<description>&lt;p&gt;In the final episode of our game of &lt;a target="_blank" rel="noopener noreferrer nofollow" href="https://leyline.press/collections/salvage-union"&gt;Salvage Union&lt;/a&gt;, Baz is left to piece together the fragile aftermath of conflict in a war-torn Des Moines. He works to square up with his past and decide on his future.&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;*The title of this episode is an homage to Nnedi Okorafor’s novella of the same name, the third installment of her Africanfuturist &lt;a target="_blank" rel="noopener noreferrer nofollow" href="https://nnedi.com/books/the-binti-series/"&gt;&lt;em&gt;Binti &lt;/em&gt;trilogy&lt;/a&gt;, about a young Himba woman navigating interstellar conflict and her own identity. It’s very good, you should read it.&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Content Warnings: &lt;/strong&gt;&lt;/p&gt;&lt;ul&gt;&lt;li&gt;Violence and combat scenes&lt;/li&gt;&lt;li&gt;Injury and death references&lt;/li&gt;&lt;li&gt;Emotional distress and anxiety&lt;/li&gt;&lt;li&gt;Mention of war, ambush, and military operations&lt;/li&gt;&lt;li&gt;Descriptions of damaged buildings and post-disaster environments&lt;/li&gt;&lt;li&gt;References to trauma and nightmares&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Produced by Paul Privitera. Featuring Jordan Lee Thompson.&lt;/p&gt;&lt;p&gt;Edited by Jordan Lee Thompson.&lt;/p&gt;&lt;p&gt;Music by Tommy Ljungberg.&lt;/p&gt;&lt;p&gt;Cover Art by &lt;a target="_blank" rel="noopener noreferrer nofollow" href="https://www.maddyfuscoillustration.com/"&gt;Maddy Fusco&lt;/a&gt;.&lt;/p&gt;&lt;p&gt;Voice over by &lt;a target="_blank" rel="noopener noreferrer nofollow" href="https://www.lipingvong.com/"&gt;LIPING VONG&lt;/a&gt;.&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;em&gt;235 bloom&lt;/em&gt; is a collaboration between &lt;em&gt;Des Moines &amp;amp; Dragons&lt;/em&gt;and &lt;em&gt;The Institute for Manufactured Futures&lt;/em&gt;. It is a work of speculative fiction taking place in the year 2089. The locations may be real, but any similarity to actual persons or their descendants is unintentional.&lt;/p&gt;</description>

Canopy Archive: 235 bloom

the Institute for Manufactured Futures x Des Moines & Dragons

15) Bazil's Story: The Night Masquerade

MAY 15, 2026149 MIN
Canopy Archive: 235 bloom

15) Bazil's Story: The Night Masquerade

MAY 15, 2026149 MIN

Description

<p>In the final episode of our game of <a target="_blank" rel="noopener noreferrer nofollow" href="https://leyline.press/collections/salvage-union">Salvage Union</a>, Baz is left to piece together the fragile aftermath of conflict in a war-torn Des Moines. He works to square up with his past and decide on his future.</p><p></p><p>*The title of this episode is an homage to Nnedi Okorafor’s novella of the same name, the third installment of her Africanfuturist <a target="_blank" rel="noopener noreferrer nofollow" href="https://nnedi.com/books/the-binti-series/"><em>Binti </em>trilogy</a>, about a young Himba woman navigating interstellar conflict and her own identity. It’s very good, you should read it.</p><p></p><p><strong>Content Warnings: </strong></p><ul><li>Violence and combat scenes</li><li>Injury and death references</li><li>Emotional distress and anxiety</li><li>Mention of war, ambush, and military operations</li><li>Descriptions of damaged buildings and post-disaster environments</li><li>References to trauma and nightmares</li></ul><p></p><p>Produced by Paul Privitera. Featuring Jordan Lee Thompson.</p><p>Edited by Jordan Lee Thompson.</p><p>Music by Tommy Ljungberg.</p><p>Cover Art by <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.maddyfuscoillustration.com/">Maddy Fusco</a>.</p><p>Voice over by <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.lipingvong.com/">LIPING VONG</a>.</p><p></p><p><em>235 bloom</em> is a collaboration between <em>Des Moines &amp; Dragons</em>and <em>The Institute for Manufactured Futures</em>. It is a work of speculative fiction taking place in the year 2089. The locations may be real, but any similarity to actual persons or their descendants is unintentional.</p>