On Creative Writing
On Creative Writing

On Creative Writing

Sheelagh Caygill

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Episodes

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On Creative Writing is a monthly podcast show exploring all things creative writing, including fiction, creative nonfiction, poetry, scripts, and essays. Host Sheelagh Caygill will interview knowledgeable and experienced guests about the craft of writing, all genres of writing,the impact of AI on creative writing and publishing, book marketing, publicists, all types of publishing, agents, websites and online platforms, and much more. Sheelagh is completing an MA in Contemporary Creative Writing at Northeastern University London. Discover more at Oncreativewriting.com.

Recent Episodes

Exploring grief, myth, and environmental awareness in The Pollination Field
JAN 25, 2026
Exploring grief, myth, and environmental awareness in The Pollination Field
In this episode of the On Creative Writing podcast, host Sheelagh Caygill sits down with novelist and poet Kim Farner to discuss her latest poetry collection, The Pollination Field, published by Turnstone Press of Winnipeg, Manitoba.This engaging conversation delves into the book’s rich tapestry of themes, including the vital role of pollinators in our ecosystems, the enduring power of myth, the intersections of feminism and environmental change, and the deeply personal transformation that underpins Kim’s work.Throughout the episode, Kim offers listeners a glimpse into her creative process, sharing how her Sudbury roots and the landscapes of Northern Ontario have shaped her poetic voice. She reflects on the ways her upbringing and the natural world around her have influenced her writing, from the imagery she employs to the subjects she explores. Kim also discusses the profound impact of her Irish heritage, weaving together stories of family, folklore, and cultural memory that inform her poetry’s sense of place and identity.Listeners are treated to readings from The Pollination Field, as Kim brings her evocative language to life and provides context for the collection’s central motifs. Sheelagh and Kim explore how the act of pollination becomes a metaphor for connection, renewal, and the interdependence of all living things. The conversation touches on the challenges and rewards of writing about environmental issues through a feminist lens, and how poetry can serve as both witness and catalyst for change.Kim opens up about her experiences with grief and loss, and how these emotions have found expression in her evolving poetic forms. She shares insights into the importance of allowing oneself to experiment with structure and voice, and the ways in which poetry can offer solace and understanding during difficult times. The discussion also highlights the significance of reading deeply and widely, with Kim offering thoughtful advice for new poets on finding inspiration, honing their craft, and building resilience in the face of rejection.As the episode draws to a close, Kim reads her poignant poem “Grief,” inviting listeners into a moment of reflection and empathy. She also shares a preview of her upcoming projects, including a new novel in progress and a series of workshops aimed at fostering creativity and community among emerging writers.Whether you’re a seasoned poet, an aspiring poet, or a lover of poetry, this episode offers a wealth of inspiration and wisdom. Join Kim and Sheelagh for a heartfelt exploration of poetry, place, and the transformative power of words.The Pollination Field is available from Turnstone Press and all good bookstores and online stores. Episode information and links:Jericho Brown, creator of the Duplex form.Càirdeas is the Gaelic word for kindred friend. Càirdeas is an ekphastic poem in The Pollination Field. Explore ekphrastic poetry:https://crae.mcgill.ca/article/view/56/106, and https://www.malahatreview.ca/interviews/reibetanz_interview.htmlBooks Kim recommends:Poetry Unbound: 50 Poems to Open Your World, by Pádraig Ó TuamaHow a Poem Moves: A Field Guide for Readers of Poetry, by Adam Sol.On the poem "Grief", Kim explains: "The poem, "Grief", along with the other very short poems in the collection, speaks to a rough year. I was struggling with long Covid and the end of a close friendship and it seemed nothing was working well. The crab apple tree in my front yard did not flower, for the first time in ten years, and so I found it was symbolic of how grief can find be reflected in the natural world. In this case, the tree taught me about how some years are "fallow seasons," more about rest and acceptance than about persistence and stubbornness. "Grief" is also an attempt to play with shorter poetic forms, to try and get at a crystallized image and then extend the metaphor. "
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47 MIN
Secrets, trauma, scars, and stories: A Quilting of Scars by Lucy E.M. Black
JAN 20, 2026
Secrets, trauma, scars, and stories: A Quilting of Scars by Lucy E.M. Black
In this episode of On Creative Writing, author Emma Woodhouse sits down with Canadian author Lucy E. M. Black to discuss her latest novel, A Quilting of Scars. Lucy discusses her fulfilling career in education and how her background as an educator has influenced her storytelling, particularly her sensitivity to the complexities of human experience and her deep appreciation for history.Lucy and Emma explore the origins of A Quilting of Scars, a work of historical fiction set in Ontario, Canada in the late 19th and early 20th-century. Lucy reveals the extensive research that went into crafting the novel, from poring over archival documents to conducting interviews with historians and community members. She discusses how real-life stories and historical events found a place in A Quilting of Scars, and how one upsetting and distrubing memory from her early school years gave the book its title.The discussion delves into the novel’s central themes, including secrecy, trauma, and sexuality. Lucy explains how these themes are interwoven in the story, much like the symbolic motif of quilting that appears in the book. She describes quilting as both a literal and metaphorical act—representing the piecing together of memories, the preservation of stories, and resilience in the face of adversity. Emma and Lucy talk about the importance of giving voice to marginalized characters and exploring the hidden histories that often go untold.Lucy offers a behind-the-scenes look at her writing process, from the initial of inspiration which came from a poster she and her husband saw in an antique store. She was so taken with it she hung it in her writing studio and slowly, over time, the story of Larkin and A Quilting of Scars began to evolve.Lucy touches on the challenges of revision and editing. She shares how she develops her characters, giving them depth and authenticity by drawing on her own experiences and observations. Lucy emphasizes the importance of empathy in writing, and how she strives to create characters who are flawed, complex, and ultimately relatable.The conversation also touches on the role of community in the writing life. Lucy speaks passionately about the support she has received from fellow writers, readers, and literary organizations. She highlights the value of participating in writing groups, attending workshops, and seeking feedback from trusted peers. For emerging writers, Lucy offers practical advice: read widely and voraciously, embrace constructive criticism, and never underestimate the power of perseverance.Throughout the episode, Emma and Lucy reflect on the transformative power of storytelling and the ways in which literature can foster understanding and connection. Lucy’s insights into the craft of writing, her dedication to historical research, and her commitment to amplifying underrepresented voices make this a must-listen episode for anyone interested in creative writing, historical fiction, or the art of storytelling.Find Lucy E.M. Black at her website linked above and on Instagram.A Quilting of Scars is published by Now or Never Publishing.
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36 MIN
Ken Wilson explores kinship and connection in Walking the Bypass
JAN 9, 2026
Ken Wilson explores kinship and connection in Walking the Bypass
In his audio essay for On Creative Writing, Ken Wilson, author of Walking the Bypass: Notes on Place from the Side of the Road, explores the transformative power of walking as both a reflective and creative practice. Ken shares how his regular walks along Regina’s controversial bypass—a space often dismissed as a “non-place”—became a catalyst for personal insight, creative inspiration, and a deeper connection to the land. Through his experiences, Ken demonstrates how attentive walking can turn overlooked or utilitarian spaces into meaningful places, rich with stories and significance.A professor of creative writing at the University of Regina, Ken gives some history and context of the Regina bypass, discussing its impact on the landscape, local communities, and the ways people relate to their environment. He reflects on the concept of “non-places,” a term used to describe spaces like highways, airports, and shopping malls that are designed for transit rather than dwelling. By walking these spaces with intention and presence, Ken challenges the idea that any place is truly devoid of meaning. Instead, he suggests that meaning emerges through our relationships with the land, our memories, and the stories we bring to these spaces.Part of the audio essay centers on Indigenous concepts of kinship and the sacredness of all places. Ken discusses how Indigenous worldviews emphasize interconnectedness—not just among people, but with animals, plants, water, and the land itself. He contrasts this with settler colonial histories that often treat land as property or a resource to be exploited, leading to a sense of disconnection and alienation. By weaving these perspectives together, Ken encourages listeners to reconsider their own relationships with the places they inhabit and move through, no matter how mundane or overlooked they may seem.In this narrative, Ken considers how walking can become a meditative and creative act. He talks about the ways in which walking helps him process thoughts, generate ideas for writing, and cultivate a sense of presence. For Ken, walking is not just a means of getting from one place to another, but a way of being in the world—an opportunity to slow down, observe, and engage more deeply with the environment.Ken asks us to recognize the histories embedded in the land, the stories that shape our understanding of space, and the responsibilities we have as inhabitants and stewards. He advocates for a more thoughtful, responsible relationship with the environments we often overlook, reminding us that every place—no matter how ordinary—holds the potential for connection, meaning, and transformation.Whether you’re a writer, a walker, or someone interested in place-based thinking, this episode offers inspiration and practical wisdom for cultivating a deeper sense of belonging and responsibility to the world around you. Links to books, authors, and subjects mentioned in this audio essay:The Plains Cree word is wâhkôhtowin. The macrons on the vowels are important; some words in Cree mean something different when the long vowels aren't marked. "Ruderal" is the word for disturbance used in Bettina Stoetzer's 2018 article, "Ruderal Ecologies: Rethinking Nature, Migration." Her new book, City: Ecologies of Migration, Race, and Urban Nature in Berlin, was published in 2022 by Duke University Press Books.Author Louise Halfe, who Ken once walked with.Chief Loud Voice's words come from Alexander Morris's account of the treaty negotiations (Project Gutenberg).Philosophers' Walks, by Bruce Baugh.A Philosophy of Walking, by By Frédéric Gros. Wanderlust: A History of Walking, by Rebecca Solnit.Métis artist Bob Boyer.Trevor Herriott, prairie writer, naturalist, and activist. The Regina Bypass.
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12 MIN
Insights and actionable tips on navigating book publicity from an author's perspective
DEC 18, 2025
Insights and actionable tips on navigating book publicity from an author's perspective
Host Sheelagh Caygill sits down with James Cairns, an author and professor at Wilfrid Laurier University, Ontario, to discuss publicizing his essay collection, In Crisis, On Crisis: Essays in Troubled Times, published by Wolsak and Wynn.Until this book was released, James' books were mostly academic texts, and so this was the first time James was closely involved in a busy publicity campaign, co-ordinated by River Street Writing. They examine River Street's strategies that helped James successfully promote In Crisis, On Crisis, offering actionable advice for authors at any stage of their careers. James emphasizes the importance of having a clear publicity plan, tailored to the book’s themes and intended audience. He highlights how working with a professional publicist amplified his book's reach, and also notes that authors themselves play a crucial role in the process.James' simple observations about podcast interviews are really helpful! He says audiences really just want to like a guest and learn about a topic, so be personable and engaging from the start. If podcast interviews feel intimidating at first, feel free to ask a podcast host what they might ask, or if they can send example questions. He also invested time in coming up with about ten questions coming up with questions he imagined a host or interviewer might ask about his book, and then he drafted the answers to those potential questions. This, he says, gave him confidence and with experience he knew when to cut in or could figure out where a conversation may go.Local engagement emerges as a key theme, with James recounting how connecting with independent bookstores, libraries, and community organizations has been instrumental in building grassroots support for his book. He encourages authors to participate in local readings, festivals, and book events, noting that these events not only boost visibility but also foster meaningful connections with readers. James also discusses the value of writing essays and op-eds related to the book’s subject matter, which can attract new audiences and establish the author as a thought leader in their field.Social media is another powerful tool in the modern author’s publicity toolkit. James shares his approach to using platforms like Twitter, Instagram, and Facebook to engage with readers, share behind-the-scenes glimpses of his writing process, and promote upcoming events. He advises writers to be authentic and consistent in their online presence, and to interact with followers in a genuine way.James explains why he doesn't have an author website, instead relying on his page on the university website, while Sheelagh presents the pros of an author website. Throughout the episode, James offers practical, real-world advice for writers navigating the complexities of book promotion. From collaborating with publicists and media professionals to building relationships within the literary community, his insights provide a roadmap for authors seeking to maximize their book’s impact. Whether you’re preparing to launch your debut or looking to reinvigorate your publicity efforts, this episode is packed with tips and inspiration to help your book find its audience.Mentioned in the interview:In The Field, by Sadiqa de Meijer, published by Palimpsest Press.James' Q&A with On Creative Writing.James' podcast episode exploring the writing of In Crisis, On Crisis: Essays In Troubled Times.James Cairns on Instagram.
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67 MIN
The best Poetry Contest for aspiring poets in 2025!
NOV 30, 2025
The best Poetry Contest for aspiring poets in 2025!
Guest host Kim Mannix, author of the new poetry collection Confirm Humanity, is excited to tell you all that the On Creative Writing Poetry Contest is officially OPEN!The Poetry Contest is giving $300 Canadian for the first prize, and $100 Canadian for the runner-up!Here’s what you need to know:● Who can enter? Anyone, anywhere in the world.● What are we looking for? Original poems in English. Any subject, any style.● The fine print: Your poem must be unpublished and no longer than 50 lines.● Entry fee: Just $5 Canadian per poem, and you can enter as many times as you like.Now, a few words about the judges and the sponsors. Your poem will be judged by a stellar panel: poet and professor Rob Winger, Kim Mannix, a poet and author of a new collection called Confirm Humanity, and On Creative Writing’s Sheelagh Caygill.Not least, a big thank you to poetry contest sponsors, Wolsak and Wynn publishers and River Street Writing author and book publicity firm, for making this poetry contest possible.The entry deadline will be here soon! Mark your calendar, set a reminder, tattoo it on your arm—just don't miss it!The deadline is Friday, December 19, 2025, at 11 a.m. Mountain Time.Stop waiting for inspiration and start submitting! We can't wait to read your entry.If you’re a lover of poetry, we have another contest you’ll want to know about. This contest is for a hard copy of award-winning poet Kim Fahner’s new collection, The Pollination Field. This beautiful book has been provided by the publisher, Turnstone Press. The contest for Kim’s book closes on Friday, December 12, 2025 at 11 a.m Mountain time.Enter both contests at Oncreativewriting.com. Thanks, and good luck everyone!
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2 MIN