<description>
        I closed the bill at the CAA's Monday Night Concert on 30th November 2009. I was lucky to be accompanied by the venerable m.d. Terry White, who did an excellent job. In the audience was lovely Pamela Cundell aka Mrs. Fox off Dad's Army, now Queen of the CAA (see photo, taken 2008 at CAA).
Host: Georgina Jayne

Songs:
Cohen Owes Me Ninety-Seven Dollars (Irving Berlin, 1915)
All The Things You Are (Kern/Hammerstein, 1939)
Collegiate (Jaffe/Bonx, 1925)
      </description>

I closed the bill at the CAA's Monday Night Concert on 30th November 2009. I was lucky to be acco...

I closed the bill at the CAA's Monday Night Concert on 30th November 2009. I was lucky to be accompanied by the venerable m.d. Terry White, who did an excellent job. In the audience was lovely Pamela Cundell aka Mrs. Fox off Dad's Army, now Queen of the CAA (see photo, taken 2008 at CAA).
Host: Georgina Jayne

Songs:
Cohen Owes Me Ninety-Seven Dollars (Irving Berlin, 1915)
All The Things You Are (Kern/Hammerstein, 1939)
Collegiate (Jaffe/Bonx, 1925)

David Benson Live at the Club for Acts and Actors (CAA)

<description>
        I was amazed and flattered, during the run of Think No Evil at Us at Birmingham Rep (Dec 96-Jan 97) to be asked onto legendary chat-show host Michael Parkinson's Radio 2 afternoon show. It was my birthday too so it had a feeling of significance and the promise of having 'arrived'. Of course, it was his television show that I dreamed of being a guest on during my adolescence. I watched it every Saturday night religiously. Not only were some of my most revered idols interviewed on it (Fred Astaire, Bing Crosby, Jack Benny, Morecambe and Wise, Dame Edna, Duke Ellington, George Burns...) but you had those memorable multi-guest mixes: Quentin Crisp and Malcolm Muggeridge, Dame Edna and Gloria Swanson, Bette Midler and Professor Galbraith. To me, to be invited onto his show was the apex of having made it. After that, surely you could die happy, I thought. Whatever downturns your life might take thereafter, you could always say on your deathbed, 'I was on Parkinson.'

Disappointingly, when the call came he did not have a television series but beggars can't be choosers, so radio was had to do.

A significant number of people who later came to see the show on tour first heard about me from this broadcast.
      </description>

I was amazed and flattered, during the run of Think No Evil at Us at Birmingham Rep (Dec 96-Jan 9...

I was amazed and flattered, during the run of Think No Evil at Us at Birmingham Rep (Dec 96-Jan 97) to be asked onto legendary chat-show host Michael Parkinson's Radio 2 afternoon show. It was my birthday too so it had a feeling of significance and the promise of having 'arrived'. Of course, it was his television show that I dreamed of being a guest on during my adolescence. I watched it every Saturday night religiously. Not only were some of my most revered idols interviewed on it (Fred Astaire, Bing Crosby, Jack Benny, Morecambe and Wise, Dame Edna, Duke Ellington, George Burns...) but you had those memorable multi-guest mixes: Quentin Crisp and Malcolm Muggeridge, Dame Edna and Gloria Swanson, Bette Midler and Professor Galbraith. To me, to be invited onto his show was the apex of having made it. After that, surely you could die happy, I thought. Whatever downturns your life might take thereafter, you could always say on your deathbed, 'I was on Parkinson.'

Disappointingly, when the call came he did not have a television series but beggars can't be choosers, so radio was had to do.

A significant number of people who later came to see the show on tour first heard about me from this broadcast.

Parkinson's Sunday Supplement BBC R2 11th January 1997

<description>
        This is where it all went horribly wrong with Clayton and I and Radio London host Tessa Dunlop. The first one we did with her, last December, was a delight. We did another in January 2008 (not posted here yet) in which the end of our hour was marred by our use of words in Clayton's blog unsuitable for Radio London, a notoriously sensitive station (the words were 'cocks and bumholes'). 

This time we made another attempt at the same blog, sweetened up sufficiently we thought, to pass the station's rigorous standards of decency. 

We found our host suspicious and ungracious from the word 'go' this time, possibly because one of the station's high-ups was in the building monitoring everything and, she told us, her contract is soon up for renewal.

As you'll hear, all did not go well. I was horrified by the whole debacle and could barely bring myself to speak at the end, fearing what might come from my mouth. I can be nasty when I am angry and I always regret it.

The saving grace was a caller who rang up and defended us in sane and intelligent words. I loved him. 

You will hear what I hope you will agree is a reading of one of Clayton's best blogs, interspersed with music by Duke Ellington. The piece at the start is also Ellington, from the album Such Sweet Thunder (1957)

      </description>

This is where it all went horribly wrong with Clayton and I and Radio London host Tessa Dunlop. T...

This is where it all went horribly wrong with Clayton and I and Radio London host Tessa Dunlop. The first one we did with her, last December, was a delight. We did another in January 2008 (not posted here yet) in which the end of our hour was marred by our use of words in Clayton's blog unsuitable for Radio London, a notoriously sensitive station (the words were 'cocks and bumholes'). 

This time we made another attempt at the same blog, sweetened up sufficiently we thought, to pass the station's rigorous standards of decency. 

We found our host suspicious and ungracious from the word 'go' this time, possibly because one of the station's high-ups was in the building monitoring everything and, she told us, her contract is soon up for renewal.

As you'll hear, all did not go well. I was horrified by the whole debacle and could barely bring myself to speak at the end, fearing what might come from my mouth. I can be nasty when I am angry and I always regret it.

The saving grace was a caller who rang up and defended us in sane and intelligent words. I loved him. 

You will hear what I hope you will agree is a reading of one of Clayton's best blogs, interspersed with music by Duke Ellington. The piece at the start is also Ellington, from the album Such Sweet Thunder (1957)


BBC Radio London, Tessa Dunlop Show 8-2-08 11.35pm

<description>
        Another job for Radio 1, this is one of the strangest assignments I have ever been asked to perform. I was asked onto the Scott Mills show to help with a stunt which involved Scott giving me, in the guise of a high-up BBC executive, a tour of the Radio 1 building and meeting various employees - including the venerable Jo Whiley. My brief was to drop in a really bad joke at some point in the conversation and see whether our victims did a 'career laugh'. 

What made it hard was that I had to be able to pass as a BBC boss. This entailed in-depth research, mostly watching clips of BBC Director General Mark Thompson on Youtube doing a Powerpoint presentation at a conference called 'Zeitgeist'. It turned out to be a priceless repository of every media buzzword in the book and gave me a vocabulary of cliches for my character to spout. 

I also discovered that Mr. Thompson thinks it is 'cool' for 'users' 'out there' to nick BBC material and use it for our own ends. As he said with evident pride, "There's a little bit of Youtube about the BBC."

Therefore what I am presenting here is my own edited version of Scott's show without his or even the D.G.'s permission. It is also a sort of payback for the fact that, as you will hear, I remained completely anonymous and uncredited throughout the broadcast. Spooky...



      </description>

Another job for Radio 1, this is one of the strangest assignments I have ever been asked to perfo...

Another job for Radio 1, this is one of the strangest assignments I have ever been asked to perform. I was asked onto the Scott Mills show to help with a stunt which involved Scott giving me, in the guise of a high-up BBC executive, a tour of the Radio 1 building and meeting various employees - including the venerable Jo Whiley. My brief was to drop in a really bad joke at some point in the conversation and see whether our victims did a 'career laugh'. 

What made it hard was that I had to be able to pass as a BBC boss. This entailed in-depth research, mostly watching clips of BBC Director General Mark Thompson on Youtube doing a Powerpoint presentation at a conference called 'Zeitgeist'. It turned out to be a priceless repository of every media buzzword in the book and gave me a vocabulary of cliches for my character to spout. 

I also discovered that Mr. Thompson thinks it is 'cool' for 'users' 'out there' to nick BBC material and use it for our own ends. As he said with evident pride, "There's a little bit of Youtube about the BBC."

Therefore what I am presenting here is my own edited version of Scott's show without his or even the D.G.'s permission. It is also a sort of payback for the fact that, as you will hear, I remained completely anonymous and uncredited throughout the broadcast. Spooky...




Scott Mills Show, BBC Radio One January 24th 2008

<description>
        This is an interview I did backstage at the King's Head Theatre, Upper Street, North London, immediately following a performance of Think No Evil of Us - My Life With Kenneth Williams, in December 1996. The show was still very new, just down from Edinburgh and I was overwhelmed at the response I was getting on this, its first London run: packed houses, great reviews and people wanting to interview me. At the age of 34 I had finally been discovered.

I was thrilled and honoured to be interviewed by the great Mavis Nicholson, one of the best interviewers we have ever had on British radio or television. She had a canny knack of getting her subjects to relax and reveal more about themselves than so many other chat-show hosts, mostly because she knows how to listen as well as talk. 

I found that her unexpected questions and pointed follow-ups to answers I had already given disarmed and relaxed me, liberating my tongue. When the interview was over I knew I had been well and truly 'Mavissed"! I recall giving her a big hug and feeling that I had a friend for life. If only she did not live off in the Welsh valleys somewhere, I'd love to pop round to tea on a daily basis.

Here you will find a great interview she did with Kenneth Williams in 1974, one of his best and most revealing:
http://youtube.com/watch?v=kEwxfIrOKNs
      </description>

This is an interview I did backstage at the King's Head Theatre, Upper Street, North London, imme...

This is an interview I did backstage at the King's Head Theatre, Upper Street, North London, immediately following a performance of Think No Evil of Us - My Life With Kenneth Williams, in December 1996. The show was still very new, just down from Edinburgh and I was overwhelmed at the response I was getting on this, its first London run: packed houses, great reviews and people wanting to interview me. At the age of 34 I had finally been discovered.

I was thrilled and honoured to be interviewed by the great Mavis Nicholson, one of the best interviewers we have ever had on British radio or television. She had a canny knack of getting her subjects to relax and reveal more about themselves than so many other chat-show hosts, mostly because she knows how to listen as well as talk. 

I found that her unexpected questions and pointed follow-ups to answers I had already given disarmed and relaxed me, liberating my tongue. When the interview was over I knew I had been well and truly 'Mavissed"! I recall giving her a big hug and feeling that I had a friend for life. If only she did not live off in the Welsh valleys somewhere, I'd love to pop round to tea on a daily basis.

Here you will find a great interview she did with Kenneth Williams in 1974, one of his best and most revealing:
http://youtube.com/watch?v=kEwxfIrOKNs

Mavis Nicholson, BBC Radio 2, December 1996


      Recordings from my voluminous sound archives. 

More to come!

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