Luce Change

Aaron Tanaka, CEO of One Project and founder of the Center for Economic Democracy, joins Sean Buffington on this episode of Luce Change to make the case that America’s political crisis is, at its root, an economic one. When the majority of people have no real agency over the decisions that shape their lives, democracy becomes a ritual rather than a reality. Tanaka traces this failure from the founding contradictions of the country through the bipartisan embrace of neoliberalism, and argues that the antidote isn’t better messaging—it’s restructuring who controls land, labor, and capital.Articles & Organizations Mentioned:One Project: https://oneproject.org/ Center for Economic Democracy: https://www.economicdemocracy.usBoston Ujima Project: https://www.ujimaboston.comDudley Street Neighborhood Initiative: https://www.dsni.orgRight to the City Alliance: https://righttothecity.orgCity Life / Vida Urbana: https://www.clvu.orgClimate Justice Alliance: https://climatejusticealliance.orgCivic Lex: https://www.civiclex.orgAmazon Sacred Headwaters Alliance: https://www.amazonsacredheadwaters.orgParticipatory Budgeting Project: https://www.participatorybudgeting.orgInterested in joining the conversation? Share this episode with a friend, follow Henry Luce Foundation on Instagram & LinkedIn, or subscribe to our newsletter.

On this episode of Luce Change, Sean Buffington sits down with Ash Hanson—theater artist, rural cultural worker, and Creative Executive Officer at the Department of Public Transformation—to explore why bending the arc of history toward justice has to start locally. Ash makes the case that civic culture erodes the way sandstone does: slowly, incrementally, and at enormous cost to the communities least resourced to rebuild.With only 3–7% of philanthropic dollars reaching the 20% of Americans who live in rural places, Ash argues that geographic inequity is foundational to the democratic crisis, and that artists and cultural organizers are doing the essential work of shifting community narratives and building civic imagination before traditional engagement can even begin.Articles & Organizations Mentioned:Department of Public Transformation: dopt.org Voices for Rural Resilience: voicesforruralresilience.org The Mellon Foundation: mellon.org    Just Mercy by Bryan Stevenson: justmercy.eji.org SiP Culture: sipculture.org Blue Sky Center: blueskycenter.org Cheyenne River Youth Project: cryp.org No Hate in My Holler: nohateinmyholler.com Epicenter Utah: epicenterutah.org Art of the Rural: artoftherural.org Springboard for the Arts: springboardforthearts.org Daily Yonder: dailyyonder.com Center for Rural Strategies: ruralstrategies.org Rural Assembly: ruralassembly.org Masumoto Family Farm: masumoto.com Country Queers: countryqueers.com Civic Lex: civiclex.org   Interested in joining the conversation? Share this episode with a friend, follow Henry Luce Foundation on Instagram & LinkedIn, or subscribe to our newsletter. 

On this episode of Luce Change, Sean Buffington speaks with Richard Young, Executive Director of CivicLex in Lexington, Kentucky, about the power of place, and why local democracy is the most underestimated front in the fight to rebuild civic life in America.At the center of the conversation is CivicLex’s first-ever civic assembly: 36 randomly selected, demographically representative Lexington residents convening across six sessions to deliberate on proposed changes to the city charter. Like the concentric rings of a public square, the assembly draws people inward toward a shared decision–Young believes that is exactly how civic repair begins.Articles & Organizations Mentioned:CivicLex: civiclex.orgAmerican Academy of Arts and Sciences: amacad.orgEveryday Democracy (Martha McCoy): everyday-democracy.orgHarvard Kennedy School / Archon Fung: hks.harvard.eduKentucky Rural-Urban Exchange: kyrux.orgOak Ridge Periodic Tables (David Allred, Oak Ridge, TN): oakridgeperiodictables.comBlack Yarn (Lexington, KY): blackyarn.comOutlier Media (Detroit, MI): outliermedia.orgPeople’s Budget Office / Mural Arts Philadelphia: muralarts.orgNorth Carolina Local News Lab Fund: nclocalnews.orgPanelot (sortition software): panelot.orgThe Austin Common (Austin, TX): theaustincommon.comThe Village Square (Liz Joyner, Tallahassee, FL): tlh.villagesquare.usGood Neighbor Week (San Francisco, CA): sfgoodneighborweek.orgDepartment of Public Transformation: publictransformation.orgKnight Foundation: knightfoundation.orgBluegrass Community Foundation: bgcf.orgInterested in joining the conversation? Share this episode with a friend, follow Henry Luce Foundation on Instagram & LinkedIn, or subscribe to our newsletter. 

In this episode of Luce Change, host Sean Buffington sits down with Paul Brandeis Rauschenbusch, an ordained Baptist minister, CEO of Interfaith Alliance, and co-author of an essay suggesting the US may be entering its next Great Awakening.Paul makes the case that every major leap forward in American democracy has been powered not just by policy, but by a moral and spiritual awakening. He argues that what looks like a crisis may also be an invitation: a moment when people across lines of faith, race, and class are choosing to become neighbors to one another.Articles & Organizations Mentioned:"We Need a New Great Awakening" by Paul Brandeis Rauschenbusch & Ian Bassen: thebulwark.comInterfaith Alliance: interfaithalliance.orgFaith for Libraries (Interfaith Alliance initiative): interfaithalliance.orgAmerican Library Association: ala.orgNo Kings: nokings.orgISAIAH (Minnesota): isaiah-mn.orgMarch Minnesota: marchmn.orgInterested in joining the conversation? Share this episode with a friend, follow Henry Luce Foundation on Instagram & LinkedIn, or subscribe to our newsletter. 

What does a photograph prove—and who gets to decide? Recorded live at MacDowell, archaeologist Nam Kim, curator and Magnum Foundation executive director Kristen Lubben, and photographer Accra Shepp join Sean Buffington on this episode of Luce Change to wrestle with photography’s contested role as historical evidence.    At a moment when AI is blurring the line between documentation and fabrication, their discussion cuts to the heart of how we trust images.