<description>
        A charango is a musical instrument to ten cords (five cords doubled pinches) out of nylon resembling a small guitar. Following the arrival of the Spaniards to America, the natives took as a starting point the guitar to create this small instrument. After its creation, it had much influence on the Andean countries. 
The first charangos were built by using the carapace of armadillos of small size, called Kirkincho, like case of resonance. This practice continues although certain races of armadillos are protected. However, the use of wood for the case of resonance is increasingly frequent, best the charangos while being conceived of only one part.
      </description>

A charango is a musical instrument to ten cords (five cords doubled pinches) out of nylon resembl...

A charango is a musical instrument to ten cords (five cords doubled pinches) out of nylon resembling a small guitar. Following the arrival of the Spaniards to America, the natives took as a starting point the guitar to create this small instrument. After its creation, it had much influence on the Andean countries. 
The first charangos were built by using the carapace of armadillos of small size, called Kirkincho, like case of resonance. This practice continues although certain races of armadillos are protected. However, the use of wood for the case of resonance is increasingly frequent, best the charangos while being conceived of only one part.

16 Pururruna - Luis Valdivia Pozo (Tribute to Charango)

<description>
        Huajcha Pucuito me llaman todos,
porque no tengo padre ni madre,
solo, solito había quedado,
en este yelmo del altipampa,
por eso cuando la luna llega,
mi voz doliente elevo al viento,
mis tiernas alas agito al aire,
en busca de mis perdidos padres
pucuy pucuy siempre diré
llamando a mis queridos padres
que voy  hacer, soportaré,
la amarga vida que estoy pasando
apiadaté cielo de mi,
si eres divino y real,
sacame de esta orfandad,
te pago mi corazón.

Author: Zacarias Puntaca

Meaning of  "Huajcha Puquito" in Aymara language is orphan.

      </description>

Huajcha Pucuito me llaman todos,
porque no tengo padre ni madre,
solo, solito había quedado,
e...

Huajcha Pucuito me llaman todos,
porque no tengo padre ni madre,
solo, solito había quedado,
en este yelmo del altipampa,
por eso cuando la luna llega,
mi voz doliente elevo al viento,
mis tiernas alas agito al aire,
en busca de mis perdidos padres
pucuy pucuy siempre diré
llamando a mis queridos padres
que voy  hacer, soportaré,
la amarga vida que estoy pasando
apiadaté cielo de mi,
si eres divino y real,
sacame de esta orfandad,
te pago mi corazón.

Author: Zacarias Puntaca

Meaning of  "Huajcha Puquito" in Aymara language is orphan.


15 Huajcha Puquito - Kana J'allu

<description>
        The true sikuri of Mañazo as in the Puno's streets, this group is the oldest of the Candelaria's festivity in south of Peru.
      </description>

The true sikuri of Mañazo as in the Puno's streets, this group is the oldest of the Candelaria's ...

The true sikuri of Mañazo as in the Puno's streets, this group is the oldest of the Candelaria's festivity in south of Peru.

14 Cacharpari - Sikuris del Barrio Mañazo

<description>
        Peruvian carnivals are marked by the festive character of Andean areas, which regularly break with their solemn traditions. Beyond regional variations, a common characteristic of nearly the entire highland chain is the ritual of the yunza, called umisha in the jungle and cortamonte on the coast. It involves artificially planting a tree trunk laden with gifts, around which the guests dance until it is chopped with a machete or an ax. 
The couple who make the final hack that brings down the tree will then both be in charge of organizing the yunza next year. Peruvians across the country are extremely fond of tossing buckets of water at each other during this festival. Cities where carnivals reach a high point include Cajamarca, Arequipa and Puno.

Pueblo Andino - Selection of Peruvian Carnivals (Fusion version): 
- Cuzco's carnival
- Arequipa's Carnival
- Cajamarca's carnival
- Huancayo's carnival



      </description>

Peruvian carnivals are marked by the festive character of Andean areas, which regularly break wit...

Peruvian carnivals are marked by the festive character of Andean areas, which regularly break with their solemn traditions. Beyond regional variations, a common characteristic of nearly the entire highland chain is the ritual of the yunza, called umisha in the jungle and cortamonte on the coast. It involves artificially planting a tree trunk laden with gifts, around which the guests dance until it is chopped with a machete or an ax. 
The couple who make the final hack that brings down the tree will then both be in charge of organizing the yunza next year. Peruvians across the country are extremely fond of tossing buckets of water at each other during this festival. Cities where carnivals reach a high point include Cajamarca, Arequipa and Puno.

Pueblo Andino - Selection of Peruvian Carnivals (Fusion version): 
- Cuzco's carnival
- Arequipa's Carnival
- Cajamarca's carnival
- Huancayo's carnival




13 - Seleccion de Carnavales Peruanos - Pueblo Andino

<description>
        Heights of Macchu Picchu: I 
Pablo Neruda

From air to air, like an empty net,
I went wandering between the streets and the atmosphere, arriving and saying goodbye
leaving behind in autumn's advent the coin extended
from the leaves, and between Spring and the wheat,
that which the greatest love, as within a falling glove,
hands over to us like a large moon.
(Days of live brilliance in the storminess
of bodies: steel transformed
into the silence of acid:
nights unraveled to the last flour:
assualted stamens of the nuptial native land.)
Someone waiting for me among the violins
found a world like a sunken tower
digging its spiral deeper than all
the leaves the color of hoarse sulfur:
and deeper still, into geologic gold,
like a sword sheathed in meteors,
I pulnged my turbulent and tender hand
into the most genital terrestrial territory.
I leaned my head into the deepest waves,
I sank through the sulfuric peace,
and, like a blind man, returned to the jasmine
of the exhausted human springtime.



      </description>

Heights of Macchu Picchu: I 
Pablo Neruda

From air to air, like an empty net,
I went wanderi...

Heights of Macchu Picchu: I 
Pablo Neruda

From air to air, like an empty net,
I went wandering between the streets and the atmosphere, arriving and saying goodbye
leaving behind in autumn's advent the coin extended
from the leaves, and between Spring and the wheat,
that which the greatest love, as within a falling glove,
hands over to us like a large moon.
(Days of live brilliance in the storminess
of bodies: steel transformed
into the silence of acid:
nights unraveled to the last flour:
assualted stamens of the nuptial native land.)
Someone waiting for me among the violins
found a world like a sunken tower
digging its spiral deeper than all
the leaves the color of hoarse sulfur:
and deeper still, into geologic gold,
like a sword sheathed in meteors,
I pulnged my turbulent and tender hand
into the most genital terrestrial territory.
I leaned my head into the deepest waves,
I sank through the sulfuric peace,
and, like a blind man, returned to the jasmine
of the exhausted human springtime.




12 Mujer Andina - Tonada


      Music from the Andes.
Out from the depths of endless valleys, out from the peaks and glaciers of untouched mountains, out from the greenest of rainforests... this is the landscape in which, since time immemorial, the music of the Andes has been forged throughout the course of history. It is a history of tragedy and triumph.

    

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