<description>&lt;html&gt;&lt;p&gt;Welcome to the penultimate episode of Season 1 of &lt;em&gt;Musing on the Bard: a podcast for the Shakespeare curious&lt;/em&gt;, hosted by Australian actor, Sally McLean, featuring today's guest, the wonderful Australian actor: Phoebe Anne Taylor.&lt;/p&gt;&lt;p&gt;&lt;u&gt;&lt;strong&gt;ABOUT THE EPISODE&lt;/strong&gt;&lt;/u&gt;&lt;/p&gt;&lt;p&gt;Known to Shakespeare Republic audiences for playing the award-winning roles of "Sebastian" in &lt;em&gt;Shakespeare Republic: #LoveTheBard&lt;/em&gt;, "Launce" in &lt;em&gt;Shakespeare Republic: #AllTheWebsAStage (The Lockdown Chronicles)&lt;/em&gt; and "Jane Porter" in &lt;em&gt;Dark Arcadia&lt;/em&gt;, Phoebe Anne Taylor is a Melbourne based theatre maker, actor and writer. She holds a Bachelor of Arts Honours in Creative Writing from the University of Melbourne and Honours in Performance from Monash University, and was a graduate of the inaugural Full Time ensemble of the Howard Fine Acting Studio Australia.&lt;/p&gt;&lt;p&gt;In 2019, Phoebe became an alumni of the Arteles Creative Centre in Finland, having completed the Silence Awareness Existence residency. She was awarded runner up for her work in the 2020 Alpine Fellowship International Theatre Writing prize, and has had work produced at La Mama and the Butterfly Club.&lt;/p&gt;&lt;p&gt;Theatre acting credits include “Ricki” in Apples and Shoes’ &lt;em&gt;the art of f*cking&lt;/em&gt; and &lt;em&gt;no blinding light&lt;/em&gt;, both of which she also wrote, performed at La Mama &amp;amp; Adelaide Fringe, a vocalist in &lt;em&gt;Old Man Nanook&lt;/em&gt; for 3Mask, “Maya (Marcus Andronicus)” in Four Letter Word Theatre’s &lt;em&gt;Titus Andronicus&lt;/em&gt; and “Naomi” in &lt;em&gt;Speak English or Die&lt;/em&gt;.&lt;/p&gt;&lt;p&gt;Film credits include “Raylene” in Michael Liparota’s &lt;em&gt;Raylene and Charlie&lt;/em&gt;, “Jasmine” in Liam Firmager’s &lt;em&gt;Revelation&lt;/em&gt; and Jaklene Vukasinovic’s &lt;em&gt;Firelight&lt;/em&gt;.&lt;/p&gt;&lt;p&gt;Her direction credits include &lt;em&gt;Buried at Sea&lt;/em&gt; for Second Breakfast, &lt;em&gt;Kiss me Kate, The Producers&lt;/em&gt; and &lt;em&gt;Away&lt;/em&gt; for Trinity College and &lt;em&gt;Hamlet&lt;/em&gt; and &lt;em&gt;The Tempest&lt;/em&gt; for Hartwell Players. She is also a regular narrator for the Vision Australia Information Library Service and has narrated several audio books for various publishers.&lt;/p&gt;&lt;p&gt;Join Phoebe and podcast host, Sally McLean, as they discuss the value of casting well, how to keep your sanity as a producer, a healthy way to approach acting process, what value does the iambic pentameter really have, the importance of deprogramming, the nature of poetics and language, the importance of context and much, much more in this wide-ranging and insightful conversation.&lt;/p&gt;&lt;p&gt;To find out more about Phoebe and her work, visit her Instagram profile at &lt;a href="https://www.instagram.com/thingsfromiso/" target="_blank"&gt;https://www.instagram.com/thingsfromiso/&lt;/a&gt; and read her bio in full at &lt;a href="https://musingonthebard.com/about-our-guests/phoebe-anne-taylor/" target="_blank"&gt;https://musingonthebard.com/about-our-guests/phoebe-anne-taylor/&lt;/a&gt;&lt;/p&gt;&lt;p&gt;You can watch Phoebe playing "Sebastian" for &lt;em&gt;Shakespeare Republi&lt;/em&gt;c (Season Two) here: &lt;a href="https://youtu.be/pdu73YF3h-4?si=e5_g3N_8BK56GsoV" target="_blank"&gt;https://youtu.be/pdu73YF3h-4?si=e5_g3N_8BK56GsoV&lt;/a&gt;&lt;/p&gt;&lt;p&gt;And her playing "Launce" for &lt;em&gt;Shakespeare Republic&lt;/em&gt; (Season Three) here: &lt;a href="https://youtu.be/jvQsq9US0zk?si=r_xzCDTHnMfFhEW0" target="_blank"&gt;https://youtu.be/jvQsq9US0zk?si=r_xzCDTHnMfFhEW0&lt;/a&gt;&lt;/p&gt;&lt;p&gt;And you can watch Phoebe as "Jane Porter" in &lt;em&gt;Dark Arcadia&lt;/em&gt; here: &lt;a href="https://youtu.be/1q0lBi08hzQ?si=F8op8gX1PrfEW6_Y" target="_blank"&gt;https://youtu.be/1q0lBi08hzQ?si=F8op8gX1PrfEW6_Y&lt;/a&gt;&lt;/p&gt;&lt;p&gt;To hear Phoebe reading the audiobook of her father, Hugh R Taylor's memoir &lt;em&gt;Opening Eyes&lt;/em&gt; (as mentioned in the interview), head to Audible here: &lt;a href="https://www.audible.com.au/pd/Opening-Eyes-Audiobook/B0FMBKT733" target="_blank"&gt;https://www.audible.com.au/pd/Opening-Eyes-Audiobook/B0FMBKT733&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Season One of &lt;em&gt;Musing on the Bard&lt;/em&gt; features a plethora of fascinating guests from Australia, the UK and the USA discussing Shakespeare, acting, creativity and more. Head to our official site for all listening links and more information: &lt;a href="https://www.musingonthebard.com" target="_blank"&gt;https://www.musingonthebard.com&lt;/a&gt; and don't forget to subscribe so you don't miss a thing!&lt;/p&gt;&lt;p&gt;As always, our fab Patreon patrons get early access to this episode before it goes live to the public, and those on the $10+ tiers can access the full video version of this episode, where you can see Leo and Sally chatting - as well as hear them! You can join our Patreon here: &lt;a href="https://www.patreon.com/incognitaenterprises" target="_blank"&gt;⁠⁠&lt;/a&gt;&lt;a href="https://www.patreon.com/incognitaenterprises⁠" target="_blank"&gt;https://www.patreon.com/incognitaenterprises⁠&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;em&gt;Musing on the Bard: a podcast for the Shakespeare curious&lt;/em&gt; releases episodes on Wednesdays (AEST) and is supported by a Small Grant from the British Shakespeare Association.&lt;/p&gt;&lt;p&gt;Produced by Incognita Enterprises.&lt;br/&gt;Created, edited and presented by Sally McLean.&lt;br/&gt;Opening credits music: "Violin Energy" by Stanislav Barantsov&lt;br/&gt;Quickfire round music: "Demolition Runner" by Soundbay&lt;br/&gt;End Credits music: "Good Vibe" by VItalii Iegorov (Twisterium)&lt;br/&gt;Music used under license from Pixabay &amp;amp; Storyblocks.&lt;br/&gt;With thanks to our Patreon Patrons for continuing to support our work.&lt;/p&gt;&lt;/html&gt;</description>

Musing on the Bard: a podcast for the Shakespeare curious

Incognita Enterprises

Musing on the Bard: Episode 10 - Phoebe Anne Taylor (A Shakespeare & Acting Podcast)

DEC 8, 202576 MIN
Musing on the Bard: a podcast for the Shakespeare curious

Musing on the Bard: Episode 10 - Phoebe Anne Taylor (A Shakespeare & Acting Podcast)

DEC 8, 202576 MIN

Description

<html><p>Welcome to the penultimate episode of Season 1 of <em>Musing on the Bard: a podcast for the Shakespeare curious</em>, hosted by Australian actor, Sally McLean, featuring today's guest, the wonderful Australian actor: Phoebe Anne Taylor.</p><p><u><strong>ABOUT THE EPISODE</strong></u></p><p>Known to Shakespeare Republic audiences for playing the award-winning roles of "Sebastian" in <em>Shakespeare Republic: #LoveTheBard</em>, "Launce" in <em>Shakespeare Republic: #AllTheWebsAStage (The Lockdown Chronicles)</em> and "Jane Porter" in <em>Dark Arcadia</em>, Phoebe Anne Taylor is a Melbourne based theatre maker, actor and writer. She holds a Bachelor of Arts Honours in Creative Writing from the University of Melbourne and Honours in Performance from Monash University, and was a graduate of the inaugural Full Time ensemble of the Howard Fine Acting Studio Australia.</p><p>In 2019, Phoebe became an alumni of the Arteles Creative Centre in Finland, having completed the Silence Awareness Existence residency. She was awarded runner up for her work in the 2020 Alpine Fellowship International Theatre Writing prize, and has had work produced at La Mama and the Butterfly Club.</p><p>Theatre acting credits include “Ricki” in Apples and Shoes’ <em>the art of f*cking</em> and <em>no blinding light</em>, both of which she also wrote, performed at La Mama &amp; Adelaide Fringe, a vocalist in <em>Old Man Nanook</em> for 3Mask, “Maya (Marcus Andronicus)” in Four Letter Word Theatre’s <em>Titus Andronicus</em> and “Naomi” in <em>Speak English or Die</em>.</p><p>Film credits include “Raylene” in Michael Liparota’s <em>Raylene and Charlie</em>, “Jasmine” in Liam Firmager’s <em>Revelation</em> and Jaklene Vukasinovic’s <em>Firelight</em>.</p><p>Her direction credits include <em>Buried at Sea</em> for Second Breakfast, <em>Kiss me Kate, The Producers</em> and <em>Away</em> for Trinity College and <em>Hamlet</em> and <em>The Tempest</em> for Hartwell Players. She is also a regular narrator for the Vision Australia Information Library Service and has narrated several audio books for various publishers.</p><p>Join Phoebe and podcast host, Sally McLean, as they discuss the value of casting well, how to keep your sanity as a producer, a healthy way to approach acting process, what value does the iambic pentameter really have, the importance of deprogramming, the nature of poetics and language, the importance of context and much, much more in this wide-ranging and insightful conversation.</p><p>To find out more about Phoebe and her work, visit her Instagram profile at <a href="https://www.instagram.com/thingsfromiso/" target="_blank">https://www.instagram.com/thingsfromiso/</a> and read her bio in full at <a href="https://musingonthebard.com/about-our-guests/phoebe-anne-taylor/" target="_blank">https://musingonthebard.com/about-our-guests/phoebe-anne-taylor/</a></p><p>You can watch Phoebe playing "Sebastian" for <em>Shakespeare Republi</em>c (Season Two) here: <a href="https://youtu.be/pdu73YF3h-4?si=e5_g3N_8BK56GsoV" target="_blank">https://youtu.be/pdu73YF3h-4?si=e5_g3N_8BK56GsoV</a></p><p>And her playing "Launce" for <em>Shakespeare Republic</em> (Season Three) here: <a href="https://youtu.be/jvQsq9US0zk?si=r_xzCDTHnMfFhEW0" target="_blank">https://youtu.be/jvQsq9US0zk?si=r_xzCDTHnMfFhEW0</a></p><p>And you can watch Phoebe as "Jane Porter" in <em>Dark Arcadia</em> here: <a href="https://youtu.be/1q0lBi08hzQ?si=F8op8gX1PrfEW6_Y" target="_blank">https://youtu.be/1q0lBi08hzQ?si=F8op8gX1PrfEW6_Y</a></p><p>To hear Phoebe reading the audiobook of her father, Hugh R Taylor's memoir <em>Opening Eyes</em> (as mentioned in the interview), head to Audible here: <a href="https://www.audible.com.au/pd/Opening-Eyes-Audiobook/B0FMBKT733" target="_blank">https://www.audible.com.au/pd/Opening-Eyes-Audiobook/B0FMBKT733</a></p><p>Season One of <em>Musing on the Bard</em> features a plethora of fascinating guests from Australia, the UK and the USA discussing Shakespeare, acting, creativity and more. Head to our official site for all listening links and more information: <a href="https://www.musingonthebard.com" target="_blank">https://www.musingonthebard.com</a> and don't forget to subscribe so you don't miss a thing!</p><p>As always, our fab Patreon patrons get early access to this episode before it goes live to the public, and those on the $10+ tiers can access the full video version of this episode, where you can see Leo and Sally chatting - as well as hear them! You can join our Patreon here: <a href="https://www.patreon.com/incognitaenterprises" target="_blank">⁠⁠</a><a href="https://www.patreon.com/incognitaenterprises⁠" target="_blank">https://www.patreon.com/incognitaenterprises⁠</a></p><p><em>Musing on the Bard: a podcast for the Shakespeare curious</em> releases episodes on Wednesdays (AEST) and is supported by a Small Grant from the British Shakespeare Association.</p><p>Produced by Incognita Enterprises.<br/>Created, edited and presented by Sally McLean.<br/>Opening credits music: "Violin Energy" by Stanislav Barantsov<br/>Quickfire round music: "Demolition Runner" by Soundbay<br/>End Credits music: "Good Vibe" by VItalii Iegorov (Twisterium)<br/>Music used under license from Pixabay &amp; Storyblocks.<br/>With thanks to our Patreon Patrons for continuing to support our work.</p></html>