/" rel="noopener noreferrer" target="_blank" class="ql-size-small"&gt;https://gagosian.com/exhibitions/2021/anselm-kiefer-field-of-the-cloth-of-gold/&lt;/a&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;span class="ql-size-small"&gt;Anselm&amp;nbsp;Kiefer,&lt;/span&gt;&lt;strong class="ql-size-small"&gt;&amp;nbsp;‘&lt;/strong&gt;&lt;span class="ql-size-small"&gt;Aus&amp;nbsp;Herzen und&amp;nbsp;Hirnen&amp;nbsp;sprießen&amp;nbsp;die Halme der Nacht&amp;nbsp;(From Hearts and Brains the Stalks of Night Are Sprouting)’,&amp;nbsp;2019-2020. Emulsion, oil, acrylic, shellac, straw, gold leaf, wood, and metal on...</description>

Stories in Colour

The National Gallery

The story of gold: modern imaginations (part three)

DEC 3, 202559 MIN
Stories in Colour

The story of gold: modern imaginations (part three)

DEC 3, 202559 MIN

Description

When the artist Louise Nevelson immigrated to America as a child, she was told that ‘the streets... would be paved in gold’. Obviously, they weren’t, but that hasn’t stopped modern artists turning pretty much everything else golden. Even a toilet. Join National Gallery Courses and Events Programmer Caroline Miller, Associate Curator of Contemporary and Modern Priyesh Mistry and host Beks in the final episode of our sparkling miniseries, where we look to uses of gold in modern and contemporary art. From glistening gold in Gustav Klimt’s ‘The Kiss’ to an artwork so valuable it has hardly ever been displayed. We explore what gold has meant for contemporary artists and how they have tested the limits of this sparkling colour and material. Caroline is the Courses and Events Programmer at the Gallery. She develops online and in-person courses that expand access and engagement for the National Gallery’s audiences worldwide. Priyesh is Associate Curator, Contemporary and Modern at the National Gallery where he works towards an ambitious programme to integrate contemporary art within the context of the museum and its historic collections. _______Watch the full episode on our YouTube channel: https://www.youtube.com/watch?v=Z3I4VzE_QPI You can email us with any questions via [email protected] Find out more about the podcast on our website: www.nationalgallery.org.uk/podcast _______Paintings mentioned:Joseph Beuys, ‘How to Explain Pictures to a Dead Hare’, 1965. Galerie Schmela, Düsseldorf [Performance art] https://www.artgallery.nsw.gov.au/collection/works/434.1997.9/  Anselm Kiefer, 'Mein Rhine', 2024. Thaddaeus Ropac, Salzburg Villa Kast [Exhibition] https://ropac.net/online-exhibitions/171-anselm-kiefer-mein-rhein/ Jan van Eyck, ‘The Arnolfini Portrait’, 1434. The National Gallery, London https://www.nationalgallery.org.uk/paintings/jan-van-eyck-the-arnolfini-portrait Anselm Kiefer, 'Field of the Cloth of Gold', 2021. Gagosian, Le Bourget [Exhibition] https://gagosian.com/exhibitions/2021/anselm-kiefer-field-of-the-cloth-of-gold/ Anselm Kiefer, ‘Aus Herzen und Hirnen sprießen die Halme der Nacht (From Hearts and Brains the Stalks of Night Are Sprouting)’, 2019-2020. Emulsion, oil, acrylic, shellac, straw, gold leaf, wood, and metal on canvas, 185 ⅛ x 330 ¾ inches (470 x 840 cm) https://gagosian.com/exhibitions/2021/anselm-kiefer-field-of-the-cloth-of-gold/  Gustav Klimt, 'Pallas Athene', 1898. Wein Museum, Vienna https://sammlung.wienmuseum.at/en/object/102991-pallas-athene/    Gustav Klimt, 'The Kiss (Lovers)', 1908 (completed 1909). Belvedere Museum, Vienna https://sammlung.belvedere.at/objects/6678/der-kuss-liebespaar Barkley L. Hendricks, ‘Lawdy Mama’, 1969. Studio Museum in Harlem https://www.studiomuseum.org/artworks/lawdy-mama-2  Barkley L. Hendricks, ‘Father, Son, and...’, 1969. Art Bridges https://artbridgesfoundation.org/artworks/hendricks-father-son-and  Louise Nevelson, ‘Royal Tide II’, 1961–1963. Whitney Museum of American Art, New York https://whitney.org/collection/works/428  Chris Burden, ‘Tower of Power’, 1985. Exhibition: “Chris Burden: Extreme Measures” at New Museum, New York, 2013-14 https://archive.newmuseum.org/exhibitions/1861  Maurizio Cattelan, ‘AMERICA’, 2016. Bowl: 18K Gold; Pipes and flushmeter: gold plated. 72,4 cm x 35,6 cm x 68,6 cm. Exhibition: ‘Maurizio Cattelan: “America”’ at Solomon R. Guggenheim Museum, New York, 2016-17 https://www.guggenheim.org/exhibition/maurizio-cattelan-america [Episode artwork] Gustav Klimt, The Kiss (Lovers), 1908 (completed 1909). Belvedere Museum, Vienna https://sammlung.belvedere.at/objects/6678/der-kuss-liebespaar  _______Further reading:Discover more on gold in the National Gallery’s collection on our YouTube channel: https://www.youtube.com/watch?v=diJUaHMnazU https://www.youtube.com/playlist?list=PLvb2y26xK6Y6T7IfNAc1jMa_zMoX231MX    Find out more about Angela Davis here: https://www.britannica.com/biography/Angela-Davis  Take a closer look at the artist Louise Nevelson and her assemblage art: https://www.npg.org.uk/collections/search/portrait/mw72654/Louise-Nevelson Find out more about Maurizio Cattelan’s ‘America’ (2016): https://www.bbc.co.uk/news/articles/cjev7vn4qp0o https://www.bbc.co.uk/news/articles/c1j8z6r8zl6o  Find out more about artist Marcel Duchamp: https://www.britannica.com/biography/Marcel-Duchamp -------Episode credits: Guests: Caroline Miller and Priyesh Mistry Host and executive producer: Beks Leary  Producer: Harry Rosehill  Researcher: Hannah Rogers  Technician: Ian Warren Video editors: Jeanne Kenyon and Alessandro Sorenti Theme music: Theo Elwell