<description>&lt;p&gt;Today on Art of the Cut we talk with multi-Oscar winning editor Kirk Baxter, ACE about editing Oscar-winning director, Kathryn Bigelow’s film, A House of Dynamite, now playing on Netflix.&lt;/p&gt;&lt;p&gt;Kirk’s been on Art of the Cut before to discuss &lt;em&gt;Gone Girl&lt;/em&gt;, &lt;em&gt;Mank&lt;/em&gt;, and &lt;em&gt;The Killer&lt;/em&gt; and the TV series, &lt;em&gt;Mindhunter&lt;/em&gt;. His other films include &lt;em&gt;The Girl with the Dragon Tattoo&lt;/em&gt;, &lt;em&gt;Social Network&lt;/em&gt;, &lt;em&gt;The Curious Case of Benjamin Button&lt;/em&gt;, and &lt;em&gt;Zodiac&lt;/em&gt;.&lt;/p&gt;&lt;p&gt;Today’s discussion is about the traits of a good editor, the advantages of cutting a movie linearly, and the sensitive nature of the editing room.&lt;/p&gt;&lt;p&gt;You can read along with this podcast and see clips and exclusive photos and timeline screenshots at BorisFX&amp;#39;s blog site: borisfx.com/blog/aotc&lt;/p&gt;
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Today on Art of the Cut we talk with multi-Oscar winning editor Kirk Baxter, ACE about editing Oscar-winning director, Kathryn Bigelow’s film, A House of Dynamite, now playing on Netflix.Kirk’s been on Art of the Cut before to discuss Gone Girl, Mank, and The Killer and the TV series, Mindhunter. His other films include The Girl with the Dragon Tattoo, Social Network, The Curious Case of Benjamin Button, and Zodiac.Today’s discussion is about the traits of a good editor, the advantages of cutting a movie linearly, and the sensitive nature of the editing room.You can read along with this podcast and see clips and exclusive photos and timeline screenshots at BorisFX&#39;s blog site: borisfx.com/blog/aotc

Art of the Cut

A HOUSE OF DYNAMITE

A HOUSE OF DYNAMITE

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